Garton devizes (40 Ergebnisse)

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition.

hardcover. Zustand: Fine copy in fine dust jacket. 1st. 4to, 299 pp. Well-illustrated (illustrator).

0 Includes illustrations. Fine. large format, no text on cover red, yelow white and black patterned covers, includes price list.

Cloth. Zustand: Fine Condition. Fine Condition. First U.K. Edition. 299 pp., 103 illustrations some in color, 1 color fold-out. Dustjacket is protected with a mylar cover. Charles Meryon (illustrator). Book.

Paperback. Zustand: Very Good. Qto., 40 pages, 30 illustrations. A Very Good copy.

Hard Back. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 299 Pages Indexed. Green cloth, Originally published at $95. The gold spine lettering follows the European printing tradition and is oriented opposite to American publishers. Another words the spine printing is upside down to Americans. Endpaper maps. Front corners very lightly bumped. Flawless interior with no marks or stamps. Contents in Eleven Chapters: The rue Rameau and Saint-Maurice, Early nineteenth-century Paris Childhood and Education, Naval School at Brest 1837-1839, The Voyage of the Rhin, Toulon and the portraits of Tikao Paris, Study under Charles-Francois PhelippesThe Years 1849-1858 From Prine-President to Emperor, and What if Meryon were Not Mad, The Pont-au-Change Life at the foot of Montmartre, The last two years of Meryon's life Death and Burial, and Meryon and townscape art The Etching Revival. Plus Acknowledgements, List of Illustrations, Manuscript Sources, and Select Bibliography. Four Appendices: Family Trees, The Officers and Crew of the Rhin, Meryon's Surviving Kinsfolk and Close Friends, and A Chronological Listing of the Prints. The story of Meryon based on letters, memoirs and stray memoranda written by Mryon, his family and his close friends, naval records both manuscript and published, contemporary press, exhibition and auction catalogues, and the personal papers of Meryon's contemporaries. The List of Illustrations gives titles, media, dimensions, dates, locations and other credits. Within the text and in captions to illustratiosn, titles are normally given in French, with translations when appropriate. Contains 104 illustrations of which one is a large centerfold-out of 1856. Dust jacketOn the reverse side of the San Francisco print are two color etchings. The dust jacket wrap-around illustrates the first state of the etching College Henri IV Paris 1863. Vincent van Gogh wrote, This Meryon puts into his etchings something of the human soul, moved by, I do not know what, inner sorrow. Few 19th century artist have been more in need of an authoritative biography than Charles Meryon. Myths and mis-information were deliberately developed about Meryon after his death. Collins's biography is the product of 40 years' research. He read every known letter and the artist's medical records. The picture that emerges is very different from Sir Frederick Wedmore's biography published 100 years ago. Collins sees Meryon's life as a whole, rather than focusing on his years as an artist. The first five chapters are concerned Meryon before he ever touched an etching needle. Collins helps us understand the qualities in his prints, which so fascinated his contemporaries, and which secured his reputation as one of the greatest printmakers of all time. Attractive large heavy book that will incur addtional shipping charges to most locations. Charles Meryon (illustrator).…

Soft cover. Zustand: Very Good. 1st Edition. Autumn 1996 catalog published by print dealers Garton and Co. of Great Britain, showcasing an exhibition of Expressionist prints from the early 20th century. Finely printed and designed, with 37 prints profiled in full-page plates (including three gatefolds) and fully annotated, including works by Munch, Erich Heckel, Oskar Kokoschka, Kathe Kollwitz, Max Klinger, Lovis Corinth, and Kirchner, among others. Large softcover, 45 pages, 11.75" by 8.25". In excellent condition save for small chip at top of cover.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. A clean, unmarked and unclipped copy in a Brodart jacket cover.

First Edition. Near fine paperback copy; wrappers slightly edgeworn. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 68 unnumbered pages (1 folded) : chiefly illustrations ; 30 cm. Subjects; Prints, 19th century, catalogs. Prints, 20th century, catalogs. Price lists. Art dealer catalogues. 1 Kg.…

Hardcover. Size: [8.5" X 12"] 99 pplates, 299pp. As new, clean, tight & bright condition, with bright and crisp dust jacket. Charles Meryon (illustrator).

