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Verlag: David Zoepfel, 1562
Anbieter: Mundus Novus Galleries, St. George Brant, ON, Kanada
Buch Erstausgabe
Hardcover. Zustand: Fine. 1st Edition. Frankfurt am Main, David Zoepfel, 1562, small quarto,(196 x 150 mm)ff,(8), 300. Late nineteen-century brown crushed morocco, spine with five raised bands, gilt in compartments, sites paneled in gilt, marbled endpapers, gilt edges, by Francis Bedford. Woodcut title vignette, 43 woodcuts in text (some repeats), title printed in black and red. Ownership inscription of William Tite dated 1856 to front free endpaper verso; engraved bookplate of C.S. Ascherson to front pastedown; above label of Edward Ascherson, with gift inscription from C.S.A to E.A. on front free endpaper verso dated Christmas eve 1901. Extremities very lightly rubbed, an excellent copy. The first of two Frankfurt printings by David Zoepfele that year, using the same woodcuts. The text is descended from the Low German version Reynke de Vos, first printed at Luebeck in 1498. This copy from the renowned library of the eminent British architect and book collector Sir William Tite (1798-1873), whose sale at Sothebys in May and June 1874 took sixteen days and produced the sum of GBP 19,943. It was one of the greatest collections of the time, including many rare books and historical autographs, and was almost the first of a series of great library sales of that era. A fine survival of exeptional rarety!.
Verlag: London: Printed by T. Ilive, for Edward Brewster, 1701, 1701
Anbieter: David Brass Rare Books, Inc., Calabasas, CA, USA
Early English Edition of the Reynard Fables In it's Original Sprinkled Sheep Binding [REYNARD THE FOX]. The Most Delectable History of Reynard the Fox. Newly Corrected and Purged, from all grossness in Phrase and Matter. Augmented and Enlarged with sundry Excellent Morals and Expositions upon every several Chapter. To which may now be added a Second Part of the said History: As also the Shifts of Reynardine the Son of Reynard the Fox, Together with his Life and Death, &c. London: Printed by T. Ilive, for Edward Brewster, 1701. [Bound together with:] The Most Pleasant and Delightful History of Reynard the Fox. The Second Part. Containing Much Matter of Pleasure and Content. Written For the Delight of young Men, Pleasure of the Aged, and Profit of all. To which is added many Excellent Morals. London: Printed by A.M. and R.R. for Edward Brewster, 1681. [And:] The Shifts of Reynardine The Son of Reynard the Fox, Or a Pleasant History of His Life and Death. Full of Variety, &c. And may fitly be applied to the Late Times. Now Published for the Reformation of Mens Manners. London: Printed by T.J. for Edward Brewster, and Thomas Passenger, 1684. Three parts in one small quarto volume (7 5/16 x 5 9/16 inches; 186 x 141 mm.). [156], [2, table of contents], [2, publisher's advertisements]; [111], [1, publisher's advertisements]; [8], 160 pp. Mostly black letter, with titles and side notes in roman letter. Sixty-two woodcuts in the first part, printed from thirty-nine blocks, and fifteen woodcuts in the second part, five repeated, all repeats from the first part. Most cuts signed "E.B." (Edward Brewster). Woodcut on C1 recto (Part I) printed upside down. Some browning, occasional light damp staining and soiling. Part I with tiny puncture marks in the lower blank margin through gathering I, just touching one letter in the imprint on the title-page, six small holes in I3 and one tiny hole in I4, causing loss of a couple of letters. Part III with paper flaw in the upper blank corner of A3 and A4, tiny tear (1/4 inch) in the lower blank margin of F4, and paper flaw in the lower blank corner of I2, none affecting text. Contemporary sprinkled sheep. Covers ruled and decoratively tooled in blind, spine decoratively tooled in gilt in compartments with two red morocco gilt lettering labels. Some expert restoration to joints and corners. Armorial bookplate of Gloucester on front free endpaper. Bookplate of Hugh Cecil Lowther, 5th Earl of Lonsdale (1857-1944) on front pastedown (his sale, 12 July 1937, lot 445). An excellent copy. Housed in a felt-lined quarter brown morocco clamshell case, spine with five raised bands, decoratively tooled and lettered in gilt in comaprtments. Reynard the Fox, "hero of several medieval European cycles of versified animal tales that satirize contemporary human society. Though Reynard is sly, amoral, cowardly, and self-seeking, he is still a sympathetic hero whose cunning is a necessity for survival. He symbolizes the triumph of craft over brute strength, usually personified by Isengrim, the greedy and dull-witted wolf. Some of cyclic stories collected around him, such as those telling of the wolf or bear fishing with his tail through a hole in the ice, are found throughout the world; others, like that of the sick lion cured by the wolf's skin, are derived from