Francois jean jacques (10 Ergebnisse)

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2001. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2001. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2001. Tome 3. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2001. Volume 3. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Zustand: Good. : Este libro, escrito por Jean-Jacques François, ofrece una mirada histórica detallada sobre la viticultura y la vida de los viticultores en la región de Pays Chartrain entre los años 840 y 1920. A través de una rica iconografía y un análisis exhaustivo, la obra documenta la evolución de las viñas y las tradiciones agrícolas que definieron esta zona durante más de un milenio.La obra es una referencia esencial para los interesados en la historia local, la antropología rural y la cultura del vino en Francia. Con un enfoque riguroso, el autor rescata del olvido las prácticas y el modo de vida de quienes trabajaron la tierra en el Pays Chartrain, convirtiéndolo en un documento histórico de gran valor. EAN: 9782950993175 Tipo: Libros Categoría: Historia Título: Au temps des vignes et des vignerons du Pays Chartrain - Tome 1 Autor: Jean-Jacques François Editorial: FRANCOIS Jean-Jacques Idioma: fr-FR Páginas: 400 Formato: tapa dura Año de publicación: 2002.…

Encuadernación de tapa blanda. Zustand: Muy Bien. Zustand des Schutzumschlags: Bien. Sarcástica y grotesca visión de la mitología cristiana, ridiculizada a través de sus principales personajes, Dios, Jesucristo y María; el autor sería acusado de pornografía y de blasfemia y condenado a un año de cárcel. Prefacio de la obra por ANDRE BRETON. Muy buen estado general de conservación. Textos en francés. Sencilla pero atractiva encuadernación en rústica editorial, buena letra tipográfica para su portátil tamaño.…

Blattgröße: 30 x 45 cm. Zustand: Gut. Darstellung: 30 x 45 cm, Chinoiserie-Ansicht für den Guckkasten mit spiegelverkehrter oberer Titelzeile: Fluchtende Hauptstraße im historischen Nanjing (Nanquin) mit lebhaftem Personenverkehr, Reitern, hohen Schau- und Drachengerüsten sowie Pagoden-Zierbauten vor den Kontoren; eingefasst in goldgeprägtem Schmuckrand. - Auf fester Pappe montiert. - Unbeschnittenes Blatt auf festem Papier. Gebräunt und etwas fleckig. - Siehe Fotos. Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Französisch Gewicht in Gramm: 1001.…

Couverture souple. Zustand: Bon. Broché, format 18 x 9 cm, 192 p., achevé d'imprimer le 10 mars 1964, exemplaire bien conservé, voir photos.

soft cover. Zustand: fine. first edition. In-4° broché, 10 pages en état de parution, en feuilles, à grandes marges : 8696 ; Martin et Walter 14158 ; manque à Stourm. Défense de la propriété ecclésiatique.

Couverture rigide. Zustand: Très bon. 1 fort volume reliure plein veau fauve de l'époque, dos à nerfs orné de caissons dorés et fleurons dorés, pièces de titre et de tomaison de maroquin rouge, tranches teintées rouge, VIII et 580 pages, suivies de 17 pages de table des matières. Père Jacques Longueval, de la Compagnie de Jésus. Tome 2 seul: Depuis l'an 434 jusqu'à l'an 561. Bel exemplaire.…

