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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: New. 20th-Anniversary Edition. Twenty years ago, before the era of digital cameras, cell phones, Photoshop, and the World Wide Web, Fred Ritchin presciently outlined many of the ways in which the digital age would transform society. His groundbreaking book, In Our Own Image, the first to address "the coming revolution in photography," asked pointed and sometimes chilling questions that are increasingly relevant today, including whether democracy can survive the erosion of media accelerated by facile use of digital means. By the time a second edition was published in 1999, many of Ritchin's predictions had come true: computer embellishment of imagery had become a staple in the media and, given the widespread use of graphic so!ware, had significantly diminished photography's special role as a credible witness: Newsday had published the first "future" news photograph of two feuding ice skaters as they would meet the next day, and on its cover, Time magazine darkened and blurred an image of the celebrity O. J. Simpson in order to li! "a common police mug shot to the level of art, with no sacrifice to truth." Aperture is pleased to reissue this seminal text, which has continued to shape the debate about digital imaging since its initial publication. This twentiethanniversary edition features a preface by the author that contextualizes the book for a contemporary audience.

Hardback. Zustand: New.

Hardback. Zustand: New. For three years, fashion and portrait photographer Richard Phibbs has donated his services to the Humane Society of New York, making portraits of dogs up for adoption as part of the Manhattan shelter's work to find them all "forever homes." The best of his photographs are featured in this simple and moving album, along with the story of each dog on its journey from often-shocking circumstances of abandonment and rejection, through rescue and the joy experienced in the new homes these pictures helped them find. This heartwarming New York story will appeal to dog lovers all over the world. Along with a preface by TK, Phibbs's own introduction is a passionate appeal for everyone to rescue a dog. The book is perfectly sized and priced for an impulse buy. Royalties from its sale benefit the Humane Society of New York.

Hardback. Zustand: New. Henri Cartier-Bresson's writings on photography and photographers have been published sporadically over the past 45 years. His essays-several of which have never before been translated into English-are collected here for the first time. The Mind's Eye features Cartier-Bresson's famous text on "the decisive moment" as well as his observations on Moscow, Cuba and China during turbulent times. These essays ring with the same immediacy and visual intensity that characterize his photography.

Hardback. Zustand: New. The Aperture Masters of Photography Series has become a touchstone of Aperture's longstanding commitment to introducing the history and art of photography to a broader public. Each volume provides an ongoing comprehensive view of the artists who have helped shape the medium. Initially presented as the History of Photography Series in 1976, the first volume featured Henri Cartier-Bresson and was edited by legendary French publisher Robert Delpire, who cofounded the series with Aperture's own Michael Hoffman. Twenty volumes have been published in total, each of them devoted to an image-maker whose achievements have accorded them vital importance in the history of photography. Each volume presents an evocative selection of the photographer's life's work, introduced with a foreword by a notable curator or historian of each artist. The series will be relaunched in Fall 2014, beginning with books on Paul Strand and Dorothea Lange, elegantly updated and refreshed for today's photography-hungry audiences, and introducing new, image-by-image commentary and chronologies of the artists' lives for each of the previously published titles. The series will also include entirely new titles on individual artists. The Aperture Masters of Photography Series is an unparalleled library of both historical and contemporary photographers, and serves as an accessible compilation for anyone studying the history of photography.

Hardback. Zustand: New. Robert Adams, one of America's foremost living photographers, has spent decades considering and documenting the landscape of the American West and the ways it has been altered, disturbed, or destroyed by the hand of man. A professor of English before turning to photography, Adams is also a skilled writer and acute thinker on aesthetic questions. Aperture's previous bestselling collections of his essays, Beauty in Photography and Why People Photograph, assembled his thoughts on a range of subjects, including writing, teaching, photography's place in the arts and a host of fellow photographers. Along Some Rivers collects Adams's correspondence and conversations-some of which have never been published before-with writers and curators including William McEwan, Constance Sullivan and Thomas Weski. In so doing, it provides another point of entry, offering a portrait of the artist in debate and elucidating his thoughts on a number of his now legendary projects, including Cottonwoods and What We Bought. Adams also expounds on why, in his view, Marcel Duchamp has not been a helpful guide for art, and he discusses which filmmakers and painters have influenced him, which cameras he prefers and how he approaches printing his pictures. Along Some Rivers also includes a selection of 28 unpublished landscapes.

