Codax publisher (87 Ergebnisse)

Hardcover. Zustand: Fine. Qto.,83 pages, illustrated in colour. Bound in printed hardcovers. The text is in both English and German. A Fine copy. Size: Qto. Book.

4°, 83 S., OPpbd. Mit farbigen Fotos illustriert. Sehr guter Zustand. 600 Gramm.

Hardcover. Zustand: Very Good. Folio. 83 pp. Very Good. Some wear and rubbing to boards, faint scratch to front board.

4°, 128 S., OPpbd. Mit farbigen Abb. illustriert. Sehr guter Zustand. Aufgrund des hohen Gewichts Versand nur innerhalb der Schweiz möglich. 1000 Gramm.

4°, 143 S., OPpbd. Mit farbigen Abb. illustriert. Sehr guter Zustand. Aufgrund des hohen Gewichts Versand nur innerhalb der Schweiz möglich. 1200 Gramm.

4°, Querformat.102 S. mit zahlreichen Abbildungen, fester Einband, Stempel "Mängelexemplar" auf dem hinteren Vorsatz.

Hardcover without dustjacket as issued, 132 pages; in English and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Erste Auflage. 34,5 x 24,7 cm. 95 S. Geprägter OPappband mit recto montierter Farbabbildung. Sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Mit Texten in deutscher und englischer Sprache. Sprache: Deutsch und Englisch.

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Silver paper-covered boards with tipped-in four-color plate on cover; no dust jacket as issued. Photographs by Walter Niedermayr. Text (in German and English) by Martin Prinzhorn. 96 pp., with 40 four-color plates. 13-5/8 x 9-3/4 inches. New in publisher's shrink wrap (slit open for inspection). From the publisher: "This selection of 40 medium-format color photographs by Walter Niedermayr (born 1952) transports us into the world of perpetual ice, to Mount Titlis, the glacier which rises three thousand meters above sea level in the Swiss Alps. Only the human figures in colorful leisure attire which populate this alpine Shangri-la bear witness to the influence of civilization, transforming the alpine landscape into a trivial theme park governed by the laws of consumption. In Titlis, Niedermayr's camera captures the aura of a mountain landscape that is no longer just a mountain landscape but a legend. The alpine setting in which the puppet-like figures of tourists appear are shaped by these clichés and bold idealizations of nature to such a great extent that subjective perception and feelings become mere platitudes.".…

kartoniert, gebunden; illustrierter Einband / Anz. Seiten: 96 / 24,8 x 34,7 cm / mit zahlreichen doppelseitigen Aufnahmen des Fotografen / Zustand: schönes Exemplar Sprache: en.

Gross 4°. 83 S. Mit Farbaufnahmen. Pb. Gebunden. Gutes Exemplar.

Hardcover. Zustand: Very good. Hardcover Quarto no dust jacket. illustrated cover, 155 pp.

kartoniert; fester, silberner Einband, schwarzes Vorsatzpapier / Anz. Seiten: 102 / 30,5 x 24,5 cm / mit zahlreichen, teils farbigen Fotografien von Claudio Moser / Zustand: sehr gut, geringe Gebrauchsspuren; Einband etwas berieben, zwei Seiten mit kleinen, leichten Flecken Sprache: de/en.

4°, 83 S.mit s/w und farbigen Fotos, Orig.-Pappband. Ausgabe mit deutsch-englischen Paralleltexten.- Einbanddeckel leicht berieben. Deutscher Begleittext mit einigen Anstreichungen. Gutes Exemplar.

First Edition. Very good copy in the original title-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 132 p. : chiefly col. ill. ; 35 cm. Title from cover. Biog. ; exhibs. ; awards. Published on the occasion of an exhibition held at the Galerie Bob van Orsouw, 9 Oct. - 13 Nov. 2004. Bibliography p. 129-131. German text by Martin Prinzhorn ; English text by Norman M. Klein. Subject: Melhus, Bjørn 1966-. 1 Kg. …

Pappband. Quart. 132. S. Pp. Sprache: Englisch, Mit zahlr. farb. Abb. gutes Exemplar.

kartoniert; fester, silber-schwarzer Einband, schwarzes Vorsatzpapier / Anz. Seiten: 96 / 24,5 x 34,5 cm / mit zahlreichen Schwarzweissfotografien / Zustand: sehr gut, geringe Gebrauchsspuren; Ecken etwas bestossen, Einband leicht berieben Sprache: de/en.

First Edition. Very good copy in the original title-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 132 p. : chiefly col. ill. ; 35 cm. Title from cover. Biog. ; exhibs. ; awards. Published on the occasion of an exhibition held at the Galerie Bob van Orsouw, 9 Oct. - 13 Nov. 2004. Bibliography p. 129-131. German text by Martin Prinzhorn ; English text by Norman M. Klein. Subject: Melhus, Bjørn 1966-. 1 Kg. …

silber. Kart. geb. Quer 4°, (guter Zustand), 103 S. mit 86 ganzseitigen s/w.- und Farbfotos von Claudio Moser.

4°, 132 S., zalr., ganzseit u. farb. Abb., Kart., Tadellos. Erstausgabe. Text v. Norman M. Klein. Text engl. 1200 gr. Schlagworte: Photographie.