Greco-Roman sources. The cycle arose in the area between Flanders and Germany in the 10th and 11th centuries when clerks began to forge Latin beast epics out of popular tales. The main literary tradition of Reynard the Fox descends from the extant French â branches' of the Roman de Renart (about 30 in number, nearly 40,000 lines of verse). The facetious portrayal of rustic life, the camel as a papal legate speaking broken French, the animals riding on horses and recounting elaborate dreams all suggest the atmosphere of 13th-century France" (Merriam-Webster's Encyclopedia of Literature). "Caxton's immediate successors as printers of the Historye of Reynart the Foxe, Wynkyn de Worde and Richard Pynson, both published illustrated editions using the same woodcuts. Although neither a de Worde nor a Pynson edition survives intact, there are fragments, and there is circumstantial evidence to show that a Wynkyn de Worde edition of about 1495 (or earlier) was illustrated by a series of 43 woodcuts.apparently newly made for that edition.The earliest nearly complete fully illustrated History of Reynard the Fox to come down to us probably dates from the period 1560-1586. It survives in a unique copy.sometimes described as the â Anonymous' edition because it lacks the first few and the last few pages were we would expect to find the name of the printer and the place of publication. It contains 39 of the 43 Wynkyn de Worde cuts. To judge by their worn state.they had been much used since they were first made. This Anonymous edition also contains a series of 19 smaller, artistically inferior pictures.They too are quite worn and may date from soon after the earliest illustrated editions.I have ascribed this Anonymous edition to the period 1560-1586. It is therefore just possible that it is either the lost William Powell edition of 1560-1561 or the lost Edward Allde edition of 1586, for both of these are mentioned in the Stationer's Register, but neither survives" (Kenneth Varty, Reynard, Renart, Reinaert and Other Foxes in Medieval England: The Iconographic Evidence (Amsterdam: 1999), pp. 98-99). "From William Caxton's first edition (1481) to Thomas Gaultier's only edition (1550), the story is divided into 43 chapters. This may explain why the Wynkyn de Worde picture cycle contained 43 vertical cuts, though in fact some chapters were not illustrated, and some were illustrated with more than one picture. In the period before the appearance of the Anonymous edition we know.of only three illustrated editions: the one by Wynkyn de Worde sometime before or in 1495 and the other by him c. 1515; and the one by Richard Pynson somewhere between.
Verlag: Edward Brewster, London, 1694
Anbieter: James Cummins Bookseller, ABAA, New York, NY, USA
Erstausgabe Signiert
First edition of the Third Part. First edition of the Third Part. With 62 woodcut illustrations in first part, signed E.B., of which 23 are repeats, and 15 woodcuts in second part (repeated from first part). [80] leaves, A-U4; [56] leaves, A-O4; and 80 leaves, A-X4 (paginated [8], 160). 1 vols. Small 4to. An omnibus gathering of these three separately printed editions, each with independent register, and with the title of the first part taking into account the presence of the latter two. The terminal advert leaf to the first part is present. Wing attributes the text of the first part to John Shirley, and that for the third is occasionally attributed to the publisher, Edward Brewster. The first part was first printed in this form in 1667, and the second part in 1672; the first part was reprinted again in 1701. Among the most widely adapted of the beast fables, the tales of Reynard the Fox originated in the 12th and 13th centuries, with early versions in French, Dutch, Latin, and German being notable. Caxton printed the first English translation based on a Flemish text in 1481. The character of Reynard, an anthropomorphic fox and trickster, has since become almost an archetype in the literatures of many languages."The supreme 'anti-hero' of medieval fiction" (Cambridge Guide to Children's Books in English). ESTC R24532, R218371 & R40614; Wing S3513, M2912 & S3436; Brunet IV: 1228. Lowndes VII:2076; Osborne II, p. 610 (with the first part dated 1701) Modern blind paneled calf, raised bands, gilt label. First two parts illustrated with spirited woodcuts. Occasional foxing and mild spotting, usual tanning, lower forecorners of E2-3 in first part torn away and replaced, with a few letters and a few words in the sidenote in ms, a few upper margins dust-soiled, last three gatherings in third part supplied from another copy and trimmed slightly shorter at lower margin. A good, sound copy, neatly bound With 62 woodcut illustrations in first part, signed E.B., of which 23 are repeats, and 15 woodcuts in second part (repeated from first part). [80] leaves, A-U4; [56] leaves, A-O4; and 80 leaves, A-X4 (paginated [8], 160). 1 vols. Small 4to.
