E p dutton a dutton paperback new york (20 Ergebnisse)

Zustand: Good. Selection of James' finest short fiction, ranging from 1879 to 1909. 609 pages, similar to a Viking Portable Library collection. James was born in New York in 1843 and died in London in 1916. He wrote many works of exquisite fiction, including Daisy Miller, The Portrait of a Lady, Washington Square, and The Golden Bowl. Softcover, mass market paperback. …

Hard Back. Zustand: Very Good. Zustand des Schutzumschlags: Good. 180 pages. Jacket has 2 " cut on back. 1st American Edition 1st printing 1980. Very tight book.

Mass Market Paperback. Zustand: Very Good. 98 pp. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Cover edges show minimal fraying. Lustig & Reich (Cover Design) (illustrator).…

Mass Market Paperback. Zustand: Good. Copyright 1952. 386 pp. Solidly bound copy with moderate use. Creased spine. Marker marking on first front end page. Small creases on front and back covers. Ben Feder (Cover Design) (illustrator).

Mass Market Paperback. Zustand: Very Good. Copyright 1968. 444 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Stains on fore edge. Seymour Chwast (Cover Design) (illustrator).

Mass Market Paperback. Zustand: Like New. 1st Pub. 1963. 98 pp. Nearly flawless copy with minimal external wear, crisp pages and clean text. Light foxing on back cover. Paul Davis (Cover Design) (illustrator).

Mass Market Paperback. Zustand: Very Good. 158 pp. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Lightly creased spine.

Mass Market Paperback. Zustand: Very Good. Published 1961. 250 pp. Solidly bound copy with minimal external wear, crisp pages and clean text. Creased spine. Previous owner's name inscribed on first front-end page. Smooth cover. Jim McMullan (Cover Design) (illustrator).

Trade Paperback. Zustand: Good. Revised & Enlarged Edition. 526 pp. Solidly bound copy with moderate use with clean text. Skewed spine. Stains on top and fore edges. Over-sized and/ or over weight book; may require additional postage. Please note that large and/ or heavy items may incur extra shipping charge for both domestic and/ or international shipments. The Etheredges (Design) (illustrator).…

Trade Paperback. Zustand: Very Good. 240 pp. Solidly bound copy with moderate external wear and crisp pages. Occassional pencil markings on text. Small rip on front cover near bottom edge and lower spine.

Soft cover. Zustand: Good. No Jacket. Some slight shelf wear to cover. Has an almost invisible embossed stamp (think notary stamp) of former owner's initials and library of. on first page. Has some underlining in light pencil. Otherwise, appears to be unread and in very good condition. Translated by Natalie Duddington. Introduction by Renato Poggioli. (PM) "G"oncharov.…

Mass Market Paperback. Zustand: Good. 5th Edition. spine creasing, price sticker on front cover, edgewear, rubbed wrappers, some underlining within text. Book.

Trade Paperback. Zustand: Very Good. 1st Ediiton. 463 pp. Solidly bound copy with minimal external wear, crisp pages and clean text. Toni Goldmark (Cover Design) (illustrator).

Mass Market Paperback. Zustand: Very Good. 402 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Stains on spine, front and back covers. Frederic Marvin (Cover Design) (illustrator).

Trade Paperback. Zustand: Like New. 275 pp. Flawless copy save moderate browning of pages. Winston Potter (Cover Design) (illustrator).

Mass Market Paperback. Zustand: Very Good. 1st Edition. 472 + xxxiii pp. Stated first edition! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Minimal, light, slight or very mild browning, tanning, foxing or discoloration on page edges, not affecting text. Some smudge on top edge. Lightly creased spine. Milton Glaser (Cover Design) (illustrator).…

Mass Market Paperback. Zustand: Very Good. 1st Edition. 472 + xxxiii pp. Stated first edition! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Minimal, light, slight or very mild browning, tanning, foxing or discoloration on page edges, not affecting text. Some smudge on top edge. Lightly creased spine. Milton Glaser (Cover Design) (illustrator).…

