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Verlag: Fischer (Tb.), Frankfurt, 1991
ISBN 10: 3596105781ISBN 13: 9783596105786
Anbieter: Better World Books: West, Reno, NV, USA
Buch
Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Gebraucht ab EUR 9,21
Verlag: Gallimard; Editions Gallimard (11 octobre 2018), 2018
Anbieter: BOOKIT!, Genève, Schweiz
Zustand: Used: Like New. Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.
Verlag: Gallimard, 2018
ISBN 10: 2072767385ISBN 13: 9782072767388
Anbieter: booksXpress, Bayonne, NJ, USA
Buch
No Binding. Zustand: new.
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Neu ab EUR 17,45
Gebraucht ab EUR 10,80
Mehr entdecken Softcover
Verlag: Editorial El Ateneo, Buenos Aires, 2004
ISBN 10: 950025316XISBN 13: 9789500253161
Buch
Hardcover. Zustand: Near Fine. Campos, Jorge Luis (Photography) (illustrator). Hardcover. A near fine copy with slight scratching to the boards. 126 pages of history, color photos of dancers and of the areas of Buenos Aires where they live and dance. This is a serious book printed in English and Spanish. The Tango is shown to be at the heart of Argentina with the text and photos.
Verlag: LUMEN, 2023
ISBN 10: 8426428886ISBN 13: 9788426428882
Anbieter: KALAMO LIBROS, S.L., La Puebla de Montalbán, TO, Spanien
Buch
Encuadernación de tapa blanda. Zustand: Nuevo.
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Neu ab EUR 16,89
Verlag: Adelphi, 2019
ISBN 10: 8845932818ISBN 13: 9788845932816
Anbieter: libreriauniversitaria.it, Occhiobello, RO, Italien
Buch
Zustand: NEW.
Mehr Angebote von anderen Verkäufern bei AbeBooks
Neu ab EUR 13,30
Verlag: LUMEN, 2016
ISBN 10: 8426402593ISBN 13: 9788426402592
Anbieter: Librería Berlín, Valencia, Spanien
Buch
Zustand: Nuevo.
Encuadernación de tapa blanda. Zustand: Bien. Editorial Tango, Buenos Aires / Argentina, 1990. Editor responsable: Néstor Sábato. Colección: Los Grandes del Tango. Monográfico. Biografías y memorias. Discografía. Profusamente ilustrado con fotografías b/n. Música y músicos. 34 páginas. 27 x 20. Tapa blanda de editorial ilustrada. Sin subrayados. Buen estado de conservación.
Verlag: Sudamericana
Anbieter: International Book Hunting, Manuel Alberti, BSAS, Argentinien
Erstausgabe
El tango, cuatro conferencias - Borges, Jorge Luis / Sudamericana - Buenos aires, 2016 (151p) -- literatura, Buen estado --Primera edicion 2016 con faja.
Verlag: Editorial Sudamericana, Buenos Aires, 2014
ISBN 10: 9500754975ISBN 13: 9789500754972
Anbieter: Libros del Mundo, Aventura, FL, USA
Buch
Zustand: New. Solo vendemos libros nuevos, sellados y originales directo de editorial. Enviamos a tdo el mundo por USPS, Fedex y DHL. 100% garant a. Only we sell NEW books, sealed. 100% guarentee. We ship worldwide.
Mehr Angebote von anderen Verkäufern bei AbeBooks
Neu ab EUR 30,89
Zustand: New. Libro nuevo, sellado, fisico, original. Enviamos a todos el mundo por USPS, Fedex y DHL. 100% garantia en su compra. Sealed, new. Unopened. 100%guarentee. We ship worldwide.
Verlag: Jorge Alvarez, Colección Narradores Argentinos, 179 pgs., Buenos Aires, 1967
Anbieter: Buenos Aires Libros, Buenos Aires, BA, Argentinien
Rústica. Zustand: Buen estado. Pliegues en cubierta superior. [Libro en Español / Book in Spanish].
Verlag: Quetzal Editores, 2018
ISBN 10: 9897224238ISBN 13: 9789897224232
Anbieter: a Livraria + Mondolibro, Berlin, Deutschland
Buch
Softcover. Zustand: Neu.
Anbieter: Librero Anticuario Armando Vites, Rosario, ., Argentinien
Verbandsmitglied: ALADA
Buch
Encuadernación de tapa blanda. Zustand: Bien. Ediciones de Arte Gaglianone. Buenos Aires 1984. Numerosas fotografías del espectáculo Araiz/Stampone. Cartón original.
