shutter snow von coleman emily (62 Ergebnisse)

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Zustand: Fine.

Paperback. Zustand: Fine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar. 'Astonishing and moving. A pretty amazing book.' Tessa Hadley 'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann 'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho 'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li 'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinead Gleeson 'The most famous unknown of the century.' Djuna Barnes, author of Nightwood The only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release . Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.45.

Zustand: Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.5.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.5.

Paperback. Zustand: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Taschenbuch. Zustand: Neu. Neuware - Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar.'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad GleesonThe only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release .Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary.

Paperback. Zustand: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Zustand: New. Introduced by Claire-Louise Bennett, experience one new mother s psychological journey in this lost 1930 foremother of Sylvia Plath s The Bell Jar.Introduced by Claire-Louise Bennett, experience one new mother s psychological journey in this lost 1930 .

Paperback. Zustand: Fine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: New. Main. Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar.'Astonishing and moving. A pretty amazing book.' Tessa Hadley'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad Gleeson'The most famous unknown of the century.' Djuna Barnes, author of NightwoodThe only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release .Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary.

Taschenbuch. Zustand: Neu. Neuware -Introduced by Claire-Louise Bennett, experience onenew mother's psychological journey in this lost 1930foremother of Sylvia Plath's The Bell Jar.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 192 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar.'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad GleesonThe only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release .Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary. 192 pp. Englisch.

Zustand: New. 2023. Paperback. . . . . .

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days. 174.

Paperback. Zustand: Good. All orders are dispatched within one working day from our UK warehouse. We've been selling books online since 2004! We have over 750,000 books in stock. No quibble refund if not completely satisfied.

Paperback. Zustand: New. Main. Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar.'Astonishing and moving. A pretty amazing book.' Tessa Hadley'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad Gleeson'The most famous unknown of the century.' Djuna Barnes, author of NightwoodThe only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release .Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary.

Zustand: NEW.

Zustand: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In.

Zustand: New. pp. 240.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. Neuware -Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar.'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad GleesonThe only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release .Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary. 192 pp. Englisch.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New.