Verlag: CreateSpace Independent Publishing Platform
ISBN 10: 1514389460 ISBN 13: 9781514389461
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 0.17.
Verlag: J. M. Dent, London, 1932
Anbieter: David Gaines, Eureka, CA, USA
Erstausgabe
Hardcover. Zustand: Good. No Jacket. Blake, William (illustrator). First Thus. Boards in stamped cloth, good, ex libris w/ usual marks, no dj. Just a nice reading and reference copy, not for a gift certainly. Facsimile of Blake's original edition art and poetry pages. John Middleton Murry notes. Size: 8vo - over 7¾" - 9¾" tall.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
[London: c. 1973]. 8vo, 6 unnumbered leaves bearing color reproductions, bound into gray boards. § Proof copy of the reproduction of copy E at the Huntington Library, annoated in ballpoint pen by Robert N. Essick, probably for the published edition which had 78pp. of text.
Verlag: Huntington Library Press, 2004
ISBN 10: 087328187X ISBN 13: 9780873281874
Anbieter: Irish Booksellers, Portland, ME, USA
Zustand: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
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Erscheinungsdatum: 2023
Anbieter: True World of Books, Delhi, Indien
LeatherBound. Zustand: New. LeatherBound edition. Condition: New. Reprinted from 1884 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 325 Language: English.
Verlag: CreateSpace Independent Publishing Platform, 2018
ISBN 10: 172196178X ISBN 13: 9781721961788
Anbieter: Buchpark, Trebbin, Deutschland
Zustand: Sehr gut. Zustand: Sehr gut - Gepflegter, sauberer Zustand. | Seiten: 54 | Produktart: Sonstiges.
Verlag: J. M Dent, London and Toronto, 1932
Anbieter: Sekkes Consultants, North Dighton, MA, USA
Erstausgabe
Hardcover. Zustand: very good. Zustand des Schutzumschlags: very good. First edition. Oothoon, the central figure in the poem, plucks the "flower" of female sexuality but is soon raped by Bromion. Her lover, Theotormon, responds with silence or useless abstractions. The eleven plates of Visions were etched in relief, with slight touches of white-line work, and first printed in 1793. This is a facsimile from an original copy of the work printed and illuminated by the author in 1793 and now in the British Museum. Top jacket flap clipped, perimeter of dust-jacket dakened. book.
Verlag: J. M. Dent and Sons Limited / E. P. Dutton & Co. Inc, London / Toronto / New York, 1932
Anbieter: Tavistock Books, ABAA, Reno, NV, USA
Erstausgabe
[6], [9] - 25, [3] pp of text. 11 leaves of facsimile color plates. 9-7/8" x 7-1/2" VG+ (small, neat pos to ffep)/VG (age-toning, a couple spots to front panel/pc). Linen cloth binding with gilt stamped script lettering. Yellow dust jacket with red printed lettering 1st Edition thus, i.e., by this publisher in this format.
Verlag: Madrid / Palma de Mallorca: Papeles de Son Armadans, 1968, 1968
Anbieter: Cole & Contreras / Sylvan Cole Gallery, Sitges, BCN, Spanien
Erstausgabe
Year XIII, issue XLIX of this literary periodical. Includes interesting translations, by Cristobal Serra, of two poems by Blake. 8vo. Original wraps. ENTIRELY UNCUT AND UNOPENED. Minimal traces of wear to covers, else fine and bright. Complete with ads at rear.
Verlag: London, Toronto : J. M. Dent & Sons, 1932
Anbieter: MW Books, New York, NY, USA
Facsimile Edition. Very good copy in the original gilt-blocked cloth bordered in gilt. Spine bands and panel edges somewhat dust-toned and rubbed as with age; minor foxing to prelims. Remains particularly well-preserved overall; tight, bright and strong. Physical description;25 p. : illustrations, color facsimiles ; 25 cm. Notes; Facsimile of the British museum copy (1793 edition). Printed by Temple Press, Letchworth. Printer's device to rear. Subjects; Blake, William 1757-1827. Visions of the daughters of Albion ; Illustrations. Illumination of books and manuscripts Facsimiles. English poetry 18th century. Illustrated books. 1 Kg.
