mng university presses mär 2025 (19 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware -In their hybrid debut collection Arrangements, Esther Kondo Heller creates stunning textual & visual language that escapes the page to utter and speak past the record, the archive, and the document. 69 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -In their hybrid debut collection Arrangements, Esther Kondo Heller creates stunning textual & visual language that escapes the page to utter and speak past the record, the archive, and the document.

Buch. Zustand: Neu. Neuware -The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill. 136 pp. Englisch.

Buch. Zustand: Neu. Neuware -The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill. 136 pp. Englisch.

Buch. Zustand: Neu. Neuware -The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill.

Taschenbuch. Zustand: Neu. Neuware -At Home with the Holocaust examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors' homes became extensions of their traumatized psyches that their children 'inhabited.' Analyzing second- and third-generation Holocaust literature-such as Art Spiegelman'sMaus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer'sThe Holocaust Kid, and Elizabeth Rosner's The Speed of Light-as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors' traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors' children into the sites of their parents' traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas. 173 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -At Home with the Holocaust examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors' homes became extensions of their traumatized psyches that their children 'inhabited.' Analyzing second- and third-generation Holocaust literature-such as Art Spiegelman'sMaus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer'sThe Holocaust Kid, and Elizabeth Rosner's The Speed of Light-as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors' traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors' children into the sites of their parents' traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas. 173 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -At Home with the Holocaust examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors' homes became extensions of their traumatized psyches that their children 'inhabited.' Analyzing second- and third-generation Holocaust literature-such as Art Spiegelman'sMaus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer'sThe Holocaust Kid, and Elizabeth Rosner's The Speed of Light-as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors' traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors' children into the sites of their parents' traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas.

Taschenbuch. Zustand: Neu. Neuware -In their hybrid debut collection Arrangements, Esther Kondo Heller creates stunning textual & visual language that escapes the page to utter and speak past the record, the archive, and the document.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 69 pp. Englisch.

Buch. Zustand: Neu. Neuware -The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 136 pp. Englisch.

Buch. Zustand: Neu. Neuware - The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill.

Taschenbuch. Zustand: Neu. Neuware -At Home with the Holocaust examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors' homes became extensions of their traumatized psyches that their children 'inhabited.' Analyzing second- and third-generation Holocaust literature-such as Art Spiegelman'sMaus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer'sThe Holocaust Kid, and Elizabeth Rosner's The Speed of Light-as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors' traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors' children into the sites of their parents' traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 173 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware - At Home with the Holocaust examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors' homes became extensions of their traumatized psyches that their children 'inhabited.' Analyzing second- and third-generation Holocaust literature-such as Art Spiegelman'sMaus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer'sThe Holocaust Kid, and Elizabeth Rosner's The Speed of Light-as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors' traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors' children into the sites of their parents' traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas.

Taschenbuch. Zustand: Neu. Neuware - Okwui Enwezor's 2016 exhibition Postwar: Art between the Pacific and the Atlantic, 19451965 redefined the history of art produced in those two decades. Nearly a decade later, Postwar Revisited returns to these debates to present an image of a historical period in which Western conceptions of art, aesthetics, and philosophy are all thrown into intense flux after Auschwitz and Hiroshima, while the cultural energies of decolonization generate myriad artistic and intellectual practices across the globe, which re-engage the connections of art to life itself. Focusing on modernist artists, artist collectives, and architects central to dissonant regional traditions, as well as influential exhibitions and patronage systems, the contributors produce a new understanding of emergent postwar global art. Provoking new ways of thinking, engaging, and narrating art history, Postwar Revisited is essential reading for those interested in debates on global art history and global modernism, the intersections between art and decolonization, the cultural aspects of the Cold War and the Non-Aligned Movement, and modern and contemporary art more generally. Contributors. Iftikhar Dadi, Okwui Enwezor, Patrick Flores, Hal Foster, Boris Groys, Atreyee Gupta, Elizabeth Harney, Jennifer Josten, Vivian Li, Tara McDowell, Alexandra Munroe, Nada Shabout, Terry Smith, Jenni Sorkin, Ming Tiampo.

Buch. Zustand: Neu. Neuware -In 2023, the Bulletin of the Atomic Scientists set the iconic Doomsday Clock to ninety seconds to midnight-the closest to midnight, or civilization-ending apocalypse, it has ever been. Designed at the onset of the Cold War amid new fears of atomic weapons, the Doomsday Clock is a symbolic countdown to annihilation. Now, a generation later, the world is more vulnerable than ever to the nuclear weapons it sought to warn against. In Apocalyptic Crimes, Ronald C. Kramer reconsiders the immense danger these weapons pose to humanity, examining the use, threat to use, and continued possession of nuclear weapons from a criminological perspective. Kramer argues that any country holding on to its nuclear arsenal-including the United States-is committing a criminal act. Offering a sharp rebuke to the common claim that nuclear stockpiles serve to deter the escalation of conflict, Apocalyptic Crimes emphasizes the harm caused by the mere possession of these deadly weapons. It further considers the culpability of political officials, acting as representatives of the state, whose threatening statements about nuclear weapons contain actions or omissions that violate specific international laws. But Kramer also shows how a nuclear apocalypse might be averted and offers a pathway to disarmament. Through critical analysis and a specific criminology of nuclear weapons, Kramer outlines the political actions necessary to rewind the Doomsday Clock and pull the world back from the brink of destruction-before the clock strikes midnight. 258 pp. Englisch.