Paperback. Zustand: New. New Edition. David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum and The Nation. In Between the Eyes: Essays on Photography and Politics, Strauss tackles subjects as diverse as "Photography and Propaganda," the imagery of dreams, Sebastiao Salgado's epic social documents and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay "Photography and Belief," and in "The Highest Degree of Illusion," Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media "pandemonium" in its root meaning of "the place of all howling demons," we need a mind and voice like Levi Strauss' to bring clarity to our vision.

Paperback. Zustand: New. The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a series of readers designed for those interested in the ways images function within a wider set of cultural practices. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image-its modes of dispersion, reception, consumption, and aggregation-and the significance of technological reproduction for contemporary forms of social, cultural, and political life. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image-its modes of dispersion, reception, consumption, and aggregation-and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography.

Hardback. Zustand: New. Made for young readers, six and up, this book features portraits that celebrate the diverse beauty of human skin. By depicting people from all over the world against a background that matches their skin tone, Angélica Dass shows us how wonderfully colorful humans really are, questioning the concept of race and the limited categories we use to describe each other. These ideas are simply too small for a world that contains so many beautiful colors and people. The book asks us to consider how we see ourselves and others, through both similarities and differences. Kids also discover how to mix their own skin color with paint. Through a playful and dynamic layout, The Colours We Share encourages looking, questioning, and thinking bigger-inviting us think about race, and our common humanity, in a new way.

Paperback. Zustand: New. The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and "lives" of images-their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times. Volume 2 in this series, Analogy, Attunement, and Attention, addresses the complex relationships that the reproducible image creates with its viewers, their bodies, their minds, and their sense of the physical and metaphysical world. The selection addresses the image's role in the social constitution of individual and collective identity, in social practices of resistance to the structural violences of racism, or in relation to state exercises of power. Of particular importance in this volume are questions of our changing relationship to space and to selfhood as mediated by the image and by the many networked technologies and norms built around it. Essays in the volume ask: what modes of attention are required of us as viewers and agents of image circulation? The question of how image technologies provide us with an array of freedoms is here combined with and read against the many ways images are deployed to reorient, repress, or reduce our field of vision-thus affecting our capacity to see and to act in social space. Contributions by Victor Burgin, Judith Butler, Tina Campt, Sarah Jane Cervenak, Harun Farocki, Tom Holert, Thomas Keenan, Rabih Mroué, Vivian Sobchack, and Tiziana Terranova.

Paperback. Zustand: New. The older paradigm for photojournalists was to simply record events, with the hope-and frequently the expectation-that people and their governments would be moved to respond to the injustices pictured; as witnessed by the impact of certain images during the Civil Rights movement and the Vietnam War. Given evolving media and political climates, however, including the billions of images now available online from all kinds of sources, the purpose and effectiveness of media, in particular of visual journalism, has been called into question. Bending the Frame: Photojournalism, Documentary, and Citzenship, by author and critic Fred Ritchin, addresses the new and emerging potentials for visual media to impact society. Ritchin examines the historical and contemporary uses of photography and related media to inspire social change. From the unintended consequences of "citizen journalism" and leaked images such as those from Abu Ghraib, to the new strategies by visual journalists and the targeted human rights projects by documentary photographers, the intention of this book is to provide a much-needed critical approach to the issues involved in such efforts. Also encompassing online efforts, uses of video, and a diverse range of books and exhibitions, Bending the Frame aims for as wide-ranging and farreaching a discussion as possible, asking the critical question: how can images promote new thinking and make a difference in the world?

Hardback. Zustand: New.

Paperback. Zustand: New. Aperture magazine presents "Celebrations," an issue that considers how photographs envision ceremonies, festivities, and allow us to discover euphoria in the everyday.Throughout the issue, photographers portray exuberance against a backdrop of political strife in Beirut, pursue the thrill of wanderlust, excavate family histories, and respond to the powerful, constant urge to gather. Whether in Kinshasa's vibrant nightlife of the 1950s and '60s or London's sweaty dance floors of our era, jubilation carries on, despite an ongoing, and unpredictable, pandemic.In "Celebrations," Lynne Tillman contributes a survey of landmark images of celebration through the years, by artists from Malick Sidibé and Peter Hujar to LaToya Ruby Frazier. Several profiles and essays-including Alistair O'Neill on Jamie Hawkesworth, Moeko Fuiji on Rinko Kawauchi, Tiana Reid on Shikeith, Mona El Tahawy on Miriam Boulos, and Anakwa Dwamena on Marilyn Nance's views of Lagos, Nigeria during FESTAC '77-reveal the celebratory gestures embedded in vibrant portraiture, serene slants of light, unbound queer desire, and joyous cross-cultural exchange.

