Mousse milano (108 Ergebnisse)

Softcover. Zustand: Fine. First edition. 11 3/4'' x 8 1/2''. Unpaginated.

Zustand: Good. Paperback, text in English and Italian, small 8vo.

Softcover. Zustand: VG. A green and pink softcover book with black text on a white spine. 156 pages; profusely illustrated with both color and black-and-white images.

Zustand: NUOVO. Milano, Mousse Publishing cm.20,5x28, pp.156, illustrazioni a colori. legatura editoriale in tutta tela copertina figurata a colori. Testo Inglese. Published on the occasion of the eponymous exhibition curated by Karen Irvine at the Museum of Contemporary Photography at Columbia College Chicago (MoCP), Dawit L. Petros: Prospetto a Mare delves into Petros's ongoing examination of the intricate connections between Italy, East Africa, Libya, and North America, particularly focusing on Eritrea, Ethiopia, and Somalia. This solo exhibition, alongside its accompanying publication, illuminates the ways in which colonialism and cultural memory are etched into the visual fabric and architectural landscape of Chicago. Petros's inquiry aligns seamlessly with the mission of the museum, contributing to contemporary dialogues on visual art and its impact on our collective understanding of history, society, and identity.Through various artistic strategies, Petros probes the propaganda used to promote the Italian colonial project in Eritrea, Ethiopia, Libya, and Somalia and by extension, the newly formed Italian state; the technologies used to dominate occupied countries and simultaneously extoll the power of the occupiers; and the imperfect ways in which these histories are inscribed in public and private memory through monuments, storytelling, archives, and photography. Petros's works are largely concerned with global migration patterns-from the Italians who occupied the Horn of Africa in the late 1800s and early 1900s, to Africans who fled North and East Africa due to colonialization and subsequent instability, to Africans who move to North America and Europe via Italy today.Within the pages of this publication, esteemed scholars-Lindsay Caplan, Teresa Fiore, Ruth Iyob, Cristina Lombardi-Diop, and Onur Öztürk-engage in thought-provoking explorations of Petros's work. They probe themes of colonialism, modernism, technology, migration, and cultural memory, offering invaluable perspectives that enrich our understanding of Prospetto a Mare and its significance.…

Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 177 pp. Mousse Publishing, Milano, 2015. First edition. Softcover. Paberback book with yellow plastic jacket. Jacket has minor wear at the head. Edited by artist Vincent Meessen with work by selected international authors and curator Katerina Gregos. Features essays by by Harry Garuba, Katerina Gregos, Pedro Monaville and Raoul Vaneigem. Texts in English and French. Features work by Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Nenassi, Patrick Bernier & Olive Martin, Tamar Guimarães & Kasper Akhøj, Maryam Jafri, Adam Pendleton. The project engages in a broader critique and analysis of colonial modernity, challenging its official histories, addressing its blind spots, and re-inscribing what has been absent, erased or marginalized into the present.…

Zustand: Good. Paperback, illustrated with some b/w photographs, small 8vo. Texts by Massimo Minini and Giovanna Calvenzi, interview with Massimo Minini by Angela Madesani.

Paperback with Card Sleeve. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Paperback Edition. 265 x 205mm. pp. 139. English and Italian text. Paperback edition of 'Road Back to Relevance'. Published to accompany an exhibition at the Nomas Foundation in Rome from March to July, 2016. Colour illustrations. Bound in original pictorial card covers. Housed in card pictorial dust jacket. Book and dust jacket clean. Binding strong. No ownership inscription or underlining. Dust jacket protected with removable mylar cover. See images. …

Ohne Stempel, keine An-und Unterstreichungen, sehr guter Zustand. Ungelesen. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Zustand: OTTIMO USATO. IED. Da revisionare INTERLINGUE Libro usato che à già stato letto, ma in condizioni ottime. Nessun danno evidente alle coperte, potrebbe presentare minimi segni di usura alle copertine e alle pagine. Nessuna pagina mancante o strappata, nessuna sottolineatura/evidenziazione di testo nà scritte ai margini. La foto corrisponde al libro in vendita. Altre foto su richiesta. Lingue italiano e inglese. Pagine non numerate.…

Zustand: OTTIMO USATO. Da revisionare INTERLINGUE IL LIBRO à USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Numero pagine 144. Il copyright dei dati à di Informazioni Editoriali I.E. Srl.