Verlag: Printed for Edward Brewster, London, 1701
Anbieter: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, USA
Signiert
Full Leather. Zustand: Very Good. E.B. (illustrator). Small, squarish 4to. Unpaginated. Printed in black letter with explanations of the stories' morals and meanings printed in the margins. Woodcut vignette on first title. Illustrated with 75 woodcuts, most signed "EB." Woodcut on C1r of first printed upside down. Closely trimmed. Marbled endpapers. Bound in modern period-style full morocco gilt. Scarce 1681-1701 edition of this immensely popular medieval "beast fable." Speculation remains unresolved as to whether France or Germany lays claim to the development of the legend. In 1481 William Caxton was the first to print an English translation.One of the earliest obtainable English editions of the popular legend, this with copious woodcuts. A fine, clean copy, exquisitely bound. MENKE, (Bibliotheca Reinardiana), pp. 230-31; WING, S3512, S3436 (attributed to John Shirley).
Anbieter: ASHER Rare Books, T Goy Houten, Niederlande
[160]; [112]; [4], 160 pp.One of the rare sets of all 3 parts of the English Reynard the Fox, the third part here in its first edition. The Reynard stories were already established as a coherent collection in the 12th century and were first printed in 1479, in a Dutch prose edition. They became especially well known when translated into English (and adapted) for Caxton's 1481 edition (in 43 chapters). The publisher Edward Alde in London began work on an extensive revision of Caxton's text, with many new additions, but he published only the first part, probably in 1620 (the first edition of the present part 1), containing 25 chapters, some corresponding with chapters in Caxton's edition and some not. Although the second part would have to wait 52 years, the first part quickly became the standard English version of the Reynard the Fox stories, with 8 editions from 1620 to 1671. Its language was modernized, giving both a view of the stories as they were known through most of two centuries and insights into English values and culture of the time. In 1684 Brewster added the present first edition of part 3, giving the adventures of Reynard's son Reynardine.With 20th-century woodcut bookplate. The woodcut on C1 of part 1 is printed upside down. In good condition, with parts 2 and 3 slightly browned. One front endleaf is detached, the spine slightly damaged at the head and the front hinge cracked.l Ebert II, 18879; ESTC T60836, R218371, R40614; Kirmse 15; Menke V B c (note on pp. 221-222), nos. 35, 29, 30; Wing S3512, S3436 (parts 1-2); not in Prien.
Verlag: Edward Brewster, London, at the Sign of the Crane in St. Pauls Church Yard, 1701
Anbieter: Madoc Books (ABA-ILAB), Llandudno, CONWY, Vereinigtes Königreich
Buch
Hardcover. Zustand: Very Good. EB [BREWSTER E?] (illustrator). 3 parts as 1, 1701, 1681 & 1684, each with independent register. In contemporary speckled calf, raised bands gilt tooling, gilt title to maroon morocco label. Internally, woodcut vignette to tp, 1701, [1], A2-U4, [160 pp includes the leaf of contents & leaf of adverts at rear]. The Second Part: London, 1681, for Edward Brewster, [1], A2-O3, The Shifts of Reynardine the son of Reynard the Fox, London, 1684, for Edward Brewster and Thomas Passenger, [1], A2-X4, (or [8], 160 pp), 75 woodcut illustrations, all signed EB (60 cuts to 1st part, 15 to the 2nd, cut at C1 printed upside down), mainly in black letter, titles & printed margin notes in Roman, occasional printed marginal notes and catchwords trimmed in 1st part, head & foot of spine & board corners neatly strengthened, joints slightly cracked with tissue consolidation, armorial bookplate to fpd (Frederick Arthur Hawker), early ink note to verso fep, title lightly dust soiled, almost invisible paper repair at top edge of A2-3, corner tips of U4 & W1 gone. (182*137 mm). (ESTC T60836. R218371, and R40614. Lowndes, p. 2076. Wing attributes Part I to John Shurley (fl.1680-1702) and registers the 1681 ed. at S3512). Reynard the Fox is a literary cycle of medieval allegorical Dutch, English, French and German fables. The first extant versions of the cycle date from the second half of the 12th century. The genre was popular throughout the Late Middle Ages, as well as in chapbook form throughout the Early Modern period. The stories are largely concerned with the main character Reynard, an anthropomorphic red fox, trickster figure. His adventures usually involve him deceiving other anthropomorphic animals for his own advantage or trying to avoid their retaliatory efforts. His main enemy and victim across the cycle is his uncle, the wolf, Isengrim. While the character of Reynard appears in later works, the core stories were written during the Middle Ages by multiple authors and are often seen as parodies of medieval literature such as courtly love stories as well as a satire of political and religious institutions. The trickster fox, Reynard, is considered to represent the medieval burghers, the lion represents the monarch, the bear represents the medieval landlords, the wolf Isengrim represents the medieval knights, the donkey represents the clerical class, and the small animals (chicken, hare, snail etc) represent the public mass.