Paperback. Zustand: New. The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and "lives" of images-their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times. Volume 2 in this series, Analogy, Attunement, and Attention, addresses the complex relationships that the reproducible image creates with its viewers, their bodies, their minds, and their sense of the physical and metaphysical world. The selection addresses the image's role in the social constitution of individual and collective identity, in social practices of resistance to the structural violences of racism, or in relation to state exercises of power. Of particular importance in this volume are questions of our changing relationship to space and to selfhood as mediated by the image and by the many networked technologies and norms built around it. Essays in the volume ask: what modes of attention are required of us as viewers and agents of image circulation? The question of how image technologies provide us with an array of freedoms is here combined with and read against the many ways images are deployed to reorient, repress, or reduce our field of vision-thus affecting our capacity to see and to act in social space. Contributions by Victor Burgin, Judith Butler, Tina Campt, Sarah Jane Cervenak, Harun Farocki, Tom Holert, Thomas Keenan, Rabih Mroué, Vivian Sobchack, and Tiziana Terranova.

Hardback. Zustand: New. Robert Adams, one of America's foremost living photographers, has spent decades considering and documenting the landscape of the American West and the ways it has been altered, disturbed, or destroyed by the hand of man. A professor of English before turning to photography, Adams is also a skilled writer and acute thinker on aesthetic questions. Aperture's previous bestselling collections of his essays, Beauty in Photography and Why People Photograph, assembled his thoughts on a range of subjects, including writing, teaching, photography's place in the arts and a host of fellow photographers. Along Some Rivers collects Adams's correspondence and conversations-some of which have never been published before-with writers and curators including William McEwan, Constance Sullivan and Thomas Weski. In so doing, it provides another point of entry, offering a portrait of the artist in debate and elucidating his thoughts on a number of his now legendary projects, including Cottonwoods and What We Bought. Adams also expounds on why, in his view, Marcel Duchamp has not been a helpful guide for art, and he discusses which filmmakers and painters have influenced him, which cameras he prefers and how he approaches printing his pictures. Along Some Rivers also includes a selection of 28 unpublished landscapes.

Hardback. Zustand: New. Go Photo! features twenty-five hands-on and creative activities inspired by photography. Aimed at children between eight and twelve years old, this playful and fun collection of projects encourages young readers to experiment with their imaginations, get messy with materials, and engage with the world in new and exciting ways. Indoors or outdoors, from a half-hour to a whole day, and whether alone or with friends, family, or an unsuspecting pet, there is a photo activity for all occasions. Some don't even require a camera! Each project features a series of pictures and handy tips to help guide the reader step-by-step, building a visual language and encouraging creativity as they go. Accessible, fun, and practical, the activities in this book have been brought together to engage children in the fun and wonder of photography.

Paperback. Zustand: New. The first English-language collection of Takuma Nakahira's influential writings on photography.At the Limits of the Gaze collects the writings of photographer and critic Takuma Nakahira in English for the first time. A crucial figure within the history of Japanese photography, Nakahira is best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in 1968, and for his important photobook For a Language to Come (1970). Throughout a decades-long career, Nakahira raised incisive questions about visual culture and politics in both his photography and his writing. As part of a dynamic moment of artistic and political experimentation in Tokyo, he wrote on a range of topics hardly limited to photography: art, film, journalism, literature, politics, television, and more. Nakahira's essays brim with urgency, relentlessly interrogating photography's relationship to power, the connection between language and images, and the gaze. As editors and translators Daniel Abbe and Franz Prichard write, Nakahira's essays "both suggest doubt about, and possibilities for, a photographically mediated reckoning with the world.".

Paperback. Zustand: New. Aperture regularly invites guest editors to collaborate on issues where their unique perspectives and exciting networks of artists and writers expand and enhance specific themes. This issue will be guest edited by the leading artist and educator Deana Lawson, touching upon themes of the familial, astrophysical, and social, and their relationships to photography.