1. Auflage. 26 x 20 cm. 136 S. OKarton mit OUmschlag. Sehr gutes Exemplar. Texte in Englisch und Italienisch. Mit Beiträgen von Dieter Roelstraete, Saim Demircan und Ben Gregory. Durchgehend mit farbigen Abbildungen versehen. Sprache: Englisch und Italienisc.

SOFTCOVER. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Landscape 4to in colour printed stiff card covers with printed plastic sleeve as wrapper, 80pp, colour plates, etc . [CONDITION: NEW unmarked copy in a NEW complete Dust Jacket ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Softcover. Octavo. Softcover. Paper covers, white spine with grey panels. 326 pages, 14 unnumbered leaves of plates : illustrations (chiefly color) ; 24 cm. In over three decades of intense art making, Garutti always refused the idea of a publication about his work. Which makes this one all the more remarkable. Paradoxically, Garutti's is an intentional conversational work, a work that often departs from a conversation with the public, and that is characterized by the number and disgnificance of public projects. A caption is often the first tool by which the work communicates with the general public. Caption is non-coincidentally, the title of this long-awaited catalogue raisonné. VG-. Fore edge fanning out a little bit, some edge wear along the bottom covers and an aesthetic tear the paper near the head of the spine.…

Zustand: NEW. Milano: Mousse publishing, 2025 9788867497027 809 N vol.: 1, N pag.: 335, W: 16.5, Illustr.: COL + B/N This catalogue is published on the occasion of the second chapter of the exhibition program Enredos (Entanglements) at Centro Botín, whose goal is to engage artists who have received a Fundación Botín grant to "become entangled" with the foundation's collection, architecture, and public. For Enredos II, artist Nuno da Luz amplifies the frequencies of the waves and winds of Bahía de Santander, interweaving them with the oscillations of the building itself and a selection of works by other artists who have been beneficiaries of Fundación Botín's art grants through the yearsJavier Arce, Katinka Bock, June Crespo, Eva Fàbregas, Asier Mendizabal, and Jorge Satorreas well as works by artists represented in the collection, such as Tacita Dean and Damián Ortega. On the occasion of this exhibition, Nuno da Luzwho in his works investigates environmental processeshas produced three new sound installations generating shared listening spaces that resonate through the walls and spaces of Centro Botín.…

Zustand: NEW. Milano: Mousse publishing, 2026 9788867497324 409 N vol.: 1, N pag.: 42, W: 18.7, Illustr.: COL Aeolian Suite is a publication that offers a porous extension of Jenna Sutela's work presented at the Pavilion of Finland at La Biennale di Venezia 2026, where meaning drifts, gathers, and slips away. Accompanied by a vinyl record featuring excerpts from the work's original score, it brings together the project's dispersed elements of sound, movement and atmosphere in a form that can be held yet remains in flux. As in Aeolian Suite itself, where winds become vocal protagonists and carriers of messages at the edge of comprehension, the publication attends to what circulates between signals: the inaudible, the unpredictable, the untranslatable. The volume expands the work's inquiry into language, technology, and living systems. It considers wind not only as a meteorological force but as a medium that resists capture even as it animates the tools designed to measure it. In this space between composition and contingency, listening becomes a method for recognizing registers beyond humanexperience that we nonetheless shape. Hessler, Stefanie.…