Paperback. Zustand: Good. First Edition 1st Printing. Previous Owner Markings, Bookplate; Light Creasing on Front, Rear Covers; Front, Rear Covers, Spine Lightly Chipped; Edges Lightly Soiled; Moderate Yellowing Due to Age. 42 film makers and critics discuss the art and theory of film. SYNOPSIS: This book is for film makers, of course, and for critics and teachers and students of the film. It is also for fans, whose enthusiasm for star or story may actually be related to deeper sources of satisfaction in the art of the film. The theories conflict. Those who love movies should not be upset by the fact that there seem to be deep contradictions in these 39 articles. What kind of aesthetic theory can reconcile realism and fantasy, entertainment and education, mysteries and musicals, slapstick and spectacle? There can no more be a final theory of film than there can be a definitive theory of what to put in a book. The storm over style and content in the film will rage forever, for theory should open up debate and controversy, leading in turn to new theory, or to experiment and action. Here is a sampling of the contents: Sergei Eisenstein: Collision of Ideas; Dudley Nichols: The Writer and the Film; Rudolf Arnheim: Epic and Dramatic Film; Ingmar Bergman: Film Has Nothing To Do With Literature; Bela Balazs: The Faces of Men; Mack Sennett: Cloud - Cuckoo Country; Arnold Hauser: Space and Time in the Film; John Grierson: First Principles of Documentary; Siegfried Kracauer: Theory of Film; Michael Roemer: The Surfaces of Reality; Carl Dreyer: Thoughts on My Craft; Stan VanDerBeek: Compound Entendre; Jonas Mekas: Notes on the New American Cinema; Pauline Kael: Are Movies Going to Pieces?; Frederico Fellini: The Road Beyond Neorealism. Richard Dyer MacCann was born in Wichita, Kansas, in 1920, and attended the University of Kansas, where he received his B.A. in Political Science in 1940. After an M.A. at Stanford University in 1942 and three-years' service in the U.S. and Europe during World War II, he completed a Ph.D. in Government at Harvard in 1951. His dissertation, Documentary Film and Democratic Government, led him to a growing concern about communication and public opinion in the democratic process and to a special interest in the motion picture. He accepted a position as a staff correspondent in Los Angeles for the Christian Science Monitor, specializing in film and television reporting from 1951 to 1957. As Assistant Professor of Cinema at the University of Southern California from 1957 to 1962, he continued a weekly Hollywood column for the Monitor for three years, while teaching courses in documentary film, film writing, and cinema and society. In 1963, Dr. MacCann was an adviser and teacher, on a U.S. State Department grant, for the Korean National Film Production Center in Seoul. The following year he was a producer in the program department of Subscription Television, Inc., in Santa Monica, California. From 1965-70 Dr. MacCann taught at the University of Kansas, where he was Professor of Speech and Journalism and Director of the Center for Film Studies. In 1970 he joined the faculty of the University of Iowa as professor in charge of the Ph.D. program in film in the Department of Speech and Dramatic Art. He is a member of the University Film Association, the Writers Guild of America, and Phi Beta Kappa. Dr. MacCann is editor of Cinema Journal, the semi-annual publication of the national Society for Cinema Studies. His articles have appeared in Yale Review, Film Quarterly, Films and Filming, and Encyclopedia Americana. He is also the author of Hollywood in Transition (1962) and Film and Society (1964). Size: 12mo - over 6¾" - 7¾" tall. Lawrence Ratzkin (illustrator). …