Verlag: J. M Dent, London and Toronto, 1932
Anbieter: Vashon Island Books, Vashon, WA, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Color and B&W Illustration (illustrator). Facsimile Edition. In tan jacket over tan cloth with gilt titling, 4to, 25pp. A facsimile from an original copy of the work printed and illuminated by the author in 1793 now in the British Museum. (jacket flaps clipped; short closed tear to jacket at upper tip). Size: 4to - over 9¾" - 12" tall. Book.
Verlag: London, Toronto : J. M. Dent & Sons, 1932
Anbieter: MW Books Ltd., Galway, Irland
Facsimile Edition. Very good copy in the original gilt-blocked cloth bordered in gilt. Spine bands and panel edges somewhat dust-toned and rubbed as with age; minor foxing to prelims. Remains particularly well-preserved overall; tight, bright and strong. Physical description;25 p. : illustrations, color facsimiles ; 25 cm. Notes; Facsimile of the British museum copy (1793 edition). Printed by Temple Press, Letchworth. Printer's device to rear. Subjects; Blake, William 1757-1827. Visions of the daughters of Albion ; Illustrations. Illumination of books and manuscripts Facsimiles. English poetry 18th century. Illustrated books. 1 Kg.
Verlag: J.M. Dent & Sons Limited, London, 1932
Anbieter: Compass Rose Books, ABAA-ILAB, Kensington, CA, USA
Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. First Impression. A Fine copy in blond cloth stamped in gilt, in a Near Fine tan paper dustwrapper, clipped and re-priced by the publisher on the front flap. 25pp. with an Essay by J. Middleton Murray. Plates in colour. Q20635.
Verlag: J.M. Dent and Sons Limited, London, 1932
Anbieter: Great Expectations Rare Books, Staten Island, NYC, NY, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Very Good. First Edition Thus. Hardcover, buff colored cloth in original dust-jacket. With a commentary provided by John Middleton Murry. Reproduced in facsimile from an original copy of the work printed and illuminated by the author in 1793 now in the British Museum. Eleven color plates, with text, printed on rectos only. First edition thus, facsimile edition. Top of dust-jacket flap price clipped, albeit original printed Dent price sticker affixed to lower corner of flap. Spine of dust-jacket darkened and front cover of jacket shows several old ring stains. The third full color facsimile in the Dent series, reprinting Blake's works. A fine copy in good dust-jacket.
Verlag: J.M. Dent, London., 1932
Anbieter: Peter Ellis, Bookseller, ABA, ILAB, London, Vereinigtes Königreich
First edition thus. Royal octavo. 25 pages. 'This full-colour facsimile. is printed on a specially-calendered pure-rag paper instead of the impermanent coated ''art'' paper usually employed for four-colour process work' (blurb).Ownership signature on front free endpaper. Small stain to top edge. One corner a little bruised. Very good indeed in very good dustwrapper with a short closed tear at head of spine and a small stain to top edge of front panel.
Verlag: J. M. Dent, London, 1932
Anbieter: The Petersfield Bookshop, ABA, ILAB, Petersfield, Hampshire, Vereinigtes Königreich
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Facsimile Edition. A facsimile of a copy in the British Museum in full colour. This edition has an essay by J. Middleton Murray included after the colour pages. A nice copy in a complete jacket which has darkened a little over time. Size: Royal 8vo. Category: Art & Design; Poetry. For further information on this title or for further photographs, please click on the "Ask Seller a Question" button directly underneath this listing. We aim to reply within three working days. Buyers from OUTSIDE of the UK are strongly recommended to make contact, to ask for an accurate shipping cost, BEFORE buying.
Verlag: J. M. Dent and Sons, London and Toronto, 1932
Anbieter: Jeffrey H. Marks, Rare Books, ABAA, Rochester, NY, USA
Reproduced in Facsimile from an original copy of the work printed and illuminated by the author in 1793 now in the British Museum. With a Note by John Middleton Murry. 25 pp. Full-colour Facsimile. Large 8vo, publisher's gilt-lettered cloth in dust jacket printed in red. First of this edition. Slight use to cloth; tiny chips, slight dust-soiling and use to jacket.
