mousse publishing milan (333 Ergebnisse)

Paperback. Zustand: new. Paperback. With Postproduction, the third and final issue of In Medias Res, Fluentum's research project on the history of its premises concludes by literally taking stock of both the production of and productivity inherent in moving images. At the core of this publication are new essays on film shot in the building: beginning in the mid-1990s, mere months after the US abandoned its West Berlin headquarters, these films formed part of reunified Germany's nascent creative industry, and continued to be made throughout the 2000s. This chronology is speculatively extended by time-based artworks that were commissioned as part of Fluentum's multiyear program series In Medias Res: Media, (Still) Moving, which this publication both documents and further explores through artistic contributions. Though varying in their commerciality, audience, and aesthetic, they similarly employ the material and ideological architecture of the space as a matrix for creating history, allowing one to uniquely trace how the past becomes real through the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. On the many lives of a Berlin building, from Nazi compound to art museumThis inaugural edition of a new journal on historiographic inquiry examines the history of the structure that houses the Fluentum museum in Berlin. Originally a Nazi compound, it became the US military headquarters in Berlin and is now a museum focused on time-based works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Lucid Reverie: Panorama of Portuguese Contemporary Art archives the eponymous exhibition curated by Hiuwai Chu and Raphael Fonseca and presented at Galeria Municipal do Porto between July and October 2025. The outcome of over a year and a half of extensive research, the exhibition and this publication showcase a selection of the most significant contemporary practices by Portuguese or Portugal-based artists. It features essays by Chu and Fonseca and individual presentations of each artists practiceThe book is co-published by Galeria Municipal do Porto and Mousse Publishing Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Katrin. The Tale of a Young Writer is a novel by the artist Unica Zuern (Berlin 1916Paris 1970). It was written in 1953, although it would never be published in her lifetime. This is the first translation of the tale from German into English. Zuern tells the story of fifteen-year-old motherless Katrin, an aspiring writer, who lives with her father, also a writer. The novel is set in an imaginary world, a metropolis called Linit, split into three levels: Oberstadt (Hightown), Mittelstadt (Middletown) and Unterstadt (Lowtown), overlooked by a Volcano where the artists live and crossed by the river Emil. Presented as a book for children, apparently written for her own daughter (named Katrin), Katrin also draws on the personal biography of Zuern herself, in terms of her relationship with her father and the city of Berlin after WWII, and her experience with people on the margins of a society characterised by great tensions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Baltic Triennial 14 focused on the geopolitical territory of Central and Eastern Europe, premised on the conviction that in a paradoxical time of fragmented integration, addressing the local is, simultaneously, to question the global. This reader contains a number of texts touching upon the definitions, histories, potentials, and futures of the region which is understood as having a composite, porous constitution and transnational connections.The regions gravitational pull is further highlighted by the introduction or anticipation of numerous tensions, such as disinformation, human-made industrial disasters, nativist nationalism, and the oppression of non normative identities.Staged before the eruption of Russia'a invasion of Ukraine in February 2022, the Triennial took its title from Vannevar Bush via Egl? Rindzevi?i?t?s essay on cultural wars Transforming Cultural Policy in Eastern Europe: The Endless Frontier (2021).In addition to the texts, this reader includes photo documentation and information from exhibitions and events that were presented across the city of Vilnius: at the Contemporary Art Centre, Atletika, Autarkia, Editorial, Lithuanian Artistis Association, Rupert (hosted by Tech Arts) and Swallow. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Operating in multiple materials and arenas, interdisciplinary artist Cauleen Smith (b. 1967) roots her work firmly within the discourse of mid-twentieth-century experimental film. Drawing from structuralism, moving images, and science fiction, she makes things that deploy the tactics of these disciplines while offering a phenomenological experience for spectators and participants. The book Breaking Cinema. Experimental Film 20102023, adds to the growing scholarship on Cauleen Smiths work, as art historian Romi Crawford elucidates a critical phase of the artists career and how Smith recasts film history in the context of the artistic and cultural ferment of Chicagos South Side. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Zustand: new. Hardcover. Alessandro Rabottini, ed.Texts by Joerg Heiser, Elad Lassry, Aram Moshayedi, and Alessandro RabottiniElad Lassrys multi-media practice explores the current status of images as the point where multiple modes of production and reception merge. In just a few years Lassry (b. 1977, Tel Aviv; lives and works in Los Angeles) has established himself as one of the most original artists of his generation, through photographs, films, sculptures, performances and installations that are both visually seductive and conceptually challenging. This book edited by exhibition curator Alessandro Rabottini documents Elad Lassrys solo exhibition at the PAC Padiglione dArte Contemporanea in Milan, Italy; the first and most comprehensive monographic show held at an Italian institution. With an essay by Aram Moshayedi (Curator at the Hammer Museum in Los Angeles) and a conversation between the artist and Joerg Heiser (co-editor of frieze magazine), the book provides an in-depth critical examination of Lassrys work since the beginning of his career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Attard's signature eye-tracker drawings trace the iconographies and legacies of Malta's ships and sailorsUsing an eye tracker for his drawings, Matthew Attard (born 1987) fuses his digital practice with his interest in Malta's nautical past, preserved in folklore and ex-voto ship graffiti. In a hyper-technological world of rising sea levels, these humble marks of hope commemorate centuries of human survival. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Fiction Non Fiction is a series of readers edited by Bruno Zhu that pairs voices in literary criticism with the material histories of labor, gender, and race. Each volume offers a close reading of fictional and theoretical works to explore how identity politics have been narrativized by liberal institutions across different times and spaces. Volume 1, published in conjunction with Bruno Zhus commission License to Live at Chisenhale Gallery, London, delves into the concept of space. Spanning Martinique and colonial Algeria, Jamaican plantations, and 1970s Lisbon, the collection examines the enduring impact of colonial projects that continue to underpin extractive systems today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. "Fugue is published on the occasion of the eponymous duo exhibition by artists Aaron Amar Bhamra and Celine Mathieu, presented at Jester in Genk, Belgium.The title, derived from the Latin fuga (flight), evokes both its musical and psychological meanings: a contrapuntal compositional technique and a state of dissociation. These dual connotationsaural and mentalresonate throughout the exhibition and this accompanying publication.Celine Mathieus work moves between the sensory and the conceptual, integrating multiple media to explore the circulation of thoughts and materials in relation to specific sites. Aaron Amar Bhamras practice draws on recurring forms and materials to construct evolving personal and social archives, often reactivating exhibition spaces by engaging with their historical contexts.In addition to documenting the exhibition, the publication features an introduction by Jesters artistic director Koi Persyn, a visual score of a sound composition by Charlie Usher, written contributions by Celine Mathieu, curator Eloise Sweetman, and researcher Johanna Schindler, as well as a series of analog photographs by Aaron Amar Bhamra." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. With Global Conversations: Mexico, art historian and curator Charles Moore inaugurates a series of publications that investigate the cultural landscapes of different countries through conversations with key figures in their contemporary art scenes. This initial installment features in-depth interviews with influential Mexican artists, curators, architects, and cultural leadersFernanda Canales, Amanda de la Garza, Gonzalo Garcia, Nicolas Guzman, Erika Harrsch, Perla Krauze, Fernando Laposse, Jose Castaneda Lepov, Aliza Nisenbaum, and Bosco Sodiin a compelling exploration of Mexico Citys emergence as a global epicenter of contemporary art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Published on the occasion of the eponymous exhibition curated by Paola Nicolin at XNL Piacenza, Michele Lombardelli: Piacenza Los Angeles offers a literary bridge between these two very different cities through the art and poetry publications edited by Lombardelli between 1991 and 2008. Over the years, Lombardellis work has facilitated artistic encounters with some of the most brilliant personalities from Emilia, such as William Xerra, Carlo Berte, Mauro Sargiani, Emilio Villa, and Aldo Tagliaferri, as well as with great US poets and artists like Robert Crosson, John Baldessari, Martha Ronk, Dennis Phillips, and Guy Bennett. This network of exchanges and friendships forms the basis of the volume, in which Lombardelli, together with his friend, the poet Paul Vangelisti, skillfully intertwine poetry, visual arts, music, and literature. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Grand Illusion is a photographic series of screenshots from Google Cultural Institutes Museum View of Baroque European palacesobjects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible. While the monarchies and empires of the past used beauty as an expression of their authority, technology, in its mediation of the world, often operates without an aesthetic agenda. Throughout this series, the covert power of technology makes itself visible only through accidents such as glitches, a glimpse of the machine in the mirror, the AI blurring the faces of statuary. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. A Hypothesis of Resistance contains five essays on Asynchronicity, Rehearsal, Undetectability, The Present Tense, and Duration. Each attempts to resist the doctrine of performance, the symptom of a society, stratified by how we performeconomically, socially, digitally. As we become ripe for consumption, caught in an economy of perpetual readiness, basic needs remain unmet and it is increasingly difficult to tell the difference between what is alive and what is dead. