contemporary performance (6 Ergebnisse)

Encuadernación de tapa blanda. Zustand: Bien. Texto en inglés. Tapa blanda de editorial ilustrada. Como nuevo. Contemporary Performance Almanac 2015 is an overview of contemporary performance presented during the 2013/2014 season available for touring now. So often presenters, artists and audiences do not have access to the work of artists that are outside the touring circuit. Contemporary Performance sees a need to give access to members of the field to find each other and start new working relationships. Inside the pages of the Almanac are the artworks accompanied by full page black and white images and described by the artists in their own words: eloquent, challenging, provocative and urgent. The Contemporary Performance Network is a social network and community organizing platform providing artists, presenters, scholars and festivals a place to meet, share work, and collaborate. The term contemporary performance is used to describe hybrid performance works and artists that travel between the fields of experimental theatre & dance, video art, visual art, music composition and performance art without adhering to one specific field's practice. The Network was founded in 2010 and has grown to 6500 artists, presenters, curators, foundations, scholars and publishers from 85 countries worldwide. Libro.

Soft cover. Zustand: New. 1st Edition. Contemporary Performance softcover, 2014; No marks or "shelf wear" (NEW). 760 pages. We will bubble wrap this book and ship it in a New BOX- Not a plastic bag like the zombie sellers.

Zustand: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1700grams, ISBN:9780615960739.

[16] pp.; 40 x 27.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Oversize program for a series of performances held over nine evenings -- October 13-16, 18-19, 21-23, 1966 -- of collaborative works between engineers and artists including John Cage, Lucinda Childs, Oyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor and Robert Whitman. An early art and technology event that yielded experimental events melding cutting-edge [of the day] technology and avant-garde [of the day] artistic activity. Introduction by Billy Klüver and notes by each artist for their project. Very Good. Covers and contents clean unmarked. Mild rusting around staples, otherwise Fine.

16 x 16cm. Paperback, unpaginated [32pp]. A detailed illustrated overview of the dance company's work up to 1963, designed by Marc Ratliff and edited by David Vaughan, published by the newly-founded Foundation for Contemporary Performance Arts set up to support works by avant-garde artists and composers. The year of publication also marked Cunningham's groundbreaking site-specific Walker Art Center New York performances. Foreword by John Cage, who was the musical director for the most of the company's 1963 season (with David Tudor on piano), and Robert Rauschenberg designing the costumes and lighting arrangements. John Wulp supplied some of the photography, including the cover. A series of dances conceived by Cunningham are showcased. From Cage's foreword: "It is assumed that the dance supports itself and does not need support from the music. The two arts take place in a common place and time, but each art expresses this Space-Time in its own way. The result is an activity of interpenetrations in time and space, not counterpoints, nor controlled relationships, but flexibilities as are known from the mobiles of Alexander Calder." A rare and early Merce Cunningham Studio item, with OCLC locating only one copy at New York Public Library. Slightly sunned covers with small areas of abrasion, otherwise very good condition.

Event program for a series of collaborative performances at the 69th Regiment Armory by artists and Bell Laboratories engineers marking the first major collaboration between artists and technologists. Spearheaded by Bell Labs electrical engineer Billy Klüver, the nine evenings presented works by ten avant-garde artistsSteve Paxton, Alex Hay, Deborah Hay, Robert Rauschenberg, David Tudor, Yvonne Rainer, John Cage, Lucinda Childs, Robert Whitman, and Öyvind Fahlströmrealized in collaboration with a team of Bell Labs engineers. This event was a turning point in postwar art, as it showcased for the first time the artistic possibilities of new technologies. The success of this project led to the development of Experiments in Art and Technology (E.A.T.), a non-profit founded by Klüver and fellow engineer Fred Waldhauer along with artists Robert Rauschenberg and Robert Whitman to promote collaborations between artists, scientists, and engineers. Offset. Side-stapled. [14] pp. 16 3/4 x 11 in. Very good.