Sonya clark (44 Ergebnisse)

hardcover. Zustand: Fair.

hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Zustand: new. Hardcover. In the spring of 1865, a seemingly unremarkable dishcloth played a crucial role in ending the Civil War as the South's flag of surrender at Appomattox. A Confederate horseman carried a humble white linen towel into the lines of General George Custer, near the courthouse at Appomattox. The horseman was sent on behalf of General Robert E. Lee, who was requesting a suspension of hostilities while General Ulysses S. Grant proposed terms of surrender.Focusing on this Confederate Flag of Truce, Afro-Caribbean American artist (and professor at Amherst College) Sonya Clark (born 1967) explores the legacy of symbols and challenges the power of propaganda, erasures and omissions through her works. By making the Truce Flag a cloth that brokered peace and represented the promise of reconciliation into a monumental alternative to the infamous Confederate Battle Flag and its pervasive divisiveness, Clark instigates a role reversal and aims to correct a historical imbalance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: New.

Hardback. Zustand: New. In the spring of 1865, a seemingly unremarkable dishcloth played a crucial role in ending the Civil War as the South's flag of surrender at Appomattox. A Confederate horseman carried a humble white linen towel into the lines of General George Custer, near the courthouse at Appomattox. The horseman was sent on behalf of General Robert E. Lee, who was requesting a suspension of hostilities while General Ulysses S. Grant proposed terms of surrender.Focusing on this Confederate Flag of Truce, Afro-Caribbean American artist (and professor at Amherst College) Sonya Clark (born 1967) explores the legacy of symbols and challenges the power of propaganda, erasures and omissions through her works. By making the Truce Flag a cloth that brokered peace and represented the promise of reconciliation into a monumental alternative to the infamous Confederate Battle Flag and its pervasive divisiveness, Clark instigates a role reversal and aims to correct a historical imbalance.…

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Fine.

Trade Paperback. Zustand: Used - Very Good. Very nice clean copy. 31 page catalogue in square format.

Spiral. Zustand: Used - Very Good. Very nice, clean, spiral-bound copy free of any marks. Scarce.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 95 pages. 9.50x6.75x0.75 inches. In Stock.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 95 pages. 9.50x6.75x0.75 inches. In Stock.

Zustand: New. In English.

Hardback. Zustand: New. This is the first volume to document and contextualize Sonya Clark's large-scale, collaborative artworks. These projects demonstrate Clark's career-long commitment to addressing the urgent issue of racial inequality in American society and her philosophy of creatively engaging the viewer in reflection on the nation's history of slavery and our roles in dismantling systemic racism today. As an extension of her abiding commitment to issues of history, race, and reconciliation in her work, Clark is also distinctive as an artist for her use of textiles and other everyday materials, which she aligns with the intertwined histories of art and craft. For marginalized people (African Americans and women, in particular) handwork has been essential to survival and consequently has functioned, and continues to function, as an important means of creating a group identity. Hence, for Clark, craft is essential to the question of equality.…

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: new. Hardcover. This is the first volume to document and contextualize Sonya Clark's large-scale, collaborative artworks. These projects demonstrate Clark's career-long commitment to addressing the urgent issue of racial inequality in American society and her philosophy of creatively engaging the viewer in reflection on the nation's history of slavery and our roles in dismantling systemic racism today.As an extension of her abiding commitment to issues of history, race, and reconciliation in her work, Clark is also distinctive as an artist for her use of textiles and other everyday materials, which she aligns with the intertwined histories of art and craft. For marginalized people (African Americans and women, in particular) handwork has been essential to survival and consequently has functioned, and continues to function, as an important means of creating a group identity. Hence, for Clark, craft is essential to the question of equality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Zustand: Near Fine. 1st Edition. Signed by the artist with gift inscription on front flyleaf, addressed to Rowland Abiodun, Professor of African Art from Amherst College, dated 2012. This catalogue includes works from two of Clark's exhibitions: The Snyderman Gallery (Philadelphia, PA) from October 1, 2011 - November 19, 2011, and the Southwest School of Art (San Antonio, Texas) from December 8, 2011 - February 12, 2012. The book is a softcover in Near Fine condition. The top corner of the textblock is bumped, causing the tips of the corners of some pages to be curved/curled. The pen from the inscription has partially rubbed onto the interior of the front cover. Otherwise, the contents of the book are clean and unmarked, with a tight binding. The cover is notably bumped at all of its corners, with the tips of corners curled; most notably the top corner of the front cover is creased at its tip and moderately bumped. The corners also have some rubbing. The spine ends of the cover are lightly bumped. There's a ding on the fore edge of the front cover. Otherwise, there's some very minor edgewear in some spots on the cover. Inscribed by Author(s). …

Zustand: new.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

Zustand: New.

Zustand: New. 2023. 1st Edition. Hardcover. . . . . .

Zustand: Good. 8vo. 28 pp. Soft, printed wraps with spiral binding. Very good with marginal chipping along bottom of spine. Includes 12 color photographs. Catalog created for exhibition at the University of Iowa Museum of Art in 2001.

Zustand: New. 2023. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 184 pages. 10.00x8.00x0.87 inches. In Stock.

Zustand: New.

Hardback. Zustand: New. In the spring of 1865, a seemingly unremarkable dishcloth played a crucial role in ending the Civil War as the South's flag of surrender at Appomattox. A Confederate horseman carried a humble white linen towel into the lines of General George Custer, near the courthouse at Appomattox. The horseman was sent on behalf of General Robert E. Lee, who was requesting a suspension of hostilities while General Ulysses S. Grant proposed terms of surrender.Focusing on this Confederate Flag of Truce, Afro-Caribbean American artist (and professor at Amherst College) Sonya Clark (born 1967) explores the legacy of symbols and challenges the power of propaganda, erasures and omissions through her works. By making the Truce Flag a cloth that brokered peace and represented the promise of reconciliation into a monumental alternative to the infamous Confederate Battle Flag and its pervasive divisiveness, Clark instigates a role reversal and aims to correct a historical imbalance.…

Buch. Zustand: Neu. Neuware -Erstmals werden in dieser Publikation Sonya Clarks großformatige kollaborative Werke dokumentiert und kontextualisiert. Sie bezeugen ihr beständiges Engagement im Kampf gegen die Rassenungleichheit in der US-Gesellschaft. Auf kreative Weise will sie Betrachterinnen und Betrachter zum Nachdenken über die Geschichte der Sklaverei in den USA anregen und unsere eigene Rolle bei der Beseitigung des systemimmanenten Rassismus verdeutlichen.Seit langem setzt Clark sich in ihrem Schaffen mit Fragen rund um Geschichte, Rasse und Versöhnung auseinander. Ihre Werkstoffe sind bezeichnenderweise oft Fasern, Textilien und andere Alltagsmaterialien, die sie im Licht der eng miteinander verflochtenen Geschichte von Kunst und Handwerk sieht. Für Menschen am Rande der Gesellschaft (insbesondere Afroamerikaner\*innen und Frauen) sicherte Handwerk das Überleben und war deshalb auch wichtig für den Erhalt der kollektiven Identität. Für Clark spielt Kunsthandwerk deshalb im Kontext der Gleichberechtigung eine elementare Rolle. 184 pp. Englisch.…