Paperback. Zustand: New. This winter, Aperture presents "Image Worlds to Come: Photography and AI," a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist portfolios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.To weigh the risks and possibilities of this transformative change, Aperture has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the "intelligence" of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer's role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography's relationship to reality, exposing how the idea of a "real photo" has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States. "The field of photography continually shifts due to emergent technologies, and AI is a big one," says Michael Famighetti, Aperture's editor in chief. "It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.""Image Worlds to Come" looks at the past as much as the future. Art historian Noam M. Elcott and technologist Tim Trombley train their own AI model on the Farm Security Administration's vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible "cursed images" inspired by a feeling of being "nostalgic for the present." The cover of Aperture issue 257 features a work by Trevor Paglen from his 2017 series It Began as a Military Experiment. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life."Photography is the paradigm of human-technology interfaces," Paglen tells art historian Sarah M. Miller in an extensive interview. "People who think.

Paperback. Zustand: New. A photograph lives in multiple eras at once: the time of its making, the time of its unveiling, the time of its subsequent rediscovery. -Rebecca BengalIn Strange Hours: Photography, Memory, and the Lives of Artists, Rebecca Bengal considers the photographers who have defined our relationship to the medium. Through generous essays and interviews, she contemplates photography's narrative power, from the radical intimacy of Nan Goldin's New York demimonde to Justine Kurland's pictures of rebel girls on the open road. Bengal brings us closer to pioneering artists and the personal and political stories surrounding their images. She travels with Alec Soth in Minneapolis, searching for thehouses where Prince once lived, and revisits Chauncey Hare's 1979 protest against the Museum of Modern Art. She speaks with Dawoud Bey about his evocative portraits and explores Diana Markosian's cinematic take on her family's immigration to the US. Throughout Strange Hours, Bengal's prose is attuned to the alchemy of experience, chance, and vision that has always pushed photography's potential for unforgettable storytelling.

Paperback. Zustand: New. Aperture introduces a new look for the magazine with The Design Issue, featuring previously unpublished images by Luigi Ghirri, a profile of the artist and jewelry designer Coreen Simpson, interviews with the celebrated fashion designer Duro Olowu and the design writer Alice Rawsthorn, and dynamic portfolios that speak to the myriad ways in which the fields of photography and design are intertwined. The Design Issue also features three unique covers with images by David Hartt, Luigi Ghirri, and Dayanita Singh.Aperture continues to be designed by the award-winning, London-based studio A2/SW/HK. Updated elements include a refreshed cover and changes to typefaces, layout, and scale. 'This new, inviting format is inspired by the early issues of the magazine. We hope to honor the editorial spirit that has driven this publication since 1952: a commitment to presenting a spectrum of ideas and photography, from past and present, thoughtfully considered through engaging, approachable writing and a thoughtful design', said Michael Famighetti, editor in chief of Aperture.In The Design Issue Olowu speaks with the editor Dan Thawley about how his deep knowledge of photography has informed his fashion line. Thessaly La Force visits Coreen Simpson, who made portraits of New York City's artistic and nightlife scenes and later found success as a jewelry designer. Alice Rawsthorn speaks with Billie Muraben about how designers respond to evolving technology and politics. And Mimi Zeiger considers David Hartt's interventions with the built environment and iconic buildings, including Philip Johnson's Glass House.In elegant, spare images, Dayanita Singh presents her long-term engagement with the architects Geoffrey Bawa and Bijoy Jain. Luigi Ghirri's 1980s images from the Ferrari factory, in Italy, demonstrate the photographer's fascination with industrial design. New work by Daniel Shea, Paul Kooiker, and Nhu Xuan Hua show photography's boundless potential to tell stories about urban change, identity, and sartorial politics.This issue also features Avion Pearce, the winner of the 2024 Aperture Portfolio Prize, whose work will be presented in June at Baxter St at the Camera Club of New York; columns feature Stefan Ruiz, Akihiko Okamura, and Olivia Laing; and features in The PhotoBook Review highlight Alexey Brodovitch's iconic art direction and Polymode, a bicoastal, queer, and minority-owned studio who are rethinking design histories.

Paperback. Zustand: New. We Were Here: Sexuality, Photography, and Cultural Difference offers an unparalleled firsthand account of the influential photographer and curator Sunil Gupta's writing and critical inquiry since the 1970s.Newspaper articles, speeches, and essays show Gupta's crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.

Paperback. Zustand: New. We Were Here: Sexuality, Photography, and Cultural Difference offers an unparalleled firsthand account of the influential photographer and curator Sunil Gupta's writing and critical inquiry since the 1970s.Newspaper articles, speeches, and essays show Gupta's crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.

Paperback. Zustand: New. The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.

