Sculpture torch (14 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

unknown_binding. Zustand: Very Good. A trade paperback in excellent condition, clean with a tight binding and an unmarked text.From a private smoke free collection.Shipping within 24 hours, with a tracking number and delivery confirmation.

Paperback. Zustand: Very Good. Later Printing. 4to. - over 9¾ in. - 12 in. Paperback, stated 1968 Third printing. Mild wear to wraps yet clean, tight binding, interior text clean. Very Good copy.

Zustand: Fair. Acceptable condition. Acceptable dust jacket. (metal, art, sculpture) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Third printing, stated. Jacket has minor edge wear. Pages/boards/jacket clean.

Hardcover. Zustand: Very Good. 1st Edition. 112 pages, hardcover with dust jacket, 11" by 8 1/8". Signed and with a brief inscription on front free endpaper by John Rood. Seminal book by American sculptor and art school professor John Rood, with advice and instructions for sculpting and welding in metal, and profusely illustrated with black and white photos of his knockout Brutalist sculptures as well as work by others (Lilian Saarinen, Ted Egri, Dorothy Berge, Marie Zoe Greene-Mercier, and Alfredo Halegua, among others). In very good condition overall - interior clean, bright, and unmarked, small tear to top of front panel panel of dust jacket and larger chips and loss to dust jacket in rear. Musty odor to book.…

First Edition. First edition and first printing. Hardcover. 108 pages. Includes numerous black and white illustrations. A near fine copy in cloth boards and in a near fine dust jacket with a small chip to the base of the spine and some other edge wear.

108, (3) pages. With a lot of illustrations. Green original-cloth binding and an illustrated dustjacket. 28x21 cm * John Rood, sculptor, was born 22 February 1902 near Athens, Ohio, the son of George D. and Frances E. (Snedden) Rood. He left school at the age of twelve to help his widowed mother support the family, and educated himself in painting, music, and writing. Two years in Europe fostered these interests. Several years' work in printing and publishing culminated in the literary periodical Manuscript, published at Athens from 1934 to 1936, and edited by Rood and his first wife, Mary Lawhead. However, Rood had begun to sculpt in 1933, and as he devoted more time to his sculpture the publishing venture was abandoned. In 1937 Rood had his first one-man show in New York; more than a hundred one-man shows followed in venues across the United States. His principal medium was wood, a preference reflected in his Folk Music Series and his books Wood Sculpture (1940) and Sculpture in Wood (1950). In the late 1940s he took up stone carving; during this same period he and Lawhead divorced and Rood married his second wife, Dorothy Bridgman Atkinson (1948). Later he moved to metal, using welding tools; his book Sculpture With a Torch was published in 1963. In 1965 Rood had his first exhibition in Europe, at Milan and Rome. Later phases of his work included "structachromes" of wrought iron and stained glass and, in the 1970s, painted wood constructions. Most of Rood's career was spent in Minneapolis, and examples of his work are abundant in the Twin Cities area. His affiliation with the University of Minnesota began in 1944 as resident artist, and he won successive promotions until his appointment as professor in 1957. He spent a few years in Washington, DC but returned to Minneapolis, where he died in March 1974. (Quelle: Syracuse University). Sprache: Englisch Gewicht in Gramm: 890.…

1963 University Minnesota Press, Minneapolis Fot. en b/n. 112 p. 28x21 cm. Enc. tela editorial c/sobr. fatigada. Sello de anterior propietario Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas.(art, arte, escultura, art, arte, escultura).

Zustand: Good. In dust wrapper. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Zustand: New. Language:Chinese.HardCover. Pub Date: 2015-8-1 Publisher: Shanghai Fine Arts Publishing House book in the form of case studies to restore full period of glorious history Shanghai Oil Painting & Sculpture. show that every job in Shanghai Oil Painting & Sculpture Institute's wealth of creative artists face fresh and literature. Although space is limited. but it helps us from Shanghai Oil Painting & Sculpture Institute generations of artists Passing the torch of the academic system. to show thei.…

Taschenbuch. Zustand: Neu. Parable of the Ten Virgins | Parables of Jesus, New Testament, Christian Eschatology, Gothic Art, Sculpture, Sacred Architecture, Cathedral, Middle Ages, Torch | Frederic P. Miller (u. a.) | Taschenbuch | Englisch | 2026 | OmniScriptum | EAN 9786132826350 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand.…

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Please note that the content of this book primarily consists of articlesavailable from Wikipedia or other free sources online. The Parable ofthe Ten Virgins or the Wise and Foolish Virgins, is a parable told byJesus in the New Testament, and found in Matthew 25:1-13. In it, thefive virgins who are prepared for the bridegroom's arrival are rewardedand the five who are not prepared are excluded. The parable has a cleareschatological theme: be prepared for the day of reckoning. It was oneof the most popular parables in the Middle Ages, with enormous influenceon Gothic art, sculpture and the architecture of German and Frenchcathedrals. In the Parable of the Ten Virgins, Jesus tells a story abouta party of virgins (perhaps bridesmaids or torchbearers for aprocession) given the honor of attending a wedding. Each of the tenvirgins is carrying a lamp (or torch) as they await the coming of thebridegroom, which they expect at some time during the night. Five of thevirgins are wise and have brought sufficient oil for their lamps. Fiveare foolish and have not.…