4°, 156 S., 122 farb. Abb., Kart., Verlagsfrisch. Text v. Tobia Bezzola. Text engl. 1600 gr. Schlagworte: Photographie.

Soft Cover. Zustand: Fine. First Edition. softcover, as issued., no flaws or wear. an unused, pristine copy.; parallel text german/english.; 124pp., illustrated throughout with borderless b/w photos. essay. reference section.; small errata label to verso of front cover. Size: Folio - over 12" - 15" tall. …

Zustand: Fine. Number of books: 1 book.

Zustand: Fine. Number of books: 1.

hardcover. Zustand: Molto buono (Very Good). Prima edizione (First Edition). Testo in inglese, giapponese e tedesco di Akihito Yasumi. 43 fotografie in bianco e nero di Nobuyoshi Araki . 4to (cm 34,5x24,5). pp. 96. Firma autografa dell'Artista a inchiostro nero al frontespizio (Signed by Araki in black ink to title page). Molto buono (Very Good). . Prima edizione (First Edition). . Book.…

Softcover. Zustand: gut. 2004. Titlis. In deutscher Sprache. pages.

paperback. Zustand: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Zustand: Gut bis sehr gut. Dijkstra, Rineke. Beaches. Mit 18 ganzseitigen Farbabbildungen nach Photographien. Zürich, Codax, 1996. 34,5 x 24,5 cm. 55 S. Silbriger Original-Pappband mit montierter Abbildung und Titel in Orange und Schwarz auf Vorderdeckel. - Parr/ Badger, II, S. 277 - Auer S. 733 - Koetzle 114 f. - Erste Ausgabe. - Text in Deutsch und Englisch. - ''The portraits by the Dutch artist Rineke Dijkstra caused more of a stir than any comparable imagery since Diane Arbus'' (P/B.). - Mit einer Einleitung "The site of the visible" von Birgid Uccia (deutsche Übersetzung: Catherine Schelbert). - In der unteren Ecke leicht bestossen, Vorderdeckel-Illustration schwach kratzspurig. …

Rilegato. Zustand: molto buono. prima edizione. Essay (in German and English) by Birgid Uccia. Includes a list of plates, a biography, exhibition history, bibliography and awards. Designed by Weiersmüller Bosshard Grüninger. 56 pp., with 18 four-color plates finely printed on heavy matt paper. 13-5/8 x 9-5/8 inches. This first edition was limited to 250 copies. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).] From Parr and Badger: "When they first appeared in the 1990s, the portraits by the Dutch artist Rineke Dijkstra caused more of a stir than any comparable imagery since Diane Arbus. Her first collection in particular, published as Beaches in this important photobook, resonated with her audience in a number of ways. The images related to the work of both Arbus and August Sander, two impeccable precedents, yet displayed an authoritative voice of their own. Their subject matter, adolescents in bathing suits, was edgy, but was handled by Dijkstra with sensitivity. Furthermore, the rigor of her presentation demonstrated an intellectual clarity and ambition that was enough to announce a major new voice in portraiture, possibly the trickiest of photographic genres to bring off successfully."Text: Uccia Birgid.cm 25x35; pp. 55; COL; hardcover. Cover with a little bump of the upper left corner, small traces of dirt, "Tate gallery Exhibition" stamp in the frontispiece, inside perfect. book. …

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Silver paper-covered boards with tipped-in plate and title stamped in orange and black on cover; no dust jacket as issued. Photographs by Rineke Dijkstra. Essay (in German and English) by Birgid Uccia. Includes a list of plates, a biography, exhibition history, bibliography and awards. Designed by Weiersmüller Bosshard Grüninger. 56 pp., with 18 four-color plates finely printed on heavy matte paper. 13-5/8 x 9-5/8 inches. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Near Fine (moderate surface wear, some smudging on the blank page opposite one plate [not affecting plate], else Fine). Rineke Dijkstra might be the most important photographer of portraits alive today. She channels August Sander through her own poet-soul photographing youth with brutal, unyielding generosity. Her people emerge from beaches, hospital rooms, indefinable space, to haunt us with their imperfect beauty and their fierce necessity of existence. These photographs heroicize individuals in a brazen way. Dijkstra isn't content with confirming that banality is truth. She gives us the truth of fiction, the theatrics of the psychological complexity. She lets us way, way inside. The smudged blood on the collar of a bullfighter is in dialogue with the thin stream of blood running down a new mother's leg as she clutches her hours-old infant with an uncertainty that is astonishing. From Rineke Dijkstra: "In the end, it's the individual that I'm after." From Parr and Badger: "When they first appeared in the 1990s, the portraits by the Dutch artist Rineke Dijkstra caused more of a stir than any comparable imagery since Diane Arbus. Her first collection in particular, published as Beaches in this important photobook, resonated with her audience in a number of ways. The images related to the work of both Arbus and August Sander, two impeccable precedents, yet displayed an authoritative voice of their own. Their subject matter, adolescents in bathing suits, was edgy, but was handled by Dijkstra with sensitivity. Furthermore, the rigor of her presentation demonstrated an intellectual clarity and ambition that was enough to announce a major new voice in portraiture, possibly the trickiest of photographic genres to bring off successfully.". …