Buch. Zustand: Neu. Neuware -In 2023, the Bulletin of the Atomic Scientists set the iconic Doomsday Clock to ninety seconds to midnight-the closest to midnight, or civilization-ending apocalypse, it has ever been. Designed at the onset of the Cold War amid new fears of atomic weapons, the Doomsday Clock is a symbolic countdown to annihilation. Now, a generation later, the world is more vulnerable than ever to the nuclear weapons it sought to warn against. In Apocalyptic Crimes, Ronald C. Kramer reconsiders the immense danger these weapons pose to humanity, examining the use, threat to use, and continued possession of nuclear weapons from a criminological perspective. Kramer argues that any country holding on to its nuclear arsenal-including the United States-is committing a criminal act. Offering a sharp rebuke to the common claim that nuclear stockpiles serve to deter the escalation of conflict, Apocalyptic Crimes emphasizes the harm caused by the mere possession of these deadly weapons. It further considers the culpability of political officials, acting as representatives of the state, whose threatening statements about nuclear weapons contain actions or omissions that violate specific international laws. But Kramer also shows how a nuclear apocalypse might be averted and offers a pathway to disarmament. Through critical analysis and a specific criminology of nuclear weapons, Kramer outlines the political actions necessary to rewind the Doomsday Clock and pull the world back from the brink of destruction-before the clock strikes midnight. 258 pp. Englisch.

Buch. Zustand: Neu. Neuware -In 2023, the Bulletin of the Atomic Scientists set the iconic Doomsday Clock to ninety seconds to midnight-the closest to midnight, or civilization-ending apocalypse, it has ever been. Designed at the onset of the Cold War amid new fears of atomic weapons, the Doomsday Clock is a symbolic countdown to annihilation. Now, a generation later, the world is more vulnerable than ever to the nuclear weapons it sought to warn against. In Apocalyptic Crimes, Ronald C. Kramer reconsiders the immense danger these weapons pose to humanity, examining the use, threat to use, and continued possession of nuclear weapons from a criminological perspective. Kramer argues that any country holding on to its nuclear arsenal-including the United States-is committing a criminal act. Offering a sharp rebuke to the common claim that nuclear stockpiles serve to deter the escalation of conflict, Apocalyptic Crimes emphasizes the harm caused by the mere possession of these deadly weapons. It further considers the culpability of political officials, acting as representatives of the state, whose threatening statements about nuclear weapons contain actions or omissions that violate specific international laws. But Kramer also shows how a nuclear apocalypse might be averted and offers a pathway to disarmament. Through critical analysis and a specific criminology of nuclear weapons, Kramer outlines the political actions necessary to rewind the Doomsday Clock and pull the world back from the brink of destruction-before the clock strikes midnight.

Buch. Zustand: Neu. Neuware -In 2023, the Bulletin of the Atomic Scientists set the iconic Doomsday Clock to ninety seconds to midnight-the closest to midnight, or civilization-ending apocalypse, it has ever been. Designed at the onset of the Cold War amid new fears of atomic weapons, the Doomsday Clock is a symbolic countdown to annihilation. Now, a generation later, the world is more vulnerable than ever to the nuclear weapons it sought to warn against. In Apocalyptic Crimes, Ronald C. Kramer reconsiders the immense danger these weapons pose to humanity, examining the use, threat to use, and continued possession of nuclear weapons from a criminological perspective. Kramer argues that any country holding on to its nuclear arsenal-including the United States-is committing a criminal act. Offering a sharp rebuke to the common claim that nuclear stockpiles serve to deter the escalation of conflict, Apocalyptic Crimes emphasizes the harm caused by the mere possession of these deadly weapons. It further considers the culpability of political officials, acting as representatives of the state, whose threatening statements about nuclear weapons contain actions or omissions that violate specific international laws. But Kramer also shows how a nuclear apocalypse might be averted and offers a pathway to disarmament. Through critical analysis and a specific criminology of nuclear weapons, Kramer outlines the political actions necessary to rewind the Doomsday Clock and pull the world back from the brink of destruction-before the clock strikes midnight.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 258 pp. Englisch.

Buch. Zustand: Neu. Neuware - In 2023, the Bulletin of the Atomic Scientists set the iconic Doomsday Clock to ninety seconds to midnight-the closest to midnight, or civilization-ending apocalypse, it has ever been. Designed at the onset of the Cold War amid new fears of atomic weapons, the Doomsday Clock is a symbolic countdown to annihilation. Now, a generation later, the world is more vulnerable than ever to the nuclear weapons it sought to warn against. In Apocalyptic Crimes, Ronald C. Kramer reconsiders the immense danger these weapons pose to humanity, examining the use, threat to use, and continued possession of nuclear weapons from a criminological perspective. Kramer argues that any country holding on to its nuclear arsenal-including the United States-is committing a criminal act. Offering a sharp rebuke to the common claim that nuclear stockpiles serve to deter the escalation of conflict, Apocalyptic Crimes emphasizes the harm caused by the mere possession of these deadly weapons. It further considers the culpability of political officials, acting as representatives of the state, whose threatening statements about nuclear weapons contain actions or omissions that violate specific international laws. But Kramer also shows how a nuclear apocalypse might be averted and offers a pathway to disarmament. Through critical analysis and a specific criminology of nuclear weapons, Kramer outlines the political actions necessary to rewind the Doomsday Clock and pull the world back from the brink of destruction-before the clock strikes midnight.