Mass Market Paperback. Zustand: Very Good. Second Edition 1st Printing. Previous Owner Markings; Light Creasing on Front, Rear Covers, Spine; Front, Rear Covers, Spine Lightly Chipped; Spine Slightly Cocked; Edges Lightly Soiled; Slight Yellowing Due to Age. SUB-TITLE: A Critical Anthology. BOOK NUMBER: D361. CONTENTS: Preface to Revised Edition; Introduction; Dore Ashton: End of an Age; Gregory Battcock: Humanism and Reality - Thek and Warhol; Gregory Battcock: The Warhol Generation; John Cage: Jasper Johns: Stories and Ideas; Marcel Duchamp: The Creative Act; Henry Geldzahler: The Art Audience and the Critic; E. C. Goossen: The Big Canvas; Clement Greenberg: Modernist Painting; John Hendricks, Poppy Johnson, and Jean Toche: Toward a New Humanism; Thomas B. Hess: A Tale of Two Cities; Sam Hunter: New Directions in American Painting; Ada Louise Huxtable: Anyone Dig the Art of Building?; Kenneth King: Toward a Trans-Literal and Trans-Technical Dance-Theater; Allen Leepa: Anti-Art and Criticism; Lucy Lippard: The Dilemma; Howard Press: Marxism and Aesthetic Man; Ad Reinhardt: Writings; Harold Rosenberg: De-Aestheticization; Alan Solomon: The New Art; Leo Steinberg: Contemporary Art and the Plight of Its Public; Marcia Tucker: The Structure of Color; William S. Wilson III: Art: Energy and Attention. SYNOPSIS: Today's critic is beginning to seem almost as essential to the development - indeed, the identification - of art as the artist himself. The purpose of this volume is to bring together some of the best recent critical essays on the new art in the United States. Most of these articles date from after 1960, and were originally published in periodicals and museum catalogues. But in keeping with the new role of the critic as interpreter, the pieces included in this anthology do more than simply describe, or even define their subject; their authors are actively and consciously engaged in the preparation of a new aesthetic. This is a unique collection that will be indispensable to all who wish to understand more about the new art in America. Gregory Battcock is editor of several anthologies of criticism in the fine arts, including The New Art, Minimal Art, The New American Cinema, and The New Music. He is Special Correspondent for Arts Magazine and New York Correspondent for Art and Artists. Critical essays by Mr. Battcock have been published in Art in America, Domus, and The Art Journal. He teaches at William Paterson College in New Jersey and is general editor of the Dutton series called "Documents in Modern Art Criticism." Size: 12mo - over 6¾" - 7¾" tall.…

Paperback. Zustand: Good. Previous Owner Markings (Yellow Highlighting Throughout); Repaired; Light Creasing on Front, Rear Covers; Moderate Creasing on Spine; Front, Rear Covers, Spine Lightly Chipped; Edges Lightly Soiled. SUB-TITLE: An exhibition organized by: Walker Art Center, Indian Art Association, The Minneapolis Institute of Arts, 22 October - 31 December 1972. COVER ILLUSTRATION: 1 Pawnee painted ceremonial drum. BOOK NUMBER: D347. CONTENTS: FOREWORDS Martin Friedman; Ron Libertus; Anthony M. Clark. ENRICHING DAILY LIFE: THE ARTIST AND ARTISAN Andrew Hunter Whiteford. TRIBAL PEOPLE AND THE POETIC IMAGE: VISIONS OF EYES AND HANDS Gerald Vizenor. OF TRADITIONS AND ESTHETICS Martin Friedman. ROCK ART David Gebhard. MEN AND NATURE IN PUEBLO ARCHITECTURE Vincent Scully. IROQUOIS MASKS: A LIVING TRADITION IN THE NORTHEAST William N. Fenton. WOODLAND INDIAN ART Robert E. Ritzenthaler. PLAINS INDIAN ART Ted J. Brasser. INDIAN ART IN THE SOUTHWEST Frederick J. Dockstader. INDIAN ARTS OF THE INTERMONTANE REGION Richard Conn. HERALDIC CARVING STYLES OF THE NORTHWEST COAST Bill Holm. ASIATIC SOURCES OF NORTHWEST COAST ART Ralph T. Coe. ESKIMO SCULPTURE Dorothy Jean Ray. Catalogue of the Exhibition (with illustration references); Bibliography. ISBN: 0-525-47347-5. NOTE: This ISBN is also attached to the unrelated novel, The Star of Kazan, by Eva Ibbotson. Size: 4to - over 9¾" - 12" tall.…