Verlag: Nicolaus Bassaeus, Francof. ad Moenum [Frankfurt], 1579
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Hardcover. Zustand: Very Good. Third edition of the first Latin translation of *Reynard the Fox*, previously published in 1567 and 1574. 24mo. 496, [20]pp. 57 woodcuts by Jobst Amman. Utilitarian later (probably early 20th Century) cloth with morocco spine label gilt. Trimmed but with reasonable margins. A small worm hole on the first few leaves, a very good or better copy. The Reynard cycle of stories (satirical allegories rather than stories for children), in which the trickster fox outwits his enemies, often the greedy and dull-witted wolf, arose in the 10th and 11th Centuries and were popular throughout medieval Europe in several languages, most notably in the French versions. Several more modern translations derive from Schopper's Latin version.
Verlag: J.B. Gotta, Suttgart and Tobingen, 1846
Erstausgabe
kaulbach, german (illustrator). First edition. First edition. Thick folio. Original brown leather binding with lavish gold illustrated cover and spine, designs and details. 36 superb engravings by Wilhelm Von Kaulbach. 257pp. Slight wear to edges and corners, occasional foxing and light discoloration otherwise a very good copy of a book seldom seen in presentable condition. A high-water mark in mid-19th century children's illustration and engraving.
Verlag: Macmillan: NY, 1919
Anbieter: John K King Used & Rare Books, Detroit, MI, USA
Erstausgabe Signiert
7.5 x 5, cloth backed boards, 166 pp, edges soiled, minor cover wear, date on title page eradicated to make this appear to be a first edition which it is not . . . BUT SIGNED AND DATED (1920) BY H.HART CRANE. (Crane's COPY OF THIS BOOK SIGNED WHEN HE WAS ONLY 21. H. stands for Harold, his first name.).
Verlag: The Tern Press, Shropshire, 2005
Anbieter: Ashton Rare Books ABA : PBFA : ILAB, Market Harborough, Vereinigtes Königreich
Buch Signiert
Hardcover. Zustand: Near Fine. Illustrated Edition. The sole UK printing published by The Tern Press, Shropshire in 2005. The BOOK is in Fine condition. Number '16' of only 40 copies issued. Orange buckram boards with pasted on decorated labels to the spine and the front cover. Caslon typeface printed on Magnani paper, and signed on the colophon page by both Nicholas & Mary Parry. Two poems by John Masefield : 'August 1914', and the extended poem, 'Reynard the Fox'. with over 50 pencil illustrations reproduced by Nicholas Parry, including a half-title page illustration of John Masefield. This is a an extremely handsome production which originally sold at £250. The book is housed in the publisher's original plain orange cloth-covered slipcase. Masefield became Britains Poet Laureate in 1930 and received the Order of Merit in 1935. 'August 1914' is a moving poem of the First World War. 'Reynard the Fox' is a verse-tale set in the rural world of Masefield's childhood. The Tern Press was started in 1973 by Nicholas and Mary Parry. 'In 'Matrix 5', Parry stated: 'Our initial aims were to relate each subject to a relative set of materials. to think of the book as an overall work of art, rather like an opera, with a body (stage - props - paper - binding), intellect (thoughts - words - libretto), and feelings (music - color - prints), to try, as in all art, to produce a form that lives and breathes. Thus our books are not conceived, designed, produced through process, but are perceived, arranged and produced through craft.' (The Tern Press official website). A very scarce title. Ashton Rare Books welcomes direct contact. More images available on request. Signed by Author(s).