Verlag: -J M Dent -, 1932
Anbieter: Paul Brown, Ramsgate, Vereinigtes Königreich
First printing thus 1932. Reproduced in Facsimile from an original copy of the work printed and illuminated by the author in 1793 now in the British Museum. Single sided printing in full colour plus 25 pages of text. Pale cloth with gilt lettering, cloth grubby, no dustjacket, otherwise very good.
Verlag: (Set and Printed by Claude Fredericks)., Pawlet (U.S.A.) [Vermont]., 1967
Anbieter: DARIS SAS, Lucca, LU, Italien
In-folio, copertina in carta marmorizzata con titoli e motto (The Eye sees more than the Heart knows) su etichetta applicata in alto a sinistra, sul piatto anteriore; all'interno un bifolio bianco, che racchiude sei fogli sciolti (cm 38,5 x 28,5), per un totale di 12 pagine, non numerate. Bella raffinata edizione di clxxx copie numerate a mano, su carta Japon - la ns. è la n° lxvi -; edizione non venale, pubblicata per il Natale 1967. Al colophon si legge: 'The poem follows the text of Geoffrey Keynes's (sic) Centenary Blake. It was set & printed by Claude Fredericks, in the last week of December mcmlvii, for the pleasures of his friends.' Il testo, pubblicato per la prima volta da Blake nel 1793, è uno dei primi esempi di libri profetici. Piccole abrasioni a un angolo del bifolio e di due dei sei fogli interni; dorso della coperta rifatto, e piccole mancanze agli angoli di questa. Per il resto buon esemplare. Claude FREDERICKS (1923 - 2013) è stato poeta, scrittore, stampatore e insegnante. Professore di letteratura per oltre trent'anni al Bennington College, in Vermont, dall'inizio degli Anni '60. Alla fine degli Anni '40, dopo aver lavorato brevemente alla Gemor Press di Anais Nin, Fredericks fondò la Banyan Press, che per alcuni decenni pubblicò edizioni limitate fatte a mano di autori come Gertrude Stein, John Berryman, e James Merrill. Fu autore di un diario che conta più di sessantamila pagine manoscritte, custodite al Getty Center di Los Angeles.
Verlag: William Blake Trust/Princeton University Press, London and Princeton, NJ, 1994
ISBN 10: 0691033870 ISBN 13: 9780691033877
Anbieter: Saucony Book Shop, Kutztown, PA, USA
Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Brown cloth, lettered in gold foil. As issued. Color illus. dust jacket shows very slight rubbing along edges, now in mylar. 1st ptg. 286 pp., illus. Scarce. Size: 4to - over 9¾" - 12" tall. Book.
Verlag: Trianon Press, Paris, 1959
Anbieter: Librairie-Galerie Emmanuel Hutin, Paris, Frankreich
Verbandsmitglied: ILAB
Demi-maroquin havane. Zustand: Très bon. Blake (illustrator). Edition en facsimile en couleurs du tirage original des compositions de William Blake, suivi du commentaire de Geoffrey Keynes. Tirage à 446 exemlaires, celui-ci non numéroté.
Verlag: J M Dent & Sons EVERYMAN'S LIBRARY LONDON, 1965
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. HBDJ,1965, EARLY EDITION, VERYGOOD CONDITION, LARGER FORMAT ,DJ NICE CONDITION LITE WEAR TINY STAINS EDGE CHIPS WEAR, Dustjacket has a neat tape repair, very slight dustjacket wear, cover has slight wear along top edge, second page has previous owner name and details in pen, some pages largely in the early selections have a few pencil markings, one page previously folded in bottom corner. 439 PGS, NOTES ,INDEX OF BKS, BACK OF DJ SAYS FEW OF 500 AUTHORS, GOLD OUTER TOP EDGE OF PGS.