Zustand: Good. WITH AN AN EARLY BIBLIOGRAPHY OF CHAMPIER'S WORKS 8vo (157x105 mm). [96] leaves. Collation: a-m8. Title printed in red and black and a full-page woodcut at the end showing the author with his patron and his wife kneeling in prayer. 20th-century gilt calf, marbled endleaves. Skilfully repaired worm track to the outer margin of several leaves not affecting the text, small repaired hole to l. e8 with loss of some text (the missing text has been supplied by hand), uniformly browned, still a good copy. Rare first edition of Champier's most interesting work, a significant document for the development of cultural nationalism among Renaissance intellectuals. Champier was in Italy three times: in 1506, in 1509 and in 1515. During his last travel he spent some time at Pavia, where he was admitted to the ?collegium artistarum et medicorum'. The speech by Pietro Antonio Rustico, lecturer on logic and medicine, held on that occasion and printed toward the end of the volume, shows how proud Champier was about this honor. Rustico also alludes to Champier's family ties in Italy, which he sees in the Campeggi families of Bologna and Pavia. At the end of the speech Rustico enumerates and praises the hitherto books published by Champier, important as an early bibliography. The main part of the volume though consists of a ?epistolary duel' with Girolamo da Pavia, an Augustinian monk from Asti, with whom Champier had for five years an intensive correspondence through the Lyonese publisher Balthazar de Gabiano (cf. P. Jodogne, La correspondence de Symphorien Champier avec Jérôme de Pavie dans le ?Duellum epistolare', in: ?The Late Middle Ages and the Dawn of Humanism Outside of Italy?, G. Verneke & J. Ijsewijn, eds., Den Haag, 1972, pp. 44-56). In the Duellum Champier defends the French culture against the pretended superiority of the Italian claimed by some scholars, namely Sabellico, Foresti and Battista Mantovano. He also sees in many Italian writers detractors moved only by jealousy and malice and mentions Valla, Merula, Poggio, Pico and Girolamo Balbo. Fierce of his Lyonnais origins he praises the antique origins of his native city on the authority of Berosus, which however was rightly questioned by Girolamo da Pavia and Raphael Maffei of Volterra. Even though Champier was not familiar with Annius of Viterbo's Antiquities (1498), in which the Berosus tradition made its first appearance, Champier contributed to the Gallican, anti-Italian Italia mendax narrative based on Berosus' assertions about the origin of the names ?Gallia? and ?Lugdunum? (cf. R. Cooper, Symphorien Champier et l'Italie, in: ?L'Aube de la Renaissance?, Genève, 1991, pp. 233-246; see also W. Stephens, Giants in Those Days, Lincoln, 1989, pp. 171-174). The volume contains furthermore various letters by Champier to others, e.g. a letter to Erasmus (Ep. 680a), in which Champier intervenes in his favor in the latter's dispute with Lefèvre d'Etaples over Psalm 8; a letter to Lefèvre d'Etaples followed by Champier's commentary on the Definitiones Asclepii (first published with Lazzarelli's translation in 1507), expressing his attitude to the Hermetic writings. But the book also contains letters addressed to Champier, mainly from other scholars and physicians, among them Alessandro Benedetti and Robert Cockburn, bishop of Ross (cf. A. Broadie, James Liddell on Concepts and Signs, in: ?The Renaissance in Scotland: studies in literature, religion, history and culture?, A.A. MacDonald, et al. eds., Leiden, 1994, p. 82; see also J. Durkan, Robert Cockburn, bishop of Ross and French humanism, in: ?Innes Review?, IV, 1953, pp. 121-2.). The volume closes with Catalogus preceptorum, patronorum, familarium et auditorum, in which Champier lists his teachers, patrons, friends and students. Though some scholars believe the work to be printed either at Basel or at Venice, it was in fact printed at Lyon, where the two printers Johann Froben and Jean Divineur were active for several Lyonese pu.…

No Binding. Zustand: Very Good. A set of 94 hand coloured vues d'optique : André Basset, Laurent Pierre Lachaussée, Jacques Chéreau, Hocquart, Jean-Francois Daumont, Vue prise a St. Petersbourg Dubois Vue des Montagnes de Belleville pres Paris VUE DES BAINS CHINOIS PRISE DU BOULEVARD DES CAPUCINES. FETE DU 14 JUILLET AN IX Vue du Temple élevé dans le Grand Carré des champs Eilysées dans lequel le Concert Fut Exécuté. etc. Vue d'optique (French), vue perspective or perspective view refers to a genre of etching popular during the second half of the 18th century and into the 19th. Vues d'optique were specifically developed to provide the illusion of depth when viewed through a zograscope, also known as an "optical diagonal machine" or viewers with similar functions. Optical viewers were generally popular with well-to-do European families in the late 18th and early 19th centuries. Perspective views were produced in London, Paris, Augsburg and several other cities. …