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. Cloth, 299 pages, illustrations (some colour), maps; 31 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. *** An attractive book on the mid-19th-century French printmaker, who made views of Paris before its medieval centre was bulldozed by Haussmann. He was admired by Baudelaire and became insane later in life. This is the definitive work on this interesting artist. Size: 4to. Collectible.…

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. 4pp prospectus for The Memorial Portfolio of Etchings published by Garton & Co in May 1994. Illustration of Tired Student on the front panel. Two other etchings on centre pages. Contents of choice of editions A and B on rear page. Laid in is an order form with prices. Diagonal crease from near top of spine to lower edge on both prospectus and order form. Tiny rust marks (staple marks from another document) on left hand margin of order form. Similar (fainter) marks on centre page margin of the prospectus. Now both protected in an archival envelope. In VG+ condition. Paul Drury (illustrator).…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Edition limited to 450 copies. [viii], 88 pp. Hardcover with gilt lettering to spine in pictorial jacket. Light crushing to jacket edges. Slight toning to edges of leaves, though clean. Illustrated in black and white. 0906030269 Small 4to. Catalogue Raisonne.…

Paperback. Zustand: VG (slight bumping to corners). White illustrated wraps, unpaginated, richly illustrated in bw. Garton & Co Catalogue 72 Autumn 1998, includes 14 important prints recently acquired from a Private Collection.

Soft cover. Zustand: As New. Pbk 4to, no pagination Garton and Company Catalogue 77, profusely illustrated throughout, a fine clean tight copy becoming harder to find.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. 1st Edition. Quarto, i-x, 325 pp, 584 illustrations. A near fine copy in a dust wrapper which has a repaired and protected tear to the rear and slight wear to the top edge. A heavy item for which extra charges will be required to send an overseas order.…

Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. An attractive copy, with a small amount of light dust spotting on top edge, some very minor bruising to bottom edge of boards, and a small mark in the margin of p. 64 (a slight printing flaw). 295 x 210 mm. xviii, 304 pp. A biography of 19th century French printmaker Charles Meryon. B&w and two colour illustrations. Includes one fold-out leaf. Charles Meryon (illustrator).…

Softcover. Zustand: VG. Off-white illus. stapled wraps; Unpaginated, approx. 20 pp.; 3 gatefolds; 21 plates. Text in English; Includes works by Adolph von Menzel, Max Klinger, Lesser Ury, Max Liebermann, Erick Heckel, Ernst Ludwig Kirchner, Ludwig Meidner, Kurt Schwitters, George Grosz, Otto Dix, Franz Radziwill, Karl Hubbuch, Max Beckmann, and Bruno Muller-Linow; Price list laid in. …

Softcover. A black-and-white softcover book. Unpaginated, illustrated in both color and black-and-white. Has foldout displays. VG: Some warping to the top edge of the catalogue. Clean pages and solid binding.

Zustand: Good. A-Z of Artists, Num. ills., orig. cl. w. dustwr., folio 0906030242 & 0859679683.

Zustand: Good. 4to. 20 pp. Soft Cover. Very Good+. Illustrated stiff paper wraps. B&W plates throughout. James Abbot Mcneill Whistler price list included.

Paperback. Zustand: Very Good. First Edition. Wraps. 4to. pp [30]. Stapled paperback. Catalogue [to celebrate] 20 years of publishing art reference, catalogues raisonne_s, monographs and portfolios of prints. Illustrated in colour and b/w throughout. Very good indeed. Excellent condition.

Hardback. Zustand: Fine. Black and White illustrations, one of them tipped in. Fine, without dust jacket. Eric Ravilious (illustrator).

Quarter Cloth. Zustand: Near Fine. No Jacket. 1st Edition. A near Fine copy of this Limited edition title of which this is number 208 of 425. It was issued to commemorate the 50th anniversary of the death of Eric Ravilious off Iceland. No Dust Jacket (as issued?). Cover: quarter blue cloth and red and white decorated paper covered boards (decoration is copy of a wood engraving print by Ravilious). In excellent condition. Internally: fine condition, printed on Zerkall mould made paper by the Libanus Press. Numerous illustrations in black and white and an original wood engraving by Ravilious tipped in. 50 pp. Eric Ravilious (illustrator).…

Illustrated Boards. Zustand: Near Fine. Text volume without portfolio. Edition A. This is copy 18 of 75 copies. 48 pp. Line block design on tipped-in fine paper. 31 wood engravings reproduced at actual size in line block. Cloth spine with paper title label over patterned boards. Clean. This book commemorates the fiftieth anniversary of the death of Ravilious. 0906030285 8vo. Eric Ravilious (illustrator).…

First Edition. Fine cloth copy in a near-fine, very slightly edge and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: x, 326 p. : chiefly ill. ; 32 cm. Subjects: Prints 19th century Great Britain. Prints 20th century Great Britain. Printmakers Great Britain ; Biography. Prints Technique Etching. British printmaking. Genre: History. Language: English. 1 Kg.…