Zustand: NEW. Milano: Mousse publishing, 2025 9788867496839 809 N vol.: 1, N pag.: 201, W: 17, Illustr.: COL + B/N This catalogue is published on the occasion of the eponymous exhibition Un altro sguardo. Opere dalla Collezione Gemma De Angelis Testa / A Different Gaze. Works from the Gemma De Angelis Testa Collection, curated by Gabriella Belli, Gemma De Angelis Testa, and Marta Spanevello, at Villa e Collezione Panza FAI in Varese. Inaugurating a series of exhibitions dedicated to the theme of collecting, in dialogue with the sensibility of Giuseppe Panza di Biumo, the show presents thirty-nine artworks from Gemma De Angelis Testa's private collection, as well as from works she has loaned to the Fondazione Musei Civici di Venezia and the Museo del Novecento in Milan. The variety of works and artists included in the exhibitionCy Twombly, Robert Rauschenberg, Mario Merz, Francesco Lo Savio, Gianni Piacentino, Joseph Kosuth, Elizabeth Neel, Andreas Breunig, Cecily Brown, Anselm Reyle, Gregor Schneider, Oscar Murillo, Francesco Vezzoli, Vanessa Beecroft, Shirin Neshat, Andres Serrano, Bill Viola, Marina Abramovi?, Pipilotti Rist, Monica Bonvicini, Pascale Marthine Tayou, Sabrina Mezzaqui, Armando Testa, Adrian Paci, Yan Pei-Ming, Ai Weiwei, William Kentridge, Grazia Toderi, Thomas Ruff, Peter Fischli & David Weissfollows Testa's intuition and curiosity towards the contemporary art scene since the 1990s. Belli, Gabriella; De Angelis Testa, Gemma; Spanevello, Marta.…

Zustand: NEW. Milano: Mousse publishing, 2025 9788867496723 609 N vol.: 1, N pag.: 112, Peso: 609, L: 23.5, W: 16.5, Illustr.: COL + B/N On the occasion of the group exhibition Word is round at FRAC des Pays de la Loire, curator Marie de Brugerolle invited four artists in residence with diverse backgrounds and practicesMads Lindberg, Kirsten Mosher, Martin Vongrej, and Anna Wittenbergto forge connections with works from the collection by Marie Bourget, Jordan Derrien, and Lili Dujourie. The exhibition, conceived as a choreography, brings together singular works that resonate with each other in an open and circular dialogue and exchange. Thanks to Marie de Brugerolle's essay, this illustrated catalogue extends the polyphonic atmosphere of the exhibition, inviting the reader to rethink the world as a polysphere. Text by Marie de Brugerolle. Afterward by Claire Staebler.…

Hardcover. Zustand: Gut. 128 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. w19641 9788896501382 Sprache: Englisch Gewicht in Gramm: 350.

Zustand: NEW. Milano: Mousse publishing, 2024 9788867496334 La Biennale di Venezia 60 809 118 p. : ill. col. b/n, indice ; 27 cm. This catalogue is published on the occasion of the eponymous exhibition Darja Bajagi?: It Takes an Island to Feel This Good, commissioned by Vladislav ?epanovi?, and curated by Ana Simona Zelenovi? for the Pavilion of Montenegro at the 60th International Art Exhibition La Biennale di Venezia. Through painting and sculpture, the artist examines and reflects upon themes such as the culture of collective memory and our relationship to shared historical heritage, focusing on the complex and multidimensional history of the Montenegrin island of Mamula. Bajagi?'s project valorizes the island's heritage, utilizing its history and present as content to raise pressing universal questions relevant to contemporary art and greater society. Focusing on laden contemporary and historical issues, the artist courageously delves into and tackles complex issues, positing questions such as whether the precondition for evil is, on the one hand, the neglectful disregard of history or, on the other hand, its commodification. This catalogue is published on the occasion of the eponymous exhibition Darja Bajagi?: It Takes an Island to Feel This Good, commissioned by Vladislav ?epanovi?, and curated by Ana Simona Zelenovi? for the Pavilion of Montenegro at the 60th International Art Exhibition La Biennale di Venezia. Through painting and sculpture, the artist examines and reflects upon themes such as the culture of collective memory and our relationship to shared historical heritage, focusing on the complex and multidimensional history of the Montenegrin island of Mamula. Bajagi?'s project valorizes the island's heritage, utilizing its history and present as content to raise pressing universal questions relevant to contemporary art and greater society. Focusing on laden contemporary and historical issues, the artist courageously delves into and tackles complex issues, positing questions such as whether the precondition for evil is, on the one hand, the neglectful disregard of history or, on the other hand, its commodification.…