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Joshua Leons first book accompanies his new commission at Chisenhale Gallery, London. The outcome of two years of writing and documenting his own research processes, the publication comprises original writing by Leon alongside archival imagery. Tracing history, memory and self across time and site, the text traverses locations including a synagogue in Bordeaux, an American bar in Vienna and a veneer factory in Londons East End to reflect on the experiences of the Jewish diaspora in Europe and the formation of contemporary Jewish identity.Throughout, archival materials and images collected by Leonarchitectural blueprints, immigration documents, musical scores and family photographsvisually trace slippages between personal and wider social histories. At once a fragment, a memoir and poetic prose, The Process details the varied ideas, intellectual figures and experiences that coalesce in Leons work, whilst complicating the role of artistic production in acts of repair, restoration and remembrance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Published on the occasion of the eponymous solo exhibition of the Greek artist Vasilis Papageorgiou at Salzburger Kunstverein, Sunseekers or Dimming the Sun or invites contemplation on capitalist systems of pleasure, their role in the cyclical depletion of planetary resources, and the loop these create in relation the need for rest and regeneration. Pitting the tourism industry against the ecological destruction it wreaks, Papageorgiou employs sunbeds, solar panels, and copper-plated beach towels to create a middle ground where pleasure meets preservation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Zustand: new. Hardcover. Eerie recreations of buildings transform the streets of Serbia into an "uncanny valley" for foreigners and natives alikeDrawing on his experience in stage design, Aleksandar Denic (born 1963) transforms the Serbian Pavilion at the 60th Venice Biennale into a village of commonplace yet unfamiliar buildings and storefronts, designed to make his fellow Balkan natives feel like strangers in their own land. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Previously unpublished photographs of an Italian transgender community in the 1980sThis book gathers photographs from 1980 taken by Giordano Bonora--a young streetcar operator and aspiring photographer--of Bologna's small transgender community during a period characterized by subversive movements and political revolts rooted in questions of identity. Texts examine the implications of challenging gender norms. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. In an extraordinary feat of endurance and intellectual curiosity, curator and art historian Charles Moore conducted twenty-four back-to-back interviews over twenty-four hours, weaving a tapestry of voices that define contemporary art today. From the incisive activism of Nadya Tolokonnikova to the material explorations of Miler Lagos and the cross-cultural storytelling of Azu Nwagbogu, this collection brings together leading artists, curators, musicians, and cultural thought leaders from around the world.Set against the backdrop of the Betsy Writers Room residency in Miami, 24-Hour Interview delves into the intersections of art, identity, activism, and social change, revealing how creativity navigates and challenges our complex world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. This is the first English-only reader on the practice of Berlin-based artist and music producer Vika Kirchenbauer (born 1983), gathering her essays and scripts alongside video stills and installation shots from 2012-22, complemented by critical essays on her career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft Cover. Zustand: Fine. This is a fine softcover copy with no wear at all. Completely clean. Binding firm. This catalog was prepared to accompany the exhibition at the Museum of Contemporary Art in Cleveland, Ohio from January 18 to April 14, 2013. Texts by David Norr, Judith Rodenbeck, Tina Bouthillier and Tina Kukielski. Illustrated profusely in color, some black & white. 9" high X 6" wide, 320 pages. This book will be securely wrapped and shipped with tracking.

Paperback. Zustand: new. Paperback. This catalogue is published on the occasion of the second chapter of the exhibition program Enredos (Entanglements) at Centro Botin, whose goal is to engage artists who have received a Fundacion Botin grant to become entangled with the foundations collection, architecture, and public. For Enredos II, artist Nuno da Luz amplifies the frequencies of the waves and winds of Bahia de Santander, interweaving them with the oscillations of the building itself and a selection of works by other artists who have been beneficiaries of Fundacion Botins art grants through the yearsJavier Arce, Katinka Bock, June Crespo, Eva Fabregas, Asier Mendizabal, and Jorge Satorreas well as works by artists represented in the collection, such as Tacita Dean and Damian Ortega. On the occasion of this exhibition, Nuno da Luzwho in his works investigates environmental processeshas produced three new sound installations generating shared listening spaces that resonate through the walls and spaces of Centro Botin.Co-Published with Centro Botin Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Compassion and Inconvenience combines artist Vika Kirchenbauers 30-minute video work Compassion and Inconvenience (2024)with its script reproduced alongside stills and audio descriptionsand her essay Instituting Inconvenience and Colonial Relations: The Genesis of European Contemporary Art Institutions in Mid-18th Century London (2025). Both these contributions engage with the historical context of the cultural scene in mid-18th-century London, when the first public presentation of contemporary art took place. In a setting inextricably entangled with early capitalism and British colonialism, an emergent artistic elite fundamentally influenced how, for whom, and under what conditions contemporary art entered the public sphere. As part of this genesis, moral philosophical concepts and artists feelingsmost distinctly around compassion and inconvenienceplayed important parts in inserting imaginings of superiority and constellations of dominance into the core of European notions of art and taste. By deepening into the historical roots of contemporary art exhibitions, this reader examines the conditions under which what we now consider self-evident came into being. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. pp. 78. 12mo. Light shelfwear; very good+.