Ed.Sudamericana,Buenos Aires 2016.Nota inicial del editor.21,2 cm.151 pag.Enc.rústica editorial con solapas y cubierta ilustrada.En buen estado. Borges conferenciante.Tema singular desarrollado en cuatro lunes de octubre de 1965 en el barrio porteño de Constitución.
Verlag: Buenos Aires, Corregidor, 1977
Anbieter: PlanetderBuecher, Hamburg, Deutschland
Buch
8°, Broschiert. Zustand: Gut. Seiten 1191 bis 1328 Guter Zustand mit altersgemäss gebräunten Seiten. Sprache: Spanisch Gewicht in Gramm: 182.
Anbieter: Librero Anticuario Armando Vites, Rosario, ., Argentinien
Verbandsmitglied: ALADA
Buch
Encuadernación de tapa blanda. Zustand: Bien. Polydor. Buenos Aires 1968. Marcas de uso en las tapas.
Anbieter: DMBeeBookstore, Buenos Aires, BA, Argentinien
Tapa Blanda. Zustand: Bien. FOTOS: No dude en pedir mas imagenes. Es de segunda mano, como se ve en la foto, puede preguntar mas detalle del ejemplar.
Erscheinungsdatum: 1926
Anbieter: Apartirdecero, CAPITAL FEDERAL, BUE, Argentinien
Magazin / Zeitschrift Erstausgabe
Encuadernación de tapa blanda. Zustand: Muy bien. 1ª Edición. Buenos Aires, 13 de marzo de 1926. Ilustrado por Requena Escalada. Rústica.
Erscheinungsdatum: 2016
Anbieter: DMBeeBookstore, Buenos Aires, BA, Argentinien
Tapa Blanda. Zustand: New. FOTOS: No dude en pedir mas fotos. Ejemplar Nuevo.
Tapa Blanda. Zustand: Bien. FOTOS: No dude en pedir mas imagenes. Es de segunda mano, como se ve en la foto, puede preguntar mas detalle del ejemplar.
Verlag: Polydor, Bunos Aires, 1986
Anbieter: Chaco 4ever Books, Montevideo, MO, Uruguay
Buch
wrappers. Zustand: Very Good. Second Edition. Astor Piazzolla wanted to see the music of his quintet accepted by the world of tango and also by that of academic music. In the case of Jorge Luis Borges, it was never known if he aspired or not to another kind of recognition than he had. The certain thing is that, if the advantages were clear that had for the bandoneonist to work with the poet, was instead a mystery why Borges decided to write those simple, beautiful, letters of milongas. The year is 1965 and a record called El Tango is recorded. A record with all the characteristics to become historical: Piazzolla music, lyrics by Borges, the voice of Edmundo Rivero on sung songs and that of actor Luis Medina Castro as a recitalist. And that gives rise to two other mysteries. The first of them is that, although some of their songs, like the perfect "Jacinto Chiclana", are incorporated into the repertoire and the collective imaginary, El tango never becomes a success. The second has to do with its virtual disappearance of the Piazzolla record catalog when, potentially, it offered all the possibilities to become a commercial phenomenon. Having the names of Borges, Piazzolla and Rivero in the same title was not disdainful for a record label, not even in 1965. And much less when the Argentine culture ended up recognizing, above the discussions of the moment, the musician and the writer as its maximum representatives.
Erscheinungsdatum: 2016
Anbieter: DMBeeBookstore, Buenos Aires, BA, Argentinien
Tapa Blanda. Zustand: New. FOTOS: No dude en pedir mas fotos. Ejemplar Nuevo.
Verlag: Polydor, 1965
Anbieter: Chaco 4ever Books, Montevideo, MO, Uruguay
Buch
Sin Encuadernar. Zustand: Muy bien. Astor Piazzolla wanted to see the music of his quintet accepted by the world of tango and also by that of academic music. In the case of Jorge Luis Borges, it was never known if he aspired or not to another kind of recognition than he had. The certain thing is that, if the advantages were clear that had for the bandoneonist to work with the poet, was instead a mystery why Borges decided to write those simple, beautiful, letters of milongas. The year is 1965 and a record called El Tango is recorded. A record with all the characteristics to become historical: Piazzolla music, lyrics by Borges, the voice of Edmundo Rivero on sung songs and that of actor Luis Medina Castro as a recitalist. And that gives rise to two other mysteries. The first of them is that, although some of their songs, like the perfect "Jacinto Chiclana", are incorporated into the repertoire and the collective imaginary, El tango never becomes a success. The second has to do with its virtual disappearance of the Piazzolla record catalog when, potentially, it offered all the possibilities to become a commercial phenomenon. Having the names of Borges, Piazzolla and Rivero in the same title was not disdainful for a record label, not even in 1965. And much less when the Argentine culture ended up recognizing, above the discussions of the moment, the musician and the writer as its maximum representatives.
