specimens mediaeval architecture chiefly selected von nesfield eden (13 Ergebnisse)

LeatherBound. Zustand: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 218. A perfect gift for your loved ones. Reprinted from 1862 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 218.

(14) p. + 100 plates, Bound in half brown leather with gilt title spine with raised bands (Exteriors of the binding rubbed and scuffed on the leather parts, library label of the Brookline Public Library on the front paste-down and their punch stamp on the titlepage, most of the plates have a small red stamp with the initials of the same library. Interiors in good condition.).

Zustand: Very Good. Nesfield, W. Eden (illustrator). Folio. A beautiful large Folio edition of 100 plates of European Architecture and architectural details. Internally the plates are in exquisite condition and feature such iconic landmarks as the Cathedral of Notre Dame, Mont St. Michel, Laon Cathedral, Orvieto Cathedral, and many more. 99 of the plates in black and white and one in color. From the personal library of world-renowned Architectural Historian and Colonial Williamsburg Foundation leader, Edward Chappell, with a 1982 invoice for the piece to him from a Connecticut rare book dealer. Chappell made Williamsburg, Virginia his home since 1980 when he was hired to rebuild and direct the Architectural Research Department at Colonial Williamsburg. He retired in 2016, by then holder of an endowed chair, the Shirley and Richard Roberts Director of Architectural and Archaeological Research. His education and early work experience were preparation for this career appointment and for a wide variety of special projects in Virginia, Annapolis, Charleston, Jamaica, Bermuda, Antigua, and elsewhere. Taken together, they earned his reputation as a leading preservationist and historian of early Atlantic-world architecture. Burgundy cloth with titling and illustration stamped in black. Square tight binding. Clean interior. Re-backed with black cloth on the exterior, and white cloth tape along the hinges. Index to plates at front. Mild rubbing and edge wear. An exquisite piece and perfect addition to any Fine architecture collection.

1st edition. Good copy in the original title-blocked and gilt-decorated cloth. Boards dust-toned. Spine bands and panel edges slightly bumped and rubbed as with age. Light foxing throughout. Remains quite well-preserved overall. Physical description; [12] pages, 100 leaves of plates (1 color) : illustrations ; 44 cm. Contents; 89 plates relating to France, 11 plates relating to Italy. Subjects; France Architecture. Italy Architecture. Church architecture. Medieval. Decoration and ornament. 1 Kg.

Folio (31 cm x 43 cm). 14 pages Index to the plates and 100 full page plates / Fantastic Illustrations. Original Hardcover with rich gilt ornament to front board. Spine missing. Very few pages cleanly detached. Complete and rare publication. This the copy from the library of Dublin Architect and Engineer Charles Geoghegan, with his name on the titlepage. William Eden Nesfield (2 April 1835 25 March 1888) was an English architect. Like his some-time partner, Richard Norman Shaw, he designed several houses in Britain in the revived 'Old English' and 'Queen Anne' styles during the 1860s and 1870s. He was also a designer and painter. William Eden Nesfield was born in Bath on 2 April 1835, the eldest son of the landscape architect and painter William Andrews Nesfield. He was educated at Eton College. In 1850 he was articled to the architect William Burn, but after two years he moved to the practice of his uncle by marriage, Anthony Salvin. He studied architectural drawing under James Kellaway Colling. He travelled widely in the 1850s, and published his drawings in Specimens of Mediaeval Architecture (1862), which was dedicated to William Craven, 2nd Earl of Craven. Around 1860 he started his own architectural practice; but he soon linked up with his friend Richard Norman Shaw, with whom he was in a formal partnership between 1866 and 1869, though they kept their jobs separate. Nesfield and Shaw contributed greatly to the new styles of domestic architecture in Britain, which began in the 1860s and flourished in the 1870s, notably the Old English and Queen Anne styles. Many of Nesfield's clients were rich friends of his father's, and his designs tended to be more extravagant and ornamental than Shaw's. Notable examples were additions to Combe Abbey, Warwickshire (1862-5, mostly demolished); Cloverley Hall, Shropshire (18668, demolished); Kinmel Hall, Flintshire (18714) and Bodrhyddan (18724). He also designed many small lodges and cottages, most famously a lodge in Regent's Park (demolished), and another at Kew Gardens (18667), both in London. He also designed the Victoria Gate (1868), one of the main entrances into the Gardens, along with nearby Cumberland Gate. At Loughton, Nesfield designed (1877) the church of St Nicholas, and was then commissioned (1878) to rebuild the Hall, both for the Maitland family. In Montgomeryshire, Nesfield largely rebuilt St Beuno's Church, Bettws Cedewain and redesigned Maesmawr Hall in 1876. Nesfield gave up architectural practice around the time his father died in 1881, and retired to Brighton, where he died in 1888 at the age of 53. He is usually considered one of the most original of the Victorian domestic architects. He was not interested in publicity but preferred to pursue his career privately and enjoy himself with his bohemian friends, many of them artists. (Wikipedia) Sprache: english.

