Midmarch arts press (111 Ergebnisse)

Zustand: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1St Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: VG. 89pp. Extremities lightly rubbed.

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. No Jacket. White and black title on white and brown illustrated trade paper covers, 191 pages including bibliography, index and credits plus 8 pages of introductory material.

Paperback. Zustand: Fine. New Y1993: Midmarch Arts Press, 1993. 190 pages; b&w illustrations. Pictorial Wrapper (softcover). Fine. 8vo. Language: ENG.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Fine. First edition. Trade paperback, as new and unmarked copy. Seigel, Judy (illustrator).

Softcover staple bound exhibition catalog, 30 pages, very good condition, no internal marks, clean and crisp, with color reproductions.

Paperback. Zustand: Fine. Trade paperback unmarked and like new. Seigel, Judy (illustrator).

Soft cover. Zustand: Fine. No Jacket. This book is in fine condition and would be as new except for writing on the title page. The author Uses his critical thinking and writing skills to capture the essence of the debate as to whether those working in craft media are artists or not. He covers the 5 main craft media - ceramics, glass, wood, fabric, and metal - with a special emphasis on ceramics. The book is composed primarily of catalog essays and magazine pieces for such venues as American Ceramics, Sculpture and GLASS. The strength of this collection is the varied approaches to the discuss and debate art. There is an index. Proceeds from the sale of this book benefit environmental restoration and education.…

Paperback. Zustand: Very Good. 1st. vi, 376 pages, illustrations; 23 cm. Tight, clean text. Faint stain/title page & facing inside front cover. Another copy available. *** CONTENTS: Introduction, by Sylvia Moore; Women of the WPA Art Projects: California murals, 1933-1943, by Nancy Acord; Strength, vision and diversity: women's community murals, by Timothy W. Drescher; Artists of the California landscape, 1850-1950, by Heather Anderson; California women artists, 1900-1920, by Merle Schipper; Fragments of a vision, by Rita Cummings Belle; Twelve artists, by Roberta Loach; Autobiographical imagery in the art of Los Angeles women, by Betty Ann Brown; Art and spirituality: eight women, by Bruria Finkel and Melinda Wortz; Leading ladies: June Wayne, Claire Falkenstein, Helen Lundeberg, Joyce Treiman, Beatrice Wood; Silken threads and golden butterflies: Asian-Americans, by Kathy Zimmerer; Black women artists in California, by Betty Kaplan Gubert. Mujeres de California: Latin American women artists, by Shifra M. Goldman; Folk, naive, outsider and funk, by John Turner and Meredith Tromble; Remarkable conjunction: feminism and performance art, by Arlene Raven; Spectacular visions: video art, by Christine Tamblyn; Filmmakers, by Barbara Hammer; 19th century photographers, by Peter E. Palmquist; 20th century photographers, by Leah Ollman; Golden clay: California ceramists, by Elaine Levin; Quiltmakers, by Linda K. O'Dell; Art and politics: a history, by Eleanor Dickinson; Quest for visibility, by Rita Cummings Belle; Feminist art movement Southern California style, 1970-1980, by Faith Wilding; Recalling Womanhouse, by Miriam Schapiro; Judy Chicago: The Dinner party and The Birth project, by Rita Cummings Belle. ARTWEEK: a backward look, by Cecile N. McCann; Visual dialog: a historical perspective, 1975-1980, by Roberta Loach; High performance, by Linda Frye Burnham; Chrysalis: a magazine of women's culture, by Kirsten Grimstad. Size: 8vo. …

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Light shelfwear to cover, otherwise, clean and sound. 49 pgs. Oriole Farb Feshbach (illustrator).

paperback. Zustand: Very Good. Midmarch Arts Press Paperback. Clean, bright, tight.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Near Fine. 1st. vi, 376 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Age toning. *** CONTENTS: Introduction, by Sylvia Moore; Women of the WPA Art Projects: California murals, 1933-1943, by Nancy Acord; Strength, vision and diversity: women's community murals, by Timothy W. Drescher; Artists of the California landscape, 1850-1950, by Heather Anderson; California women artists, 1900-1920, by Merle Schipper; Fragments of a vision, by Rita Cummings Belle; Twelve artists, by Roberta Loach; Autobiographical imagery in the art of Los Angeles women, by Betty Ann Brown; Art and spirituality: eight women, by Bruria Finkel and Melinda Wortz; Leading ladies: June Wayne, Claire Falkenstein, Helen Lundeberg, Joyce Treiman, Beatrice Wood; Silken threads and golden butterflies: Asian-Americans, by Kathy Zimmerer; Black women artists in California, by Betty Kaplan Gubert. Mujeres de California: Latin American women artists, by Shifra M. Goldman; Folk, naive, outsider and funk, by John Turner and Meredith Tromble; Remarkable conjunction: feminism and performance art, by Arlene Raven; Spectacular visions: video art, by Christine Tamblyn; Filmmakers, by Barbara Hammer; 19th century photographers, by Peter E. Palmquist; 20th century photographers, by Leah Ollman; Golden clay: California ceramists, by Elaine Levin; Quiltmakers, by Linda K. O'Dell; Art and politics: a history, by Eleanor Dickinson; Quest for visibility, by Rita Cummings Belle; Feminist art movement Southern California style, 1970-1980, by Faith Wilding; Recalling Womanhouse, by Miriam Schapiro; Judy Chicago: The Dinner party and The Birth project, by Rita Cummings Belle. ARTWEEK: a backward look, by Cecile N. McCann; Visual dialog: a historical perspective, 1975-1980, by Roberta Loach; High performance, by Linda Frye Burnham; Chrysalis: a magazine of women's culture, by Kirsten Grimstad. Size: 8vo. Collectible.…

Paperback. Zustand: Very Good. First Edition. New York: Midmarch Arts Press, 1996. 236 pages with b&w text illustrations. Coleman was photography critic of the New York Times; his writing is readable and informative, not abstract. Signed by Coleman on the title page. Signed by Author. First Edition. Pictorial Wrapper (softcover). Very Good. 8vo. Language: ENG. Signed by Author(s). …

Paperback. Zustand: Very Good. Book has mild rubbing to edges of cover and spine, mild bumping to corners of cover and textblock, and mild rubbing to cover. otherwise book is in very good condition with a glossy cover, clean pages, and a solid binding.

softcover. Zustand: Collectible; Like New. First Edition; First Printing. SIGNED on the half title page by Michael Bonine, not on a bookplate, but directly on the page (without any inscriptions to anyone) ; Tight, clean and crisp. The book appears unread and looks New. No inscriptions. No remainder mark. Not ex-library. In excellent condition. Like New. Signed.…

Soft cover. Zustand: Very Good. 1st Edition. x, 86 p., fully illustrated. Published in 1991 at $20.00. Oversize [br 42r].

Softcover. Zustand: Very Good+. Presumed first printing with no other printings listed, trade paperback, signed by Coleman and dated February 2001 on the title page, the book has a very shallow lean to the binding, as well as mild bumps to the spine ends and corners, and overall, is a solid, tight and clean, Very Good+ copy. Signed by Author.…

Zustand: Very Good. None. 358 pages. Softcover with sunfaded spine. Light sunfade to front left margin. Clean, tight copy. Record # 2233119.

Zustand: Very Good. None. 233 pages. Softcover. SIGNED BY AUTHOR. B/w illustrations throughout. Previous owner inscription on title page. Clean inside and out. In good shape. From back cover: "A.D. Coleman was one of the first photography critics of the modern era, in fact the first photo critic of The New York Times. He remains one of our most eminent and provocative commentators on all facets of the visual culture." Record # 30401.…