First Edition. Fine cloth copy in a near-fine, very slightly edge and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: x, 326 p. : chiefly ill. ; 32 cm. Subjects: Prints 19th century Great Britain. Prints 20th century Great Britain. Printmakers Great Britain ; Biography. Prints Technique Etching. British printmaking. Genre: History. Language: English. 1 Kg.…

Hardcover. Zustand: gut. 1992. British Printmakers, 1855-1955: A Century of Printmaking from the Etching Revival to St Ives In englischer Sprache. pages.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Limited. Limited edition (1000 copies) 4to., [vi], 154 pp. Jacket a little darkened around edges, with slight shelfwear. Very clean copy. A catalogue of all Tanner's etchings, which not only illustrates them all, but has an appendix giving details of the states. An arist whose work was influenced by Blake , Palmer, and William Morris. Near fine in near fine d/w, bumps to both corners. Catalogue raisonne. Now uncommon. 0906030218 4to. Catalogue Raisonne.…

Zustand: Sehr gut. Special Collector's Edition / Limited to 25 copies with Suite/3 prints. 26 cm x 32.5 cm. 326 pages. 585 illustrations. Hardcover / Publisher's original quarter-leather with green buckram boards and raised bands. Gilt lettering on spine. Top edge gilt. With original green-cloth slipcase. Including the additional folio-suite of 3 prints: 1. 'Nude with Pillow' woodcut by John Nash / 2. 'Abstract Flower Design' by Enid Marx / 3. 'Old Tree' by Reynolds Stone. Near fine condition. Very rare edition of a stunning volume, excellently presented. Includes, for example, the following: Introduction / Artist's Biographies - Chapter One: Wood Engravings by Rodney Engen, art historian and author / Chapter Three: Lithography from c1875 to the 1920s, Prof Kemille Moore, Division of Art, University of North Carolina at Wilmington / Chapter Five: The Linocut, Alan Guest / Chapter Eight: The Monotype, Gordon Samuel, Director of the Redfern Gallery, London / Appendices I: Senefelder Club 1908-1934 - II: World War I Efforts and Ideals 1918 - III: Printmakers who also exhibited at the International Surrealist Exhibition, New Burlington Galleries, 1936 - IV: Contemporary Lithographs 1937-8 - V: Artists' International Association (AIA): Everyman Prints 1940 - VI: A Salvo from Russia - Surrealist Prints 1942 - VII: World War II - VIII: School Prints 1946-51 - IX: Lyon Prints 1947-55 - X: The London Society of Painter-Printers - XI: Festival of Britain Prints 1951 - XII: Coronation Series 1953 - XIII: Exhibition of Corsham Lithographs at Dartington Hall 1955 - XIV: Guinness Prints 1956-c1957 etc This book has been designed to provide a resource of information about the developments in British printmaking which started in the middle of the nineteenth century and continued into the middle of the twentieth; it also hopes to provide a point of departure for further study. The dates for the century (1855-1955) are not chosen at random. Original printmaking was not always well regarded and was in danger of extinction in Britain during the second quarter of the 19th century. The middle-1850s saw the beginnings of a revival of original printmaking in etching. The founding of the Society of Painter-Etchers in 1880 gave this development momentum. New developments and advances in lithography and the monotype from the 1900s onwards and the influence of wider artistic changes and different traditions reinvigorated printing as a potent means of artistic expression rather than mere reproduction. The book is devoted to the artist-printmaker. The use of the term 'print' is so wide that for 150 years some of those involved with it have sought to prefix the word in order to show that it is they (rather than others) who have expressed their own ideas by use of printing. Ther term used in France, peintre-graveur, became here painter-etcher. In the 1940s, the term painter-printer was widely used. The word 'painter' was used to denote the artist's own creativity in printmaking rather than to describe someone who painted in oils and also made prints. In consequence, therefore, this work does not deal with categories of printmaking which may be described as decorative, topographical, naval and military, sporting, natural history, caricature, book or perdiodical illustration, bookplates, and reproductive printmaking. This is in no way to belittle some very remarkable work made in these areas and it is a pity that, for example, someone as talented as Edward Lear should have to be excluded but he is an artist among many others whose work in printmaking falls outside the subject in hand. The text commences with an A-Z of artists we considered important or relevant to the period. It continues with essays describing developments in the different media which are followed by illustrative sections laid out chronologically.…