ray johnson (394 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges Paperback.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Zustand: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

No Binding. Zustand: Very Good. First Edition. This vintage sheet music from 1946 had it's lyrics written by Ray Johnson and Del Porter with music composed by , and was performed by Sammy Kaye! Dimensions: 9.25" by 12.25". Published by Republic Music Corp., New York Copyright 1946, 2nd printing, 1947. 0.25 Pound Shipping Rate with Multiple Product Orders. (Min Shipping Rate 1 Pound per Order). Order More and SAVE! Genre(s): Sheet Music / Vintage Sheet Music (1940S) / Music.

Zustand: New.

Paperback. Zustand: New. "I did one of my most bizarre lectures up at the Rhode Island School of Design. It consisted of my trying to move a piano across a stage, and people kept coming up to ask if they could help, and I said, 'Certainly not! I mean the point is that I can't move this piano, and I'm struggling to move it, and it's obviously not going to get moved across the stage, and I'm putting out a great exertion of energy, and I'm on a public platform, and you are all viewing me, which is the whole point of this thing.' I said, 'You figure it out.'"-Ray JohnsonRay Johnson (1927-1995) was a singular artist, for whom life and work were inextricably linked. Born in Detroit, Johnson attended Black Mountain College before moving to New York, where his work anticipated Pop art and he was active in early Fluxus circles. Best known for his collages and Mail art activities, including his New York Correspondence School, he operated fluidly in a wide range of modes. For Johnson, everything and everyone were potential material for his art-any form could become a space for artistic activity-and the form of the interview proved no exception.That Was the Answer: Interviews with Ray Johnson brings together a selection of eleven interviews and conversations from 1963 to 1987 that offer unique access to Johnson's distinctive thinking and working methods. These materials, which include exhibition ephemera, an oral history, radio transcripts, and magazine articles, are marked throughout by his humor and close attention to language. Gathering these exchanges for the first time, That Was the Answer serves as an exceptional introduction to Ray Johnson as well as a resource for those who are interested in gaining deeper insight into the artist and his kaleidoscopic body of work.

Zustand: As New. Unread book in perfect condition.

Zustand: New. Troll, Ray (illustrator). Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Pictorial Cover. Zustand: Very Good. Early edition. Music and lyrics to one song from this musical revue. 12" x 9".

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: new. Paperback. "I did one of my most bizarre lectures up at the Rhode Island School of Design. It consisted of my trying to move a piano across a stage, and people kept coming up to ask if they could help, and I said, 'Certainly not! I mean the point is that I can't move this piano, and I'm struggling to move it, and it's obviously not going to get moved across the stage, and I'm putting out a great exertion of energy, and I'm on a public platform, and you are all viewing me, which is the whole point of this thing.' I said, 'You figure it out.'"Ray JohnsonRay Johnson (19271995) was a singular artist, for whom life and work were inextricably linked. Born in Detroit, Johnson attended Black Mountain College before moving to New York, where his work anticipated Pop art and he was active in early Fluxus circles. Best known for his collages and Mail art activities, including his New York Correspondence School, he operated fluidly in a wide range of modes. For Johnson, everything and everyone were potential material for his artany form could become a space for artistic activityand the form of the interview proved no exception.That Was the Answer: Interviews with Ray Johnson brings together a selection of eleven interviews and conversations from 1963 to 1987 that offer unique access to Johnsons distinctive thinking and working methods. These materials, which include exhibition ephemera, an oral history, radio transcripts, and magazine articles, are marked throughout by his humor and close attention to language. Gathering these exchanges for the first time, That Was the Answer serves as an exceptional introduction to Ray Johnson as well as a resource for those who are interested in gaining deeper insight into the artist and his kaleidoscopic body of work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Zustand: New. This gemlike Ray Johnson book celebrates his friendship with writer and logophile William S. Wilson in pictures and wordsA New York Times critics' pick Best Art Books 2020Dubbed "Ray Johnson's Boswell," writer and logophile William S. Wilson was one of legendary artist Ray Johnson's closest friends and biggest champions. He was also perhaps Johnson's most trusted poetic muse and synthesizer of referents and references. The influence was mutual: throughout their lifelong friendship, begun when both men were in their twenties, writer and artist challenged and enriched one another's work.Published on the occasion of the exhibition of Ray Johnson works from Wilson's archive at the Art Institute of Chicago, Frog Pond Splash embodies the energy, expansiveness and motion of their work and their friendship. Editor Elizabeth Zuba has selected short, perspicacious texts by Wilson (from both published and unpublished writings) and collage works by Johnson to create juxtapositions that do not explicate or illustrate; rather, they form a loose collage-like letter of works and writings that are less bound than assembled, allowing the reader to put the pieces together, to respond, to add to and return to the way Johnson required of his correspondents and fellow travelers.Taking its title from Wilson's haiku equivalence of Johnson's process, Frog Pond Splash is a small book but many things: a collage-like homage to their friendship, a treasure chest of prismatic "correspondances," as well as an unusual portrait of the disappearing, fractured Johnson through Wilson's words. Zuba's nuanced selection and arrangement of images and texts in this sumptuous little volume honors Johnson's "open system" (which rejected closed and consistent meanings, codes and symbols) in its open, associative, and intimate playfulness.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: New. 1st Edition. Ray Johnson (1929 1995) studied painting at the legendary Black Mountain College, where he met and befriended many of the leading avant-garde figures of the day. He moved to New York in 1949, and within a few years he had rejected painting in favor of collage. That medium's combinatory principles became central to his art, which grew to encompass performance, conceptual art, and sculpture. Considered among the earliest examples of Pop art, Johnson's collages are built up in layers of magazine clippings, found photographs, and handmade marks. He worked in a nonlinear way, often setting aside a collage for years before picking it up, adding to it, and setting it aside again. As he grew increasingly isolated during the last two decades of his life, he seemed to build a world within his work, filling it with a peculiar mix of celebrities, writers, and members of the New York art world. "Like jokes sublimely told by a tortured stand-up comedian, or songs belted out by a diva on painkillers," Brad Gooch writes in the essay, "the invariable takeaways from Johnson s painstakingly executed works remain surprise and joy, excitement and entertainment." Clothbound with jacket. 192 pages, 87 images. 8¾ × 6¾ inches; 22 × 17 cm.

paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Softcover/Paperback. Zustand: Very Good. Ray Johnson.Julie J. Thomson (Editor).That Was The Answer: Interviews with Ray Johnson.Soberscove Press, 2018.Softcover.198 pages.14 black and white illustrations.7" x 8.5". Ray Johnson (19271995) was a singular artist,for whom life and work were inextricably linked. Born in Detroit, Johnson attended Black Mountain College before moving to New York, where his work anticipated Pop art and he was active in early Fluxus circles. Best known for his collages and Mail art activities, includinghisNew York Correspondence School, he operated fluidly in a wide range of modes. For Johnson, everything and everyone werepotential material for his artany form could become a space for artistic activityand the form of the interview proved no exception. That Was the Answer: Interviews with Ray Johnsonbrings together a selection ofeleveninterviews and conversations from 1963 to 1987 that offer unique access to Johnson's distinctive thinking and working methods.These materials, which include exhibition ephemera, an oral history, radio transcripts, andmagazine articles, are marked throughout by his humor andcloseattention to language. Gathering theseexchangesfor the first time,That Was the Answerserves as an exceptional introduction to Ray Johnson as well as a resource for those who are interested in gaining deeper insight into the artist and his kaleidoscopic body of work. Julie J. Thomson is an independent scholar and curator based in Durham, North Carolina.

No Binding. Zustand: Very Good. 11x18 tri-folded brochure of Johnson's Western art. ID# M10.

Softcover staple bound, 12 pages, very good condition except small abrasion to bottom edge of front cover and first page; no internal marks,

Hardcover. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Zustand: New.

Signed and inscribed by the Author. Octavo, turquoise boards (hardcover), silver letters, 248 pp. Fine in a Very Good, mylar protected dust jacket with edgewear. From dust jacket: Bankers and preachers were barred from public office by Florida's first constitution. Florida waters and shores survived one of the world's most massive oil spills. Why the capital was put in Tallahassee. How a nocturnal spider dismantles and hauls in its web. Florida once had a candidate for governor who made no campaign speeches -- because he couldn't talk. Such are some of the items you will find in this book, gleaned from several thousand columns and other commentaries by Malcolm B. Johnson, who retired in 19 ? as editor of the Tallahassee Democrat after 43 years of newspapering in Florida. Most of them appeared under the familiar logo in the left column of the Democrat's front page. Some appeared as Sunday columns on the editorial page. Johnson's commentaries, spawned from notes taken on the writing arm of his antique rocking chair, ranged from the trivial to the transcendental -- from oddities of nature (human and otherwise) to serious essays on religion and constitutional government, with recollections of people and events that shaped the destiny of Florida during the middle half of the 20th century and before. With one exception, Johnson has known and talked with every governor of Florida in this century, or with someone intimately connected with him. Johnson's knowledge, his wit, and his bombast helped shape public policy and public opinion in the Capital and throughout the area. His love and knowledge of nature inspired an appreciation for North Florida's natural beauty. Florida, Floridiana, Florida History, Biography, Americana, American History, U.S.-iana. zslic.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 200 pages. 9.00x8.00x1.00 inches. In Stock.

Zustand: New.

Unknown. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: VeryGood. Disc(s) and case show moderate signs of wear and tear. Case has damage.

Hardcover. Zustand: new. Hardcover. This gemlike Ray Johnson book celebrates his friendship with writer and logophile William S. Wilson in pictures and wordsA New York Times critics' pick | Best Art Books 2020Dubbed "Ray Johnson's Boswell," writer and logophile William S. Wilson was one of legendary artist Ray Johnson's closest friends and biggest champions. He was also perhaps Johnsons most trusted poetic muse and synthesizer of referents and references. The influence was mutual: throughout their lifelong friendship, begun when both men were in their twenties, writer and artist challenged and enriched one anothers work.Published on the occasion of the exhibition of Ray Johnson works from Wilson's archive at the Art Institute of Chicago, Frog Pond Splash embodies the energy, expansiveness and motion of their work and their friendship. Editor Elizabeth Zuba has selected short, perspicacious texts by Wilson (from both published and unpublished writings) and collage works by Johnson to create juxtapositions that do not explicate or illustrate; rather, they form a loose collage-like letter of works and writings that are less bound than assembled, allowing the reader to put the pieces together, to respond, to add to and return to the way Johnson required of his correspondents and fellow travelers.Taking its title from Wilson's haiku equivalence of Johnson's process, Frog Pond Splash is a small book but many things: a collage-like homage to their friendship, a treasure chest of prismatic "correspondances," as well as an unusual portrait of the disappearing, fractured Johnson through Wilson's words. Zuba's nuanced selection and arrangement of images and texts in this sumptuous little volume honors Johnson's "open system" (which rejected closed and consistent meanings, codes and symbols) in its open, associative, and intimate playfulness. Collages by Ray Johnson with Texts by William S Wilson. This gemlike Ray Johnson book celebrates his friendship with writer and logophile William S. Wilson in pictures and words Shipping may be from multiple locations in the US or from the UK, depending on stock availability.