montclair art museum and rutgers university press (20 Ergebnisse)

Softcover, 246 pages; as new condition, clean and crisp; no internal marks, Foreign shipping may be extra.

Softcover, 90 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover exhibition catalog, 264 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Zustand: New. No Jacket. 1st Edition. First edition 1999, first printing, no additional printings listed. Printed on occasion of traveling exhibition "Paris 1900: The 'American School' at the Universal Exposition" Large softcover with no DJ as issued. Condition new, square tight and crisp book, spine not creased, sharp corners, bright, no names no underlinings no highlights, no bent page corners, not a reminder. 4to, 256 pages,148 illustrations, bibliography, index. Large book will require additional postage for international orders.

Couverture souple. Zustand: Très bon état. In-4, broché, couv. illustrée, photographies en noir et en couleurs, XX-261 pp. En anglais. Très bon état d'occasion. Présentation de la production de Man Ray entre 1907 et 1917. The book, and the exhibition for which it serves as the catalogue, concentrate on Man Ray's production from 1907 to 1917. in-4°.

Paperback. Zustand: Fine. First printing. With an Essay by Gail Stavitsky. 4to. Glossy illustrated wrappers. Frontis b/w photographic image of Man Ray. 261 pages, with Bibliography and Index. With b/w and color illustrations throughout. No names or marks. Exhibition catalogue. A crisp, unmarked, as new copy with sharp corners. Due to size and weight, international shipping at cost.

First edition. Softcover. 261 pages. Published in conjunction with a traveling show that ran February 16 through August 3, 2003 in Montclair, NJ and then went on to Athens, GA and Chicago, IL for additional dates. Text by Francis M. Naumann and Gail Stavitsky. Includes numerous color and black and white illustrations. A very near fine copy in wrappers.

First 4to, stiff pictorial wrappers. xx+261 pp, 205 illustrations (60 in color), portrait, chronology, bibliography, index. Monograph published in conjunction with an exhibition at the Montclair, NJ Art Museum, February 16 - August 3, 2003, and which had subsequent venues in Athens, GA and Chicago. The period of focus is from 1907 to 1917, prior to his departure for Paris and his emergence as a leading figure in the Dada movement. 0813531489 Fine.

Paperback. Zustand: Fine. xvii, 314 pages, illustrations; 24 cm. Tight, clean copy. *** "In the first half of the eighteenth century the only galleries in which to view art were the homes of the upper classes. How did the exhibition of art in England evolve from the private to the public? Who assumed reponsibility for allowing the general public into once private spaces? How did the press cover the crowds who came to view the art? How were patrons found for new institutions and how were they convinced to fund them? In short, how did art institutions expand from the birth of the Royal Academy of Arts in 1768 to the series of major collections housed at : the National Gallery, the South Kensington Museum (later the Victoria and Albert), the Tate Gallery, the Arts Council of Great Britain, the Hayward Gallery, and more? How did the exhibition of art become big business? In Art for the Nation, Brandon Taylor gives us a fascinating glimpse at the development of museums as institutions. He provides an absorbing account of the growth of public display as he analyzes the politics, geography, and social life of metropolitan and visual culture. He also provides an eye-opening social history of the relationship between the classes and the entree of many Jewish patrons into a world from which they might otherwised have been excluded. / BRANDON TAYLOR is a professor of history of art and design in the Faculty of arts at the University of Southampton. His previous books include The Nazification of Art, and Art and Literature under the Bolsheviks." - Publisher. *** CONTENTS: 1. In the image of the King: towards the Royal Academy of Arts; 2. Publics for Trafalgar Square: the National Gallery; 3. Instructing the whole nation: South Kensington to St. Martin's Place; 4. A national gallery of British art: the Millbank Tate; 5. Managing 'modern foreign' art: an extension at the Tate Gallery; 6. Post-war positions: Arts Council, LCC and ICA; 7. For an international public: the Hayward Gallery; 8. Coda: Bankside and beyond. Size: 8vo.

Hardcover. Zustand: New. Zustand des Schutzumschlags: As New. 1st Edition. First edition 1999, , first printing, no additional printings listed. Printed on the occasion of traveling exhibition. Hardcover in full cloth with DJ. Condition new, square tight and crisp book, no edgewear, no names no underlinings no highlights no bent page corners, not a reminder. DJ as new, bright and shiny, no tears no chips, not clipped. 4to, 272 pages, 148 illustrations, reference, bibliography, index. Heavy book will require additional postage for priority or international orders.

Hardcover exhibition catalog with dustjacket, 264 pages; very good condition; clean and crisp; inscribed and signed by Francis Naumann on half-title page; no other internal marks. Foreign shipping may be extra.

Soft cover. Zustand: Very Good. 1st Edition. PAPERBACK. Condition: Very Good. Softcover; Clean covers with slight toning on wrappers and inside pages; Pages are clean & unmarked; Good binding; Large Format (Quatro, 10.75" - 11.75" tall); Tan covers with painting illustration and title in black lettering; 2000, Rutgers University Press; 84 pages; "Waxing Poetic: Encaustic Art in America," by Gail Stavitsky, et al. with essays by Danielle Rice and Richard Frumess, Errata sheet included.

Soft cover. Zustand: Good. No Jacket. ExCat, Montclair Arat Museum, NJ, Feb 16- Aug 3, 2003; Geogia Museum of Art, Athens, Sept 20, 2003- Nov 30, 2003; Terra Museum of American Art, Chicago, Jan 23, 2004- Apr 4, 2004. Paper, 261 pp., 205 illus., 60 in color. With ink inscription of first fly leaf.