Verlag: Lumen, 2017
ISBN 10: 6073155301ISBN 13: 9786073155304
Anbieter: Iridium_Books, DH, SE, Spanien
Buch
Paperback. Zustand: Used - Good.
Verlag: Fermata, 1966
Anbieter: Chaco 4ever Books, Montevideo, MO, Uruguay
Buch
Sin Encuadernar. Zustand: Muy bien. Ben Molar in an unprecedented effort, approached the tango fourteen poets and writers chosen among the most important men of letters that the country has. These were the chosen ones: León Benarós, Jorge Luis Borges, Nicolás Cocaro, Cordova Iturburu, Florencio Escardó, Baldomero Fernández Moreno, Alberto Girri, Leopoldo Marechal, Carlos Mastronardi, Manuel Mujica Láinez, Conrado Nalé Roxlo, Ulises Petit de Murat, Ernesto Sabato and César Time. Once obtained the letters of these important men, of the highest level of Argentine literature, sought among the most famous and popular tango musicians. They were: José Basso, Miguel Caló, Juan D'Arienzo, Alfredo De Angelis, Julio De Caro, Enrique Delfino, Lucio Demare, Osvaldo Manzi, Mariano Mores, Sebastián Piana, Astor Piazzolla, Armando Pontier, Hector Stamponi and Aníbal Troilo. The idea was underway, they met periodically and adjusted, retouched, modified, until making the fourteen tangos, which meant the most important nucleation that exists in the world, of famous artists of literature approaching popular music. As a complement and final touch of this magnificent undertaking, he also approached the proposal, fourteen plastic artists of the highest level of Argentine painting: Carlos Alonso, Héctor Basaldúa, Carlos Cañás, Santiago Cogorno, Zdravko Duckelic, Raquel Forner, Vicente Forte , Mario Darío Grandi, Julio Martínez Howard, Onofrio Pacenza, Leopoldo Presas, Luis Seoane, Raul Soldi and Carlos Torrallardona. The result of this fruitful task were fourteen titles: "Alejandra", by Ernesto Sabato and Aníbal Troilo "Bailate un tango Ricardo", by Ulises Petit de Murat and Juan D'Arienzo "Como nadie", by Manuel Mujica Láinez and Lucio Demare "Elegy", by Alberto Girri and Osvaldo Manzi "In which corner I find you Buenos Aires", by Florencio Escardó and Héctor Stamponi "The butterfly and death", by Leopoldo Marechal and Armando Pontier "Marisol", by Córdova Iturburu and Sebastián Piana "Milonga de Albornoz", by Jorge Luis Borges and José Basso "Nadie puede", by César Tiempo and Enrique Delfino "Oro y gris", by León Benarós and Mariano Mores "Sabor de Buenos Aires", by Carlos Mastronardi and Miguel Caló "Seventy balconies and no flowers", by Baldomero Fernández Moreno and Astor Piazzolla "Tango for Juan Soldado", by Conrado Nalé Roxlo and Alfredo De Angelis "A whistle in the pocket", by Nicolás Cocaro and Julio De Caro. With these forty-two men, fourteen in each of these pillars: music, poetry and plastic, Ben Molar made an album in which goes a long-playing album, where we find fourteen themes and two pages containing the thought about the tango of all the artists, with their respective autographs. There are also the plates that reproduce each of the fourteen paintings that interpret each of the creations pictorially. The different ranges of tango have been included on the album: the tango canción, the tango milonga, the tango salón, the avant-garde tango and the lunfardo tango, that is to say, many of the variants that our citizen music has. It is clear that also the focus of each composition varies according to the different styles of poets and musicians, which increases the richness of this cultural material. With respect to the fourteen paintings that interpret the subjects pictorially, they were made by a group of plastics that also make a very complete sample of Argentine painting. The first time the paintings were exhibited was used to expose them, fourteen stained-glass windows to the street, of fourteen prestigious commercial premises, in fourteen blocks of Santa Fe Avenue (one of the most elegant avenues of Buenos Aires) and then in seven stained glass windows the street of an important Florida street trade.