Museum d a p (176 Ergebnisse)

Paperback. Zustand: Very Good. Light surface wear. A nice, crisp copy. ; B&W and color photography; 11.0 X 9.8 X 0.8 inches; 254 pages.

softcover. Zustand: Collectible; Like New. First Edition; First Printing. Numerous illustrations in color and black and white. Published on the occasion of the exhibition June 20 - September 15, 1996. ; Tight, clean and crisp. A hint of very light dust soiling to top edge, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library.…

First Edition. Gober is among the most acclaimed installation artists of our time. With essays by Paul Schimmel and Hal Foster, this book presents the artist in the act of creation, working on a two-year project for the Los Angeles Museum of Modern Art which makes use of explicit Catholic iconography. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 104 pages; Description: 104 p. : ill. (some col. ) ; 26 x 30 cm. Accompanies the exhibition "Robert Gober" organized by Paul Schimmel and held at the Museum of Contemporary Art, Los Angeles, Sept. 7-Dec. 14, 1997. Includes bibliographical references (p. 99-102). Subjects: Gober, Robert, 1954- --Exhibitions. Installations (Art) --Exhibitions 1 Kg.…

Soft cover. Zustand: Good. iClean and crisp glossy pages with clean paper cover. Binding is intact but the paper cover has splits exposing the text block affectiing the top and bottom inch of the spine.

First Edition. Gober is among the most acclaimed installation artists of our time. With essays by Paul Schimmel and Hal Foster, this book presents the artist in the act of creation, working on a two-year project for the Los Angeles Museum of Modern Art which makes use of explicit Catholic iconography. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 104 pages; Description: 104 p. : ill. (some col. ) ; 26 x 30 cm. Accompanies the exhibition "Robert Gober" organized by Paul Schimmel and held at the Museum of Contemporary Art, Los Angeles, Sept. 7-Dec. 14, 1997. Includes bibliographical references (p. 99-102). Subjects: Gober, Robert, 1954- --Exhibitions. Installations (Art) --Exhibitions 1 Kg.…

Hardcover. Zustand: Good. No Dust Jacket. 8.7 X 6.9 X 0.8 inches; 160 pages; Book Tight, Dust Jacket shows little wear of usage, Text is clean no markings seen, and Illustrated.

Second Edition. Fine cloth copy in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 599 pages; Description: 559 p. : ill. (chiefly col.) ; 26 cm. Subjects: Museum of Modern Art (New York, N. Y.) --Catalogs. Arts, Modern --20th century --Arts --New York (State) --New York --Catalogs. Summary: Updated and Revised In a lively panorama of stimulating juxtapositions, sequences, and cross references, this new edition of Modern Contemporaryprovides a cornucopia of 590 works of key contemporary art (37 more than in the original edition). Thought-provoking page spreads juxtapose Jia Zhang Ke, Matthew Barney and Kara Walker; Gabriel Orozco, Chris Ofili, and Jeanne Dunning; Philippe Starck and Rineke Dijkstra; Jenny Holzer and Robert Gober; Mona Hatoum and Teiji Furuhashi; Philip-Lorca diCorcia, Juan Snchez, Raymond Pettibon, and Rosemarie Trockel; Gary Hill, General Idea and Lari Pittman; and David Wojnarowicz and Bruce Nauman, to name a few. Addressing the extensive holdings of contemporary art in the collection of The Museum of Modern Art, New York, Modern Contemporarycovers an international spectrum of art in a variety of mediums, all made in the last two decades of the 20th century and the first few years of the 21st. Organized chronologically and encompassing a prime selection of painting, sculpture, architecture, design, photography, drawings, prints, film, and video, this rich and varied array of art from 1980 until now offers a virtual compendium of the visual culture of our own time. 3 Kg. …

Second Edition. Fine cloth copy in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 599 pages; Description: 559 p. : ill. (chiefly col.) ; 26 cm. Subjects: Museum of Modern Art (New York, N. Y.) --Catalogs. Arts, Modern --20th century --Arts --New York (State) --New York --Catalogs. Summary: Updated and Revised In a lively panorama of stimulating juxtapositions, sequences, and cross references, this new edition of Modern Contemporaryprovides a cornucopia of 590 works of key contemporary art (37 more than in the original edition). Thought-provoking page spreads juxtapose Jia Zhang Ke, Matthew Barney and Kara Walker; Gabriel Orozco, Chris Ofili, and Jeanne Dunning; Philippe Starck and Rineke Dijkstra; Jenny Holzer and Robert Gober; Mona Hatoum and Teiji Furuhashi; Philip-Lorca diCorcia, Juan Snchez, Raymond Pettibon, and Rosemarie Trockel; Gary Hill, General Idea and Lari Pittman; and David Wojnarowicz and Bruce Nauman, to name a few. Addressing the extensive holdings of contemporary art in the collection of The Museum of Modern Art, New York, Modern Contemporarycovers an international spectrum of art in a variety of mediums, all made in the last two decades of the 20th century and the first few years of the 21st. Organized chronologically and encompassing a prime selection of painting, sculpture, architecture, design, photography, drawings, prints, film, and video, this rich and varied array of art from 1980 until now offers a virtual compendium of the visual culture of our own time. 3 Kg. …

Hardcover. Zustand: New. Special order direct from the distributor.

Erste Auflage. 31,2 x 21 cm. 159 S. Illustrierter OPappband. Einband etwas lichtspurig und angestaubt, Rücken wenig aufgehellt. Sonst gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalogpublikation zur gleichnamigen Ausstellung im Andy Warhol Museum, Pittsburgh, Pennsylvania, vom 2. März bis zum 2. Mai 2002 [und weitere Stationen]. Texte in englischer Sprache. …

Hardcover. Zustand: Very Good-. Zustand des Schutzumschlags: Very Good. Pages all have a faint yellowing along 1 in. ; Pages all have yellowing one inch In. ; B and w photos; 12.3 X 11.3 X 1.0 inches; 168 pages.

Zustand: New.

Erste Auflage. 31,2 x 21 cm. 159 S. Illustrierter OPappband. Einband etwas lichtspurig, Rücken wenig aufgehellt. Sonst noch sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalogpublikation zur gleichnamigen Ausstellung im Andy Warhol Museum, Pittsburgh, Pennsylvania, vom 2. März bis zum 2. Mai 2002 [und weitere Stationen]. Texte in englischer Sprache.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. 4to. [168] pp. Silver cloth. Fine in Fine dust jacket.

Gebunden. Zustand: New.

Softcover. Zustand: gut. 2002. Possession Obsession. Andy Warhol and Collecting. In englischer Sprache. pages.

12 x 11 inches. 166 pages. Tritone images. Original cloth; translucent dust jacket printing an image. First edition, signed by Sugimoto on the title-page. With essays by Francesco Bonami (who was also the exhibition's curator), Marco De Michelis, and John Yao. Published in conjunction with the exhibition of the same name that ran February 22 through June 1, 2003 in Chicago and then traveled to Pasadena, California for additional dates. Foreword by Robert Fitzpatrick. A near-fine copy of this quite fragile dust jacket, internally fine and well-preserved with perhaps the slightest of toning to the sheet edges.…

Hardcover. Zustand: New. Printmaking was fundamental to Pablo Picasso's artistic vision. Over his long career, he made well over 2,000 printed images, focusing on the intaglio techniques of etching, engraving, drypoint and aquatint, as well as on lithography and linoleum cut. This publication, published to accompany an exhibition at The Museum of Modern Art, explores Picasso's creative process in printmaking starting in the early years of the twentieth century with his Blue and Rose periods, and extending up to the last years of his life. Divided into 12 thematic sections, the book