Soft cover. Zustand: Very Good. 1st Edition. Softcover, 79 pages : color illustrations ; 32 cm, Very good, clean, no internal marks.

Zustand: NEW. Milano: Mousse publishing, 2025 9788867496907 609 N vol.: 1, N pag.: 148, W: 17, Illustr.: COL + B/N Published on the occasion of the exhibition Margherita Manzelli. Le Signorine, this catalogue retraces more than thirty years of the artist's poetic and painterly practice. Featuring a selection of paintings from the 1990s to the present, alongside previously unseen drawings and works conceived specifically for the showincluding a piece inspired by Prato's Cathedral of Santo Stefanothe volume highlights the dialogue between Manzelli's vision and the context that hosts it. The title evokes the distinctive female figures that inhabit Manzelli's universe: independent, untimely presences whose ambiguous yet forceful stance resists conventional roles. Her paintings reveal women who are at once fragile and defiant, often portrayed nude or semi-nude, suspended within abstract spaces rhythmically punctuated by geometric or ornamental patterns. Recurring motifs, such as the meticulously rendered heads, act as narrative devices and emotional condensations, holding together intensity, contradiction, and inner vision. Through critical essays, visual documentation, and archival materials, the catalogue offers insights into the interplay of figure and ground, visibility and withdrawal, that animates Manzelli's work. With scholarly contributions and rich visual content, Le Signorine stands as both a record of the exhibition and an essential resource on one of the most consistent and singular voices in contemporary Italian art. Collicelli Cagol, Stefano.…

Zustand: NEW. Milano: Mousse publishing, 2025 9788867497058 609 N vol.: 1, N pag.: 112, W: 17, Illustr.: COL + B/N INTERZONE is an artist's book published on the occasion of Valentin Noujaïm's first institutional solo exhibition, PANTHEON, taking place at Kunsthalle Basel. It accompanies the premiere of the work La Défense Volume III Demons to Diamonds and brings together for the first time the artist's complete La Défense trilogy (202225). Edited by Mohamed Almusibli and conceived by Noujaïm and graphic designer Kim Coussée, the volume contains extensive documentation of the trilogy's developmentfilm stills, analog photographs, archival materialsto offer glimpses behind the scenes of the artist's collaborative process. Its nonlinear sequences create new dialogues across the trilogy and extend the exhibition's spatial logic into print. This volume is thus both an extension of the exhibition and an autonomous work, providing an immersive entry point into Noujaïm's cinematic world.…

Zustand: NEW. Milano: Mousse publishing, 2025 9788867496945 809 N vol.: 1, N pag.: 276, W: 16.5, Illustr.: COL + B/N The Trial is an extensive publication chronicling the decade-plus-long evolution of one of Rossella Biscotti's seminal works. Developed between 2006 and 2021, it centres on the "April 7th" trial (198384), a landmark inquiry and legal case against members of the Italian leftist movement Autonomia Operaia. The project has unfolded through installations, sculptures, performances, reading groups, films, and printed matter, presented at (among many others): MAXXINational Museum of 21st Century Art, 2010; dOCUMENTA(13), Kassel, 2012; e-flux, New York, 2013; Wiels, Brussels, 2014; Castello di Rivoli Museo d'Arte Contemporanea, 2024. The core of the book is the English transcription of a six-hour audio piece, originally composed from hundreds of hours of the trial's archival recordings broadcast by Radio Radicale. Edited like a theatrical script, The Trial becomes a polyphonic narrative that foregrounds the political voices of defendants in opposition to the structure and language of the legal machine: prosecutors, judges, lawyers. The transcript is accompanied by critical texts by Michael Hardt, Daniel Blanga Gubbay, and Giovanna Zapperi, as well as a conversation between the artist and philosopher Antonio Negri, one of the trial's key defendants. It investigates how political memory is carried, translated, and embodied across time.…

