Renaissance types (57 Ergebnisse)

Hardcover. Zustand: Very Good. 1st Edition. pp.xxiv, 400 pages, a very good hardback, publisher's green cloth with gilt lettering to spine and front cover. Also top page edges are gold gilt, ex-library.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: Very Good. Ex Library Copy, Cover Wear; Ex Library Copy; 400 pages.

Hardback. Zustand: Very Good. Ex Library Copy; Ex Library Copy; 400 pages.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN.…

Hardcover. Zustand: Very Good. pp.xxiv, 400 pages, top edges gilt, a very good bright hardback, publisher's green cloth with gilt lettering to spine and front cover. Also top page edges are gold gilt, an abbey's bookplate on pastedown - but no other hint of former institutional ownership.

3 ring binder. Zustand: Very Good - Cash. Minor rubbing and edge wear to cover, with light reader wear to pages. Still great condition. The top corner of the spine has a scuff. Stock photos may not look exactly like the book.

First edition hardback. The binding has some wear and the hinges are a touch weak. There is some edge foxing throughout with the first and last few pages more extensively affected. XXIV + 400.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. New copy - Usually dispatched within 4 working days.

Hardcover. Zustand: Near Fine. No Jacket. First Edition. A near fine copy of the hardcover first edition in original navy blue cloth (slight bumping to edges). Corrigenda laid in loose.

Hardcover. 1st edition. xxiv, 400 p.; 23 cm. Several essays collected from the Quarterly review. Dedicated to John Emerich Dalberg, Lord Acton. VG lt. spotted orig. slate cloth. Gilt top.

Paperback or Softback. Zustand: New. Fontainebleau �tudes Pittoresques Et Historiques Sur CE Ch�teau: Consid�r� Comme l'Un Des Types de la Renaissance Des Arts En France Au Xvie Si�cle. Book.

Zustand: New.

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Zustand: New. In.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. Zustand: New. Print on Demand. This book traces the genealogy of the Renaissance movement from the roots present throughout the Middle Ages. Rather than a completely new artistic and intellectual movement, the author presents the Renaissance as an extension of ideas and ideals that already existed in European society, particularly in Italy. Important thinkers of the era, ranging from Michaelangelo and Erasmus to Luther and More, are presented as exemplars of how the Renaissance re-shaped existing thought, and the book's insights offer a fresh perspective on this pivotal historical epoch. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Hardcover. Zustand: As New. 1st Edition. Housed in original publisher's mailing box.

Zustand: Good. Good condition. No Dust Jacket (Printing, Type Founding, France, History) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand: New. 4to (29.5 cm), 471 pp. Publisher's cloth, gilt-lettered spine. Comprehensive and authoritative study of sixteenth-century typefounding and typography. The conspectus opens with substantial introductory chapters discussing the surviving sources, the historical development of type-casting and letter-engraving in the sixteenth century, and the methodological framework of the study. These are followed by detailed biographical notices of seventeen punchcutters, ranging from major figures such as Colines, Garamont, and Granjon to lesser-known but significant craftsmen including Vatel, Gryphius, and Du Boys. The core of the volume comprises facsimiles and analyses of 409 typefaces--216 Roman, 88 Italic, 61 Greek, 41 Hebrew, 2 Arabic, and one phonetic type. Each typeface is accompanied by a concise yet informative entry identifying its letter family, size, punchcutter (or eponym), first appearance in printed books or type specimens, and the survival of original materials such as punches or matrices. For approximately two-thirds of the typefaces, references to the relevant modern scholarly literature are also provided. All typefaces are illustrated, many with multiple examples demonstrating their use in contemporary printing. This richly documented work constitutes a fundamental reference for the history of Renaissance typography, type design, and printing.…