Steven soderbergh von baker aaron (16 Ergebnisse)
Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Sprache: Englisch
Verlag: University of Illinois Press, US, 2011
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Paperback. Zustand: New. A Hollywood director who blends substance with the mainstream Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and from the mod…ernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven. Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences.
Sprache: Englisch
Verlag: Univ of Illinois Pr, 2011
- Softcover
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Paperback. Zustand: Brand New. 1st edition. 148 pages. 8.10x5.50x0.50 inches. In Stock.
Sprache: Englisch
Verlag: University of Illinois Press, Baltimore, 2011
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Paperback. Zustand: new. Paperback. A Hollywood director who blends substance with the mainstream Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and f…rom the modernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven. Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences. A Hollywood director who blends substance with the mainstream Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Zustand: New. A Hollywood director who blends substance with the mainstream Series: Contemporary Film Directors. Num Pages: 152 pages, 10 black and white photographs. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 211 x 142 x 10. Weight in Grams: 200. . 2011. 1st Edition. Paperback. . . . .
Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Zustand: New. In English.
Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Zustand: New. pp. 152.
Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Zustand: New. pp. 152.
Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Zustand: New. A Hollywood director who blends substance with the mainstream Series: Contemporary Film Directors. Num Pages: 152 pages, 10 black and white photographs. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 211 x 142 x 10. Weight in Grams: 200. . 2011. 1st Edition. Paperback. . . . . Books s…hip from the US and Ireland.
Sprache: Englisch
Verlag: University of Illinois Press, 2011
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Sprache: Englisch
Verlag: University of Illinois Press, Baltimore, 2011
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Paperback. Zustand: new. Paperback. A Hollywood director who blends substance with the mainstream Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and f…rom the modernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven. Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences. A Hollywood director who blends substance with the mainstream Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: University of Illinois Press, 2011
- Softcover
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Sprache: Englisch
Verlag: University of Illinois Press, US, 2011
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Paperback. Zustand: New. A Hollywood director who blends substance with the mainstream Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and from the mod…ernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven. Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences.