Zustand: As New in shrink. Octavo. Gray cloth with lettering stamped in black to front and spine. Publisher's blue stain to text block.

Paperback. Zustand: new. Paperback. "Masks have a long-standing place in the history of societies, having been used for everything from tools of control to protective gear. But they also have a subversive aspect capable of questioning the status quo. Often understood as representations of actual, desired, or imposed social personas, masks hold a special relation to identity, signaling specific attributes and capacities of a personor the lack thereof. [. ] As a symptom of an era of extreme transformation, masking has gained renewed traction and urgency. From the online avatars used for activism, entertainment, or propaganda to the different dynamics either emptying or occupying our streets, practices of caricature, camouflaging, face swapping, masquerading, mimicry, protection, ridicule, social makeup, and transformation have become a staple of our everyday ritualized lives. Could we, therefore, speculate about an ongoing transformation from Machos facial society into a mask(ed) society? Employing and underlining the subversive potential of masking, this exhibition looks into the ongoing radical reshaping of our multiple historical, sociopolitical, gendered, and transcendental identities, inquiring about current processes through which we shape-shift from one to the other. " Valentinas Klimasauskas, Joao Laia Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. I have not loved (enough or worked) presents various accounts of love and longing, loneliness and loss, ranging from melancholic-sanguine email letters to case studies on cognitive labour within the Jogja art scene. It explores how our understanding of these tangled, at times tortuous notions shape out relationships to the world as a collective, as pairs and as other social assemblies. This publication accompanies the exhibition I have not loved (enough or worked) at The Art Gallery of Western Australia, which brings together video, photography, painting and sculpture by artists Hai-Hsin Huang, Daisuke Kosugi, Rinko Kawauchi, Sejin Kim, Pixy Liao, Lin Zhipeng (aka 223), Lieko Shiga and Tao Hui. Their works reveal how deeply enmeshed our bodies, and the subjective forces of love and desire, are within the fantasies of the good life. I have not loved (enough or worked) is the second title in the series Unclaimed Ideas. Created as a series of paperback readers, Unclaimed Ideas presents essays and interviews by leading voices and undiscovered talents who change the way we understand art and its relationship to the most critical issues in the world today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. To expand is to reduce, to affirm is to negate; the problem is how not to let any of these moments crystallize into a position or a program via the fetishism that transforms relations into objects. Marina Vishmidt Autoreduction is a project initiated by Dora Budor at Progetto (Lecce, Italy) in the summer of 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy. Conceived as a companion to the exhibition, the book features commissioned texts by Noah Barker and Marina Vishmidt, with contributions by all the artists originally participating in the exhibition (Noah Barker, Dora Budor, Michele Graf and Selina Grueter, Niloufar Emamifar, and Ser Serpas), together with an addendum by Stefano Faoro.In Case of Enrichment Noah Barker assesses how the exhibition and region of Puglia instantiate what Luc Boltanski and Arnaud Esquerre have called the enrichment economy - which is characterized by the enrichment of existing things and places and modelling of the consumer on the collector. In Why Must You Reduce Everything to Money? Marina Vishmidt casts reduction as a political and artistic strategy; from a form of resistance developed by Italian Autonomists to its aesthetic application as a mode of refusal. Informed by the industrial history of the Salento region, which once featured a heavily feminized and militant tobacco workforce and now sees this legacy sanitized as a heritage for luxury tourism, Autoreduction rides the carousel of capitals value-forms eliciting critique and complicity in tandem. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. This survey accompanies a two-part group exhibition meditating on memory and social development. Curated by Israeli artists Naama Arad, I.S. Kalter and Eran Nave, the show spans many mediums and includes works by Max Ernst, Martin Kippenberger and many more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. INTERZONE is an artists book published on the occasion of Valentin Noujaims first institutional solo exhibition, PANTHEON, taking place at Kunsthalle Basel. It accompanies the premiere of the work La Defense Volume III Demons to Diamonds and brings together for the first time the artists complete La Defense trilogy (202225). Edited by Mohamed Almusibli and conceived by Noujaim and graphic designer Kim Coussee, the volume contains extensive documentation of the trilogys developmentfilm stills, analog photographs, archival materialsto offer glimpses behind the scenes of the artists collaborative process. Its nonlinear sequences create new dialogues across the trilogy and extend the exhibitions spatial logic into print. This volume is thus both an extension of the exhibition and an autonomous work, providing an immersive entry point into Noujaims cinematic world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.