Verlag: Catharijne Press, Zuilichem, 1991
Anbieter: Bromer Booksellers, Inc., ABAA, Boston, MA, USA
Signiert
Rueter, Pam (illustrator). 56pp. From an edition of 190 copies, this is one of fifteen deluxe copies with an extra wood engraving. Frontispiece engraving by Pam Rueter, signed and numbered by the artist. Extra engraving also signed and numbered, and held in a mat in a separate cloth bi-fold case. The text consists of excerpts from four early texts, including Caxton's, with an introduction by E. Verzandvoort, which tells the printing history. Fine in red-brown cloth with printed label. Housed together with the extra engraving in a cloth-backed paper-covered drop-back box. (2 5/8 by 2; 66x51mm).
Verlag: London: John C. Nimmo, 1887., 1887
Anbieter: Minster Gate Bookshop (est. 1970), YORK, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
First edition thus, 4to., pp.342, uncut, deluxe half red morocco Bickers binding, three raised bands, gilt, with pictorial gilt decoration to spine, marbled cloth boards, matching marbled endpapers, t.e.g., ribbon bookmark, b/w frontispiece and decorative title, engraved b/w plates and in-text illustrations, head- and tailpieces; heraldic bookplate to front paste-down endpaper, ex libris W.A. Foyle, with small gilt-lettered leather bookplate to front free endpaper, light foxing to prelims and fore-edges, a fine copy.
Verlag: David Nutt, London, 1894
Anbieter: First Folio A.B.A.A., Paris, TN, USA
Suppressed large paper edition. Suppressed large paper edition. x, 348p. Printed at the Chiswick Press on water-marked laid paper. Illustrated by Walter Crane with frontispiece, title page, and 37 decorative chapter heads and vignettes. Bound (according to another dealer's penciled note by Ernest Hertzberg & Sons) in half green crushed morocco with marbled sides and endpapers, t.e.g., the spine with gilt title and rules extending on to the covers terminating in flower devices with onlaid red leather petals. Beautifully printed wide-marghined copy. Masse p. 45. Contents and leather fine and bright, marbled sides faded.
Verlag: Verlag Der J. G. Cotta'schen Buchhandlung, Stuttgart, 1867
Anbieter: Mossback Books, Hartland, MI, USA
Illustrated by Kaulbach (illustrator). Folio in full embossed leather, publisher's brown morroco, elaborate gilt design on front fox-warrior/chariot being pulled by winged Gryphon, elaborate gilt spine, tight binding, clean unfoxed pages, engraved vignette title page, all edges gilt, light rubbing of edges, else VG or better, a beautiful copy. Illustrated with 36 engraved plates with tissue guards.with the suppressed erotic plate between pages 42 and 43.
Verlag: London: Macmillan And Co, 1895
Anbieter: The Scribe Bookstore, ABAC, Toronto, ON, Kanada
Buch Erstausgabe
Hardcover. Zustand: Near Fine. 1st Edition. Near fine copy. Illustrated by Frank Calderon. 1st edition. Gilt decorated green boards and spine. Book comes protected in mylar cover.
Verlag: Oxford University Press, 1994
ISBN 10: 0192828010ISBN 13: 9780192828019
Anbieter: Wizard Books, Long Beach, CA, USA
Buch
Paperback. Zustand: new. New.
Verlag: David Bogue, London, 1851
Anbieter: First Folio A.B.A.A., Paris, TN, USA
8vo. 96p. Illustrated with 20 hand-colored plates "drawn from the stuffed animals contributed by Herrmann Ploucquet of Stuttgart to the Great Exposition". The frontispiece is a 2-page fold out. In the publisher's binding of blue cloth with titles and vignette in gilt on upper cover, a.e.g. Hand-colored copies are quite scarce. Bookseller's ticket in rear: Lovejoy, Reading. Rebacked retaining portions of the original spine, covers worn, contents VG, all plates clean, frontispiece rehinged.
Verlag: A. H. Payne, Dresden and Leipzig, 1852
Anbieter: First Folio A.B.A.A., Paris, TN, USA
Quarto. xiv, 81p. Illustrated by H. Leutemann with 37 steel engravings. Plates titled in English and German. In the publisher's full red embossed cloth binding, a.e.g., the spine titled in gilt, the upper cover with overall gilt designs, including a central image of Reynard and family. The lower cover repeats the whole design in blind. Spine gilt faded, overall moderate wear, some spotting to text, all plates fresh and bright, binding quite sound.