Zustand: NEW. Milano: Mousse publishing, 2025 9788867496785 609 N vol.: 1, N pag.: 24, W: 24, Illustr.: COL Our first object of inquiry and care should be life. We know the reason for that as we are living beings in a situation in which the conditions of life are endangered. What has no place in this ecological discourse is death. The fact that death is difficult to acknowledge is not new, but in our contemporary situation, death has a new face. Gold and Ashes extends beyond representation to become an intimate act of excavation that proposes to mediate-materially, politically, and metaphysically-the reappropriation of death as power and our sovereignty as mortal beings in the private and social spheres. A record-cum-publication that unfolds through sound and text by transposing and transforming the soundtrack and images of the film Ouro e Cinza (2025) featuring text by Frédéric Neyrat, Lucas Ferraço Nassif, Salomé Lamas in collaboration with Isabel Ramos, Isabel Pettermann and sound by Miguel Martins.…

Zustand: NEW. Milano: Mousse publishing, 2025 9788867496815 1409 N vol.: 1, N pag.: 238, W: 20, Illustr.: COL + B/N The Um Slaim School: An Architecture of Connection forms part of a propositional pedagogy for contemporary urbanism in Riyadh, expanding on the National Pavilion of Saudi Arabia at the Biennale Architettura 2025, and the work of Riyadh-based practice Syn Architects (Sara Alissa and Nojoud Alsudairi). Contributing to a localized spatial discourse relevant to Saudi Arabia and the broader region, bilingual spatial terminologies are illustrated through multi-disciplinary projects and interventions from Syn Architects and the Um Slaim Collective. The contents provide context on histories of urban development in Riyadh, including typologies of Najdi architecture, methods of spatial embodiment and situated practice. Artistic, sonic, and photographic contributions from the exhibition's collaborators Laurian Ghini?oiu, Mohammed Alhamdan (7amdan), Maha Malluh, and Mansour Alsofi, as well as new essays by Syn Architects, exhibition curator Beatrice Leanza, and catalogue editor Ahmad Makia complete the volume.…

Zustand: NEW. Milano: Mousse publishing, 2025 9788867496778 809 N vol.: 1, N pag.: 144, Peso: 809, L: 28.5, W: 21.5, Illustr.: COL + B/N The catalogue Wang Yuyang: Chaosmosis follows the eponymous exhibition held at Shenzen Art Museum. Focused on techno-art, Wang Yuyang's work explores the relationships between technology and art, nature and artificiality, material and immaterial, employing an interdisciplinary and multimedia approach. The artist's portfolio spans various fields such as artificial intelligence, genetic engineering, digital media, and mechanical devices. Featuring a rich selection of artwork images and installation views, along with insightful contributions by Professors Zhang Ga, Siegfried Zielinski, Caroline A. Jones, Mark B. N. Hansen, and curator Rudolf Frieling, this publication offers a deep view on Wang's practice and innovative research. Ga, Zhang.…

