Verlag: NY: McCaffrey Fine Art, 2008
Anbieter: ANARTIST, New York, NY, USA
Softcover staple-bound exhibition catalog, 40 pages, as new condition; clean and crisp; no internal marks. Gary Rough paints works as if he was a character in a Kurt Vonnegut novel with the author's permission as detailed in the reproduced correspondence.
Verlag: McCaffrey Fine Art, New York, 2010
ISBN 10: 0979048435 ISBN 13: 9780979048432
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First edition. Hardcover. Exhibition catalog for a show that ran February 27 through April 17, 2010. Text by David Anfam. Includes numerous color illustration, selected chronology, and list of public collections. A very near fine copy in illustrated boards. No dust jacket as issued.
Verlag: McCaffrey Fine Art, 2010
ISBN 10: 0979048451 ISBN 13: 9780979048456
Anbieter: Books From California, Simi Valley, CA, USA
Hardcover. Zustand: Very Good.
Verlag: McCaffrey Fine Art, 2010
ISBN 10: 0979048435 ISBN 13: 9780979048432
Anbieter: ANARTIST, New York, NY, USA
Hardcover without dustjacket as issued, 88 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Verlag: McCaffrey Fine Art, New York, 2010
ISBN 10: 0979048451 ISBN 13: 9780979048456
Anbieter: Riverrun Books & Manuscripts, ABAA, Ardsley, NY, USA
Erstausgabe
4to. 87 pages. 49 illustrations in color, one gatefold. Pictorial boards. Published on the occasion of the exhibition from McCaffrey Fine Art, New York NY September 15-October 23, 2010. A fine copy.
Verlag: McCaffrey Fine Art, New York, 2010
ISBN 10: 0979048435 ISBN 13: 9780979048432
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First edition. Hardcover. 88 pages. Exhibition catalog for a show that ran February 27 through April 2010. Features an essay by David Anfam. Includes 40 color illustrations. A fine copy in illustrated boards. No dust jacket as issued. As new and still in the publisher's shrinkwrap.
Hardcover. Zustand: As new in shrinkwrap. B/W illustrated printed boards. 88 pp. Profusely illustrated in full color. As Scott once remarked, "I am an abstract artist in the sense that I abstract. I cannot be called non-figurative while I am still interested in the modern magic of space, primitive sex forms, the sensual and the erotic, disconcerting contours, things of life." - p7. Catalog of an exhibition held at McCaffrey Fine Art, New York, February 27-April 17, 2010.
Verlag: McCaffrey Fine Art, New York, 2010
ISBN 10: 0979048451 ISBN 13: 9780979048456
Hardcover. black and white pictorial boards w/ blue & black printing. 88 pgs w/ bw & color illustrations; two gatefold plates. Text in English. Removed from publisher's wrap to inspect. Very nice and clean. Includes 28 plates with numerous bw plates. Near Fine. creasing to back cover corners.
Hardcover without dustjacket as issued, 88 pages, very good condition, except small bumps to top edge of boards; no internal marks, clean and crisp.
Verlag: McCaffrey Fine Art, New York, 2010
ISBN 10: 0979048451 ISBN 13: 9780979048456
Hardcover. black and white pictorial boards w/ blue & black printing. 88 pgs w/ bw & color illustrations; two gatefold plates. Text in English. Removed from publisher's wrap to inspect. Very nice and clean. Includes 28 plates with numerous bw plates. VG+. lower corners of pgs chipped; middle section of book, lower corners of pgs are crimped, bumped & creased.
Verlag: NY: McCaffrey Fine Art, 2006
ISBN 10: 0979048400 ISBN 13: 9780979048401
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Zustand: Gut. Ca. 50 Seiten; farb. Illustrationen; 25,5 cm; kart. Gutes Exemplar; Einband stw. gering berieben. - Englisch. - Texte: Magdalena Dabrowski; Fergus McCaffrey. - . It should be emphasized that the postwar political and economic situation in Germany and America, the vanquished and the victor respectively, could not have been more different. In Germany the "economic miracle" was under way but the effects were yet to come, while America rejoiced in postwar prosperity and abundance. The evolution of the artworks of both Polke and Warhol was strongly conditioned by the observed surrounding world, the prevailing societal attitudes, and the artistic milieu in which each functioned. In 1953 Polke, as a youngster of twelve, moved from what was then East Germany to West Germany. He experienced both deprivation from and desire for the material goods that were just starting to become available. These early memories indelibly remained with him. His "transfer" into Western consumer society influenced his depictions and choice of motifs, be they daily staples such as Stew, Sausages, and Bread Rolls (plates 4,5, and 22) or more "high-end" articles like Shoes and Handbags (plates 11 and 23). With his absurdist humor-had Hair Removal Cream or Shoe Polish (plates 8 and 20) ever before (or since) appeared in the lexicon of art subjects?-and interest in the laws of chance (symbolized by the dice, plate 25), Polke presents his viewer with questionable "objects of desire," depicted in a tongue-in-cheek manner, rather than goods of commercial plenitude and excess. Throughout, one senses the elevation of products of little possible glamour, such as Richter's Multi-purpose Table Circular Saw (plate 16), from "low" to "high" art, accompanied by a simultaneous counter-descent of the glamour of ballroom dancing and pseudo-movie stars for example (plates 13 and 14), all of which become generalized into a prosaic human experience. In the way that Dubuffet and Twombly legitimized the use of graffiti in abstraction, and Pollock, Twombly, and Beuys introduced and permitted the use of "the unconscious" scribble, Polke's crude, strikingly direct drawings won similar permission for artists working in the "figurative" domain. He conjures us the world of open possibilities for interpretation and contemplation. His early drawings puzzle, amuse, and astonish, inviting the viewer to an intellectual discourse and discovery of new visual and interpretive horizons. Warhol's drawings, on the other hand, create a world in which subjects and objects of unequal classical value are appropriated and newly crowned in their banality as the "high art" icons of human aspiration. The directness of the message is enhanced by the exceptional quality of line and straightforward presentation.The artist's voice speaks through its neutrality. Such different conceptual approaches provide an additional dimension to our understanding of the creativity and uniqueness of each artist, while enhancing our discourse with contemporary art. (M. D.) ISBN 9780979048401 Sprache: Deutsch Gewicht in Gramm: 650.
Verlag: McCaffrey Fine Art, New York / Paris, 2007
Anbieter: WAVERLEY BOOKS ABAA, Santa Monica, CA, USA
Erstausgabe
Softcover. Zustand: Fine. Zustand des Schutzumschlags: No Dust Jacket. First Edition; First Printing. First edition. Fine in pictorial printed wrappers. (84pp. ) (6" X 8 1/4") Exhibition catalogue. ; 84 pages 8418.
Verlag: McCaffrey Fine Art, 2009
ISBN 10: 0979048443 ISBN 13: 9780979048449
Anbieter: ANARTIST, New York, NY, USA
Hardcover without dustjacket as issued, 96 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.