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Erstausgabe
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In den WarenkorbZustand: New. Taking a look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this volume explores various manifestations of performance and meanings of performativity in the Middle Ages. Editor(s): Gertsman, Elina. Num Pages: 366 pages, Includes 41 b&w illustrations and 1 music example. BIC Classification: 3H; 3JB; AN; DSBB. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 165 x 235 x 36. Weight in Grams: 940. . 2008. 1st Edition. hardcover. . . . .
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In den WarenkorbZustand: New. Taking a look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this volume explores various manifestations of performance and meanings of performativity in the Middle Ages. Editor(s): Gertsman, Elina. Num Pages: 366 pages, Includes 41 b&w illustrations and 1 music example. BIC Classification: 3H; 3JB; AN; DSBB. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 165 x 235 x 36. Weight in Grams: 940. . 2008. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.