Verlag: London: David Bogue, 1851, 1851
Anbieter: Peter L. Stern & Co., Inc, Newton, MA, USA
Erstausgabe
First Edition. 'With Twenty Illustrations, Drawn from the Stuffed Animals Contributed by Herrmann Ploucquet of Stuttgart to the Great Exhibition. Publisher's illustrated cloth; some spotting; shaken; very good. The illustrations (frogs, cats, weasels, etc.), including the fold-out frontispiece, are black and white. All books described as first editions are first printings unless otherwise noted.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
11. London Dresden Leipzig, W.French / H.Payne, (1852), 27 x 21 cm, 81 pp + 37 full-page steel engravings by H.Leutemann. Contemporary full russian leather, covers decorated with floral gilt fillets, gilt title in centre of front cover, all edges gilt, some light foxing or staining at a some leaves but an attractive copy.
Anbieter: Antiquariat Sabine Keune, Aachen, Deutschland
Mit 24 ganzs. farbigen Lithographien, printed by Kronheim. London, New York. Routledge (1871). 27 x 23 cm. 6 S., 15 nn. Bl.; 6 S., 11 nn. Bl.; 6 S., 11 nn. Bl.; 6 S., 11 nn. Bl. Schwarz und goldgepr. blaue OLwd. Sammelband. Enthält vier beliebte Routledge's Shilling Toy Books mit reizvollen Farbtafeln. Die Illustrationen von Cat's Tea Party sind von Harrison Weir. Cotsen 153481. Ecken gering bestoßen. Vorsätze erneuert. Tlw. etwas gelbfl. Ein Bl. gelockert, wenige Bl. mit Fehlst. am unteren Rand.
Verlag: Joseph Cundall. Felix Summerly's Home Treasury, Westminster, 1846
Anbieter: First Folio A.B.A.A., Paris, TN, USA
8vo. vii, 152p. Illustrated with 24 hand-colored plates by Aldert Van Everdingen. Bound in publisher's embossed red cloth, a.e.g., with gilt decorated spine and gilt title on upper cover. Rare. Old soil and wear with corners exposed, frontis plate detached, rebacked with most of original spine laid down. Good only.
Verlag: Dresden : A.H. Payne, 1852
Anbieter: MW Books, New York, NY, USA
Erstausgabe
First Edition. Scattered, marginal foxing. Inner gilt dentelles. Very good copy in the original, full gilt-blocked & blind-ruled aniline calf. Spine bands and panel edges somewhat rubbed and dust-toned as with age. Remains quite well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 81 pages; Physical description; xiv, 81 p : 35 plates ; 28 cm. Dresden ; Leipzig: A.H. Payne, [1851?]. Translation of the "Low-German version of the poem, entitled Reinke Bos" cf. Pref., p. ix. Subjects; Reynard the Fox (Legendary character) - Poetry. Foxes - Juvenile poetry. Children's poetry. Text in double columns and housed within ornamental borders. 2 Kg.
Verlag: Oxford University Press, 1994
ISBN 10: 0192828010ISBN 13: 9780192828019
Anbieter: GoldBooks, Denver, CO, USA
Buch
Paperback. Zustand: new. New Copy. Customer Service Guaranteed.
Verlag: Berghahn Books, Incorporated, 2000
ISBN 10: 1571817379ISBN 13: 9781571817372
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Buch
Zustand: New. There are many stories featuring the villainous hero Reynard the Fox in many languages told over many centuries, goingback as far as the early 12th century. All these stories are comic and much of the humour depends on parody and satire resulting in mockery, sometimes the subversion of certain kinds of serious literature. Editor(s): Varty, Kenneth. Series: Polygons: Cultural Diversities & Intersections. Num Pages: illustrations. BIC Classification: 3H; 3JM; JFC; JFHF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230. Weight in Grams: 545. . 2000. Hardback. . . . .
Verlag: London Heinemann., 1921
Anbieter: McConnell Fine Books ABA & ILAB, Deal, KENT, Vereinigtes Königreich
Hardcover. Zustand: Fine. Half morocco, 10 inches tall. Splendid half crushed morocco by Birdsall with gilt raised bands and delightful gilt tooling to the panels. Gilt top edge. Some marks to the spine. With a colour frontispiece, 3 further colour plates and 12 full page black and white plates by G. D. Armour.