Verlag: (Set and Printed by Claude Fredericks), Pawlet (U.S.A.) [Vermont], 1957
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Fine. First edition thus. Folio, measuring 11½" x 15". 12pp. Marbled wrappers with paper spine label. First two leaves with very light foredge toning from the wrappers, a bit of light wear at the spine else fine. A handsome production, published at Christmas by Fredericks "for the pleasure of his friends." Copy number 130 of 180 copies published. Fredericks was a poet, playwright, printer, writer, and longtime professor of literature at Bennington College in Vermont. He was the proprietor of the Banyan Press and also noted for the journal he kept throughout most of his life, ultimately consisting of over 65,000 pages.
Verlag: The Trianon Press for the William Blake Trust, clairvaux, France, 1959
Anbieter: Vashon Island Books, Vashon, WA, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket (as issued). Color And b/w Facsimile Illustrations (illustrator). Facsimile Edition. Quarter orange leather over marbled boards; gilt title to spine, housed in publisher's matching marbled paper slipcase, folio, unpag. Another spectacular facsimile production from the Trianon Press, under the direction of Arnold Fawcus - and reproducing Blake's Illustrations on Arches rag paper mimicking Blake's originals. One of a limited edition 446 copies total - (This copy is not numbered on colophon). Size: Folio - between 12" - 15" Tall. Book.
Verlag: Trianon Press Facsimiles for the William Blake Trust. Paris, 1959
Anbieter: Addyman Books, Hay-on-Wye, Vereinigtes Königreich
First Edition Thus. Special Publisher's copy, signed with "Special publishers copy" in his own hand, by Arnold Fawcus, owner of the Trianon Press. Tall slim 4to. Salmon quarter morocco, gilt with gilt top-edge and hand-marbled paper covered boards in marbled paper-covered slipcase. Facsimile copy of the 1793 original edition, unpaginated on arches pure rag paper to match that used by Blake and watermarked with his monogram. Bibliographical statement to rear by Geoffrey Keynes. A couple of slight marks to leather at head of spine and to upper board o/w a very handsome copy in sl. worn slipcase. Near fine.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
London: Trianon Press, 1959. Folio, 11 plates, 7 pp. text. Quarter orange morocco, marbled boards, slipcase, very fine. § Limited to 426 copies, of which this copy is unnumbered. One of the scarcer titles of the Press, especially in fine unfaded condition. "It is a continuation, though in thought only, of The Book of Thel. That represented the soul in the state of innocence; this the soul in the state of experience. It is primarily a protest against the sexual customs of the time." (Damon, Blake Dictionary). Bentley, Blake Books, 216.
Verlag: The Trianon Press., Paris / Clairvaux., 1959
Anbieter: Sims Reed Ltd ABA ILAB, London, Vereinigtes Königreich
Folio. (368 x 266 mm). [16 unnumbered leaves]. Frontispiece, pictorial title and 9 plates of text and illustration, all facsimiles after Blake, leaf with details of the publication, two leaves with 'Bibliographical Statement' by Geoffrey Keynes, final leaf with colophon and justification. Original publisher's pumpkin morocco-backed marbled paper boards, matching marbled paper-covered board slipcase. The Trianon facsimile of William Blake's 'Visions of the Daughters of Albion' from the collection of Lord Cunliffe. From the edition limited to 446 numbered copies on Arches, with this one of 200 issued for distribution in the United States. 'Visions of the Daughters of Albion', one of Blake's prophetic, visionary books was produced first - as per the title - in 1793 and is known in 16 extant examples. The present facsimile was produced from copy 'C', described by Bentley as having colour that 'is particularly clear and lovely', and was very likely produced between 1793 and 1795; copies were issued throughout Blake's life with the latest dating to 1821 - 1825. The facsimiles of the illuminated leaves have been reproduced by collotype and pochoir (a hand-stencilled process) and printed on Arches pure rag paper to match the paper used by Blake, each page being watermarked with his monogram. [see Bentley Blake Books 213 (Blake's original) & 216 (this edition)].
Verlag: London: The Tate Gallery in conjunction with The William Blake Trust 1991-95., 1991
Anbieter: Bow Windows Bookshop (ABA, ILAB), Lewes, Vereinigtes Königreich
First editions. Six volumes. Publisher's brown cloth, gilt lettered to the spines, dust jackets. Profusely illustrated. Occasional mild wear to the jacket edges, an attractive set.