1st edition. Good copy in the original title-blocked and gilt-decorated cloth. Boards dust-toned. Spine bands and panel edges slightly bumped and rubbed as with age. Light foxing throughout. Remains quite well-preserved overall. Physical description; [12] pages, 100 leaves of plates (1 color) : illustrations ; 44 cm. Contents; 89 plates relating to France, 11 plates relating to Italy. Subjects; France Architecture. Italy Architecture. Church architecture. Medieval. Decoration and ornament. 1 Kg.

Hardcover. Zustand: Good. No Jacket. Specimens Of Mediaeval Architecture chiefly selected from examples of the 12th and 13th centuries In France & Italy, William Eden Nesfield, Published by Day & Son, January 1862, London, 100 plates, 14 pp of index, modern cloth hardcover, 17 x 12", folio. In good condition. Sturdy and modern binding done in the last few decades. Modern marbled end papers are bright and clean. Bookplate of Maurice Robert Des Marais on front end pastedown. Des Marais was a longtime faculty member in the Department of Architecture at Penn State College of Arts and Architecture and a corporate member of the American Institute of Architects. Interior lightly toned with instances of minor fingersoiling to the margins. Illuminated plate bright and clean. Free of known markings. Binding tight and intact. A sound readable copy. Please see photos. "William Eden Nesfield (2 April 1835 25 March 1888) was an English architect. Like his some-time partner, Richard Norman Shaw, he designed several houses in Britain in the revived 'Old English' and 'Queen Anne' styles during the 1860s and 1870s. He was also a designer and painter. William Eden Nesfield was born in Bath on 2 April 1835, the eldest son of the landscape architect and painter William Andrews Nesfield. He was educated at Eton College. In 1850 he was articled to the architect William Burn, but after two years he moved to the practice of his uncle by marriage, Anthony Salvin. He studied architectural drawing under James Kellaway Colling. He travelled widely in the 1850s, and published his drawings in Specimens of Mediaeval Architecture (1862), which was dedicated to William Craven, 2nd Earl of Craven. Around 1860 he started his own architectural practice; but he soon linked up with his friend Richard Norman Shaw, with whom he was in a formal partnership between 1866 and 1869, though they kept their jobs separate. Nesfield and Shaw contributed greatly to the new styles of domestic architecture in Britain, which began in the 1860s and flourished in the 1870s, notably the Old English and Queen Anne styles. Many of Nesfield's clients were rich friends of his father's, and his designs tended to be more extravagant and ornamental than Shaw's. Notable examples were additions to Combe Abbey, Warwickshire (1862-5, mostly demolished); Cloverley Hall, Shropshire (1866 8, demolished); Kinmel Hall, Flintshire (1871 4) and Bodrhyddan (1872 4). He also designed many small lodges and cottages, most famously a lodge in Regent's Park (demolished), and another at Kew Gardens (1866 7), both in London. He also designed the Victoria Gate (1868), one of the main entrances into the Gardens, along with nearby Cumberland Gate. At Loughton, Nesfield designed (1877) the church of St Nicholas, and was then commissioned (1878) to rebuild the Hall, both for the Maitland family. In Montgomeryshire, Nesfield largely rebuilt St Beuno's Church, Bettws Cedewain and redesigned Maesmawr Hall in 1876. Nesfield gave up architectural practice around the time his father died in 1881, and retired to Brighton, where he died in 1888 at the age of 53. He is usually considered one of the most original of the Victorian domestic architects. He was not interested in publicity but preferred to pursue his career privately and enjoy himself with his bohemian friends, many of them artists.".

[14] p. + 100 plates. 43 cms. Publisher's decorated cloth binding which shows some marks, with a contrasting leather spine. Expertly rebacked with the original spine re-laid. The first and final leaves show some spotting, otherwise the contents are clean, crisp and tight. 6 plates from British Architect et al. loosely laid in. Inscription dated 1877 on the front endpaper.

LeatherBound. Zustand: New. LeatherBound edition. Condition: New. Reprinted from 1862 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 219 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 219.

folio. [ff. 6]. wood-engraved title, 1 chromolithograph, & 99 lithographed plates. contemporary half morocco, rebacked with spine mounted (some light to moderate foxing throughout). ownership entry of R.Clarke, Architect, dated 1862. First Edition. This book was published following a tour of France and Italy undertaken by Nesfield in the 1850's. The plates include a large number of careful drawings of some of the finest French Cathedrals: Chartres, Amiens, Laon, Coutances, Bayeux, &c.

Leather Bound. Zustand: New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1862. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol: - , Pages: - 219, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 219.

1862. Day and Son. Hardback. Book - Good, ex-lib, rebound in library binding. Light outer wear. Plates are sound.

Leather Bound. Zustand: New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2017, utilizing the invaluable guidance of the original edition published many years ago in 1862. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 215, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 215.