Zustand: NEW. Milano: Mousse publishing, 2025 9788867496570 809 N vol.: 1, N pag.: 120, Peso: 809, L: 28.5, W: 22.3, Illustr.: COL + B/N Lily Stockman: Minotaur was published on the occasion of the eponymous exhibition at Fondation Le Corbusier Maison La Roche. Stockman's fascination with Le Corbusier's work traces back to her student years when she learned to paint at Harvard University's Carpenter Center for the Visual Arts, the architect's only building in North America. When invited to exhibit in the distinctive setting of Maison La Roche, Stockman embraced the opportunity to engage directly with its space, drawing inspiration from the architect's color palette. Like ancient symbols reimagined for the future, the eleven paintings exhibited come alive within the luminous minimalism of the building. Pulsing with vivid hues, chromatic harmonies, and enigmatic forms, they animate the sleek walls and polished surfaces, creating a dynamic dialogue between art and space.…

Zustand: NEW. Milano: Mousse publishing, 2024 9788867496495 3109 N vol.: 1, N pag.: 60, Peso: 3109, L: 42, W: 29, Illustr.: COL Days without Number is a collection of more than 700 photos shot by Giovanna Silva during the last three years of walks through NYC. Though organized as a calendar, it defies any sense of linear time or chronology, presenting instead a puzzle of images. She walked often more than ten miles a day guided by architecture, seeing as much as she could, obsessively passing by the same site again and again. The book features a text by NYC writer Sasha Frere-Jones.…

Zustand: NEW. Milano: Mousse publishing, 2025 9788867496709 809 N vol.: 1, N pag.: 292, Peso: 809, L: 24, W: 17, Illustr.: COL + B/N "How are city transformations to be read? How are we to interpret the incessant metamorphosis of places and social relationships that has characterized urban contexts since their inception?" These questions drive Knots, a collaborative research project by the Politecnico di Milano's Department of Architecture and Urban Studies (DAStU) and Prospekt, a photojournalism agency dedicated to chronicling urban issues worldwide. By reshaping how we question urban transformations, Knots seeks to uncover overlooked dimensions of change, particularly in Milan's Scali. Showcasing outcomes from interdisciplinary workshops, the book highlights the value of crossing disciplinary boundaries to spark critical yet grounded discussions on the ways cities and their social fabrics evolve. Texts by Steve Bisson, Francesca Governa, Francesco Infussi, Laura Montedoro, Gabriele Pasqui, Samuele Pellecchia, and Stefano Raimondi. Fotografie / Photographs: George Georgiou Francesco Giusti Laura Liverani Francesco Merlini, Samuele Pellecchia, Vanessa Winship.…

Zustand: NEW. Milano: Mousse publishing, 2024 9788867496204 609 82 p. : ill. col. b/n, indice ; 24 cm. "It's important to acknowledge the conversation you're participating in, a conversation that existed before you and one that will exist after youand also remembering that this conversation wasn't always open to everyone. Paint isn't neutral."Ludovic Nkoth Ludovic Nkoth: What If was published on the occasion of the eponymous exhibition at Fondation Le Corbusier Maison La Roche, a masterpiece of twentieth-century modern architecture conceived by Le Corbusier in a multicolored palette. The exhibition features intimate figurative works that capture the private lives of the subjects in moments of thought, rest, and enjoyment, inviting the viewer to imagine alternative narratives and outcomes when images and objects of the Black experience, created by a Black artist, inhabit a space designed for modern abstract art. Both the exhibition and publication were conceived and produced by MASSIMODECARLO. "It's important to acknowledge the conversation you're participating in, a conversation that existed before you and one that will exist after youand also remembering that this conversation wasn't always open to everyone. Paint isn't neutral."Ludovic Nkoth Ludovic Nkoth: What If was published on the occasion of the eponymous exhibition at Fondation Le Corbusier Maison La Roche, a masterpiece of twentieth-century modern architecture conceived by Le Corbusier in a multicolored palette. The exhibition features intimate figurative works that capture the private lives of the subjects in moments of thought, rest, and enjoyment, inviting the viewer to imagine alternative narratives and outcomes when images and objects of the Black experience, created by a Black artist, inhabit a space designed for modern abstract art. Both the exhibition and publication were conceived and produced by MASSIMODECARLO.…