Verlag: Davaco Publishers, Doornspijk, 2007
ISBN 10: 9070288974ISBN 13: 9789070288976
Anbieter: Luigi De Bei, PREGANZIOL, TV, Italien
Buch Erstausgabe
Couverture rigide. Zustand: As New. Zustand des Schutzumschlags: As New. Edition originale. Aetas Aurea, XXI ALLART VAN EVERDINGEN, THE DRAWINGS - A Complete Catalogue, Including the Studies for Reynard the Fox Alice I. Davies 2007. 4to. 504 pages, containing an Introduction, the main text comprising of 12 chapters, an extensive bibliography and indexes; 756 illustrations, from which 10 are in colour Bound in cloth with dust jacket ISBN 90 70288 974 Allart van Everdingen, born at Alkmaar in 1621, launched his career as a landscape and marine specialist at Haarlem in the 1640s, then moved to Amsterdam in 1652 where he was active as a painter, printmaker, draftsman and art dealer up to his death in 1675. He was renowned in his day for the Scandinavian subjects he depicted following his trip to Norway and Sweden in 1644. This catalogue of Everdingen's drawings presents 670 authentic water colors, ink drawings and oil sketches on paper in comprehensive, illustrated entries. The accompanying text explores many facets of his activity as a draftsman, including his use of paper, and also discusses later collectors of his sheets, their marks and inscriptions, and many imitations and copies of the master's drawing extant today. High points from Everdingen's production include his trip sketches (both from his travels to Scandinavia and from a trip he made to the Ardennes in 1656), his masterworks showing Dutch scenery, his allegorical series (Twelve Month, Four Seasons and Four Elements) and his studies and transfer drawings for both his Scandinavian landscape etchings and the prints he made to illustrate the fable Reynard the Fox. The volume is an important reference work for all those with a general interest in seventeenth-century Dutch landscape and old master drawings, or with a particular interest in allegorical landscape subjects, book illustration or the Reynard the Fox fable. The author, Alice I. Davies, published an Everdingen monograph and catalogue of the artist's paintings (in collaboration with Frederik J. Duparc) in 2001. Her other publications includes a book on the life and work of Jan van Kessel (1641-1680) and a catalogue of the 16th- and 17th-century Dutch and Flemish paintings at the Springfield Museum of Fine Arts. She was an editor of Shop Talk, the 1995 Festschrift in honor of Seymour Slive. euro325.00 language : english text Size: 320 X210 mm.
Verlag: Davaco Publishers, Doornspijk, 2007
ISBN 10: 9070288974ISBN 13: 9789070288976
Anbieter: Luigi De Bei, PREGANZIOL, TV, Italien
Buch Erstausgabe
Couverture rigide. Zustand: As New. Zustand des Schutzumschlags: As New. Edition originale. The Drawings of Allart Van Everdingen.A Complete Catalogue including the studies for Reynard the Fox.Doornspijk 2007 Davaco Publishers Pages 504 Ills.756 ( including 10 in colour ) Quarto cloth Euro 325,00.-text in english language Size: 320 x 245 Mm.
Verlag: The Century Co., New York, 1909
Anbieter: Monroe Bridge Books, MABA Member, Houlton, ME, USA
Buch Erstausgabe Signiert
Hardcover. Zustand: Good. Seton, Ernest Thompson [over a Hundred Drawing by] (illustrator). First Impression. Unpaginated, pribnted on fine glossy paper, bound in illustrated blue cloth, illustrated throughout. INSCRIBED "To Allen Vincent / with best wishes of / Ernest Thompson Seton / 15th *** / Planting Moon / 1923" with 2 drawings by the Author. Gift inscription in pencil on the title page. Covers edge darkened, rubbed, bumped upper corner and pages. BOOK INSCRIBED & SIGNED BY AUT.
Verlag: P. F. Volland Co, Joliet, IL, 1925
Anbieter: Lux Mentis, Booksellers, ABAA/ILAB, Portland, ME, USA
Erstausgabe
Hardcover. First Edition. First Edition. Hardcover. Adapted from the French of La Fontaine. Exeptional illustrations (both full page and in-text) support these wonderful stories. A near pristine copy of this classic. Very minor shelf wear (focused at heel), else tight, bright and unmarred. Color pictorial boards, color pictorial endpages. Small 8vo. np. Illus. (color plates). Near Fine (textblock Fine). No DJ.