sagesse sang von oconnor flannery (19 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: Assez bon. J.L.G se sert de Zelliseller Evolution pour gérer ses Market Places.

Zustand: 3. BROCHE EN BON ETAT. ED 1979.

broché. 215x160mm, 974pages, Couverture à rabats. Bel exemplaire. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

Couverture souple. Zustand: Bon. Coll. "Du Monde entier". Préfacé par M. E. Coindreau. Roman. NRF. Roman étranger traduit de l'anglais. 11,5x18 cm. 228 p. Broché. Bon état. Papier bruni. Couverture légèrement défraîchie. in-12° édition originale. EO. Exemplaire du Service de Presse. SP (en pointillés sur le 4e plat).

Zustand: Very good plus. First printing. First French trade edition, review copy, of O'Connor's first novel with Coindreau's introduction contextualizing American evangelical culture: from Billy Sunday and Aimee Semple McPherson to Hazel Motes and his creator. Coindreau, critic and distinguished translator of Faulkner, Dos Passos, Hemingway, was in large part responsible for the wide readership and high esteem enjoyed by eminent American writers in postwar France. An admirer of O'Connor's work, he became her friend in the course of translating her work, visiting her in Andalusia where he "amused himself by filming her peafowl with a movie camera he brought with him" (Samway). 7'' x 4.25''. Original cream wrappers printed in red and black. 228, [2] pages. Publisher's review perforation ("SP") to rear wrapper. Minor edgewear, light toning and soil to wrappers. Pages toned.

. In-12 br. Coll. " Du monde entier ". Traduit par M.E. Coindreau. E.O. 1/35 ex. num. sur vélin pur fil Lafuma, n.c.

Zustand: Near fine. One of 35 limited, numbered, large-paper copies of the first French edition, with Coindreau's introduction contextualizing American evangelical culture: Billy Sunday and Aimee Semple McPherson to Hazel Motes and his creator. Coindreau, critic and distinguished translator of Faulkner, Dos Passos, Hemingway, was in large part responsible for the wide readership and high esteem enjoyed by eminent American writers in postwar France. An admirer of O'Connor's work, he became her friend in the course of translating her work, visiting her in Andalusia where he "amused himself by filming her peafowl with a movie camera he brought with him" (Samway). In the uncommon original publisher's glassine sleeve. 7'' x 4.25''. Original pale grey wrappers printed in red and black. In original glassine sleeve. 228, [2] pages. Of the first edition, 41 copies were printed on Lafuna-Navarre paper, of which 35 were numbered; this copy no. 33. Wrappers toned at spine and edges. Toning and light wear to glassine. Else clean and sound.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First French Edition. 1 of 36 numbered copies.O'CONNOR, FLANNERY. La Sagesse Dans Le Sang. (Wise Blood). Translated into French by M.E. Coindreau. 8vo. Gallimard (Paris 1959). First French Edition.1 of 36 numbered exemplaire copies on vélin pur fil Lafuma-Navarre. This is copy #25. Flannery O'Connor was heavily influenced by several contemporary French writers, the most important being Simone Weil. It is an interesting study to examine the French translation of such a heavily influenced American novel. Uncut. Unopened. Tear to edge of glassine, o/w clean and bright.

Paperback. Zustand: Near fine. Zustand des Schutzumschlags: very good. First French edition of Wise Blood by Flannery O'Connor, limited to 35 numbered copies. (illustrator). First French Edition. Octavo, xxiv, 228pp. Original paper wraps, title printed on front cover and spine. Solid text block. In the original glassine dust jacket, light wear to corners, rear panel trimmed off. One of 35 copies, this being number 27. A nice copy of the author's first book, translated to the French by M.E. Coindreau.

Paris, Gallimard, 1959. Collection "Du Monde Entier" CCXV. Un volume broché de format in 8° de 232 pp. N°1 de 41 exemplaires sur vélin pur fil Lafuma-Navarre; seul grand papier. Comme neuf, non coupé.

First edition in French, first printing, inscribed by the author to the first publisher of this masterful debut novel, "For Bob from Flannery with cheers". Bob Giroux's influence on O'Connor spanned her entire professional career. Their relationship is discussed at length in the monograph Flannery O'Connor and Robert Giroux: A Publishing Partnership (2018) by Patrick Samway. Soon after meeting O'Connor in 1949, Giroux (1914-2008) rescued Wise Blood from its prospective publisher Rinehart, who O'Connor felt "wanted her to produce a different and far more conventional book" (Orlando). Rinehart's apprehension was not entirely misplaced: after Giroux published the novel in 1952 at his firm Harcourt, Brace & Company, he stated that "from a publishing point of view Wise Blood was a flop. I was disappointed by the reviews more than [O'Connor] was; they all recognized her power but missed her point" (cited in Gooch, p. 206). The work subsequently became an internationally acknowledged classic of the Southern Gothic, a genre which captivated French audiences largely through the translations of Maurice-Edgar Coindreau (1892-1990). This edition and others by Coindreau introduced to the francophone world such figures as O'Connor, Steinbeck, Hemingway, and Faulkner, ushering in the "Age of the American Novel" in France. Wise Blood "sets the tone for the religiously displaced types that haunt her fiction" (ANB) and "combines the keen ear for common speech, the caustic religious imagination, and the flair for the absurd that were to characterize O'Connor's subsequent work" (Ency. Brit.) Her posthumous Complete Stories (1971) was edited by Giroux and received a National Book Award. Brad Gooch, Flannery: A Life of Flannery O'Connor, 2008. Octavo. Original wrappers printed in red and black, this copy with publisher's perforation stamp on rear wrapper, "SP" ("Service de Presse", likely designating it a press copy), leaves largely unopened. Creasing to spine, affecting a few leaves at gutter, wrappers and contents mildly toned, occasional rough opening and short closed tears. A very good copy of this fragile publication.