Paperback. Zustand: New. A photograph lives in multiple eras at once: the time of its making, the time of its unveiling, the time of its subsequent rediscovery. -Rebecca BengalIn Strange Hours: Photography, Memory, and the Lives of Artists, Rebecca Bengal considers the photographers who have defined our relationship to the medium. Through generous essays and interviews, she contemplates photography's narrative power, from the radical intimacy of Nan Goldin's New York demimonde to Justine Kurland's pictures of rebel girls on the open road. Bengal brings us closer to pioneering artists and the personal and political stories surrounding their images. She travels with Alec Soth in Minneapolis, searching for thehouses where Prince once lived, and revisits Chauncey Hare's 1979 protest against the Museum of Modern Art. She speaks with Dawoud Bey about his evocative portraits and explores Diana Markosian's cinematic take on her family's immigration to the US. Throughout Strange Hours, Bengal's prose is attuned to the alchemy of experience, chance, and vision that has always pushed photography's potential for unforgettable storytelling.

Paperback. Zustand: New. Now available in a new paperback edition, Richard Renaldi's Touching Strangers embodies the human desire to connect despite our differences. Renaldi directed strangers to pose in front of a large-format, 8-by-10-inch view camera in towns and cities all over the United States. These startlingly intimate portraits reveal "humanity as it could be as most of us wish it would be and as it was, at least for those one fleeting moments in time." These relationships may have only lasted for one moment, but the resulting photographs are moving and provocative, and continue to raise profound questions about the possibilities for breaking down social barriers with positive human connection in a diverse society.

Paperback. Zustand: New. The best way to learn is by doing. The Photographer's Playbook features photography assignments, as well as ideas, stories, and anecdotes from many of the world's most talented photographers and photography professionals. Whether you're looking for exercises to improve your craft-alone or in a group-or you're interested in learning more about the medium, this playful collection will inspire fresh ways of engaging with photographic process. Inside you will find advice for better shooting and editing, creative ways to start new projects, games and activities, and insight into the practices of those responsible for our most iconic photographs-John Baldessari, Tina Barney, Philip-Lorca diCorcia, Jim Goldberg, Miranda July, Susan Meiselas, Stephen Shore, Alec Soth, Tim Walker, and many more. The book also features a Polaroid alphabet by Mike Slack, which divides each chapter, and a handy subject guide. Edited by acclaimed photographers Jason Fulford and Gregory Halpern, the assignments and project ideas in this book are indispensable for teachers and students, and great fun for everyone fascinated by taking pictures.

Hardback. Zustand: New. In the late 1970s, the George Eastman House approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman's own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall's love of food, the cookbook grew from the idea that photographers' talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams's Big Sugar Cookies, Ansel Adams's Poached Eggs in Beer, Richard Avedon's Royal Pot Roast, Imogen Cunningham's Borscht, William Eggleston's Cheese Grits Casserole, Stephen Shore's Key Lime Pie Supreme, and Ed Ruscha's Cactus Omelet, to name a few. The book was never published, and the materials have remained in George Eastman House's collection ever since. Now, forty years later, this extensive and distinctive archive of untouched recipes and photographs are published in The Photographer's Cookbook for the first time. The book provides a time capsule of contemporary photographers of the 1970s-many before they made a name for themselves-as well as a fascinating look at how they depicted food, family, and home, taking readers behind the camera and into the hearts, and stomachs of some of photography's most important practitioners.

Paperback. Zustand: New. In collaboration with Inez and Vinoodh, anexploration of visionary fashion photography.The theme for Aperture's Fall 2014 issue is "Fashion," produced in collaboration with the groundbreaking fashion-photography duo Inez and Vinoodh. The issue explores the role of image quotation and reference, and showcases contemporary and historical work from both inside and outside the field of fashion, as well as key touchstones, including breakthrough magazines and advertisements. In the Words section, Donatien Grau considers Inez and Vinoodh's long-standing collaboration; "Vogue Paris" editor-in-chief Emmanuelle Alt in conversation with Penny Martin, editor of The Gentlewoman; curator Charlotte Cotton on the State of Fashion; Alistair O'Neill considers how the documentary tradition has influenced the work of many fashion photographers; and Marketa Uhlirova looks at how contemporary fashion films reference still photography. The Pictures section presents Tamara Berghmans on the influential Dutch photographer Ed van der Elsken; Jason Evans on Shiseido's beguiling vintage ads; Inez and Vinoodh on photographs that have served as references for painting, plus notes on the icons of fashion photography; Phil Bicker on pioneering fashion magazines i-D, The Face and Jill; and emerging fashion photographers Margaret Durow and Daniel Arnold.