Verlag: Printed at the Trianon Press for the Trustees of the William Blake Trust, London, 1959
Anbieter: Swan's Fine Books, ABAA, ILAB, IOBA, Walnut Creek, CA, USA
Hardcover. Zustand: Near fine. Blake, William (illustrator). Limited Edition. One of the 20 copies bound in full morocco, with extra proofs and stencil, folio size, unpaginated. "Visions of the Daughters of Albion" published in 1793, is one of Blake's prophetic books, and is considered to be a sequel of sorts to "The Book of Thel". Its early feminist subject matter was influenced in part by Mary Wollstonecraft's "A Vindication of the Rights of Women" published in 1792. In Geoffrey Keynes' Bibliographical Statement, he remarks "The theme of 'Visions of the Daughters of Albion' is, in effect, partly a protest against the sexual morals of the day, and it has been related by some writers to crises in Blake's own life, such as his realization that he was tied legally and morally to a barren wife." But this is pure conjecture, and it is better to regard the book as a poet's view of the evils of organized religion, compulsory morals, oppressed womanhood, and, in addition, of slavery. William Blake (1757-1827) is arguably the most original and highly-regarded English author - unusual in that he excelled both as an author and an artist. Although thought mad by his contemporaries, he was held in high regard for his expressiveness and for the synthesis of philosophical and mystical senses within his work. Blake's work has been spectacularly reproduced through the pochoir technique by Arnold Fawcus and his Trianon Press, which has an undeniable claim to being the finest press of its kind in the last century and has long been known for their unrivaled artworks in fine colour printing. In addition to the eleven plates included in all copies of this publication, this deluxe version also has a special section, ".containing a set of hand-coloured plates showing progressive stages, colour collotype proofs and an original guide sheet and stencil". This section shows the progression of the frontis plate as each colour is applied (26 plates) plus a cut-out plate showing the few sections where a particular colour was applied, and finally the stencil itself fastened (with corners) onto the rear pastedown. ___DESCRIPTION: Original orange full morocco, backstrip lettered in gilt, top-edge gilt, eleven colour plates reproduced by the collotype and pochoir processes, printed on Arches pure rag paper made to match the paper used by Blake, each page is watermarked with Blake's monogram; folio size (14 1/2" by 10 1/2"), unpaginated [11 plates and 4 pp. of commentary, the "Bibliographical Statement", plus the additional section with the progressive plates as set forth above], one of 20 copies of the deluxe edition, this copy no. V (446 copies total). Housed in publisher's slipcase with hand-marbled paper on the sides and matching morocco at the opening. ___CONDITION: Volume near fine, the leather smooth and supple, a strong, square text block with solid hinges, the corners straight and unrubbed, internally clean and bright, the sole prior owner marking being a name discreetly written at the top of the front pastedown; a few stray marks on the leather and very light dustiness, else fine. Slipcase also near fine, strong and sturdy, the paper coverings with only a few light marks and some light rubbing to the bottom edge and light soil to the morocco opening. ___CITATION: Bentley, Blake Books, 216. ___POSTAGE: Please note that this is an unusually large and heavy volume and additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
London: Trianon Press, 1959. Folio, 11 plates, 7 pp. text, plus the extra materials. Full orange morocco, slipcase, some foxing internally and to the edges. § Copy II of 20 de luxe copies with a suite of progressive states of one plate, an original guide-sheet and stencil etc. Limited to 446 copies including 20 de luxe copies numbered I-XX, 200 regular copies numbered 1-200 for the United Kingdom, 200 regular copies numbered 201 ? 400 for the United States and 26 copies lettered A-Z reserved for the Lord Cunliffe, the Trustees of the William Blake Trust, and the publishers. One of the scarcer titles of the Press, especially in fine unfaded condition. Bentley, BB, 216. Reproduces the Cunliffe copy, copy C., now in Glasgow University Library. Bentley, Blake Books, 216. "It is a continuation, though in thought only, of The Book of Thel. That represented the soul in the state of innocence; this the soul in the state of experience. It is primarily a protest against the sexual customs of the time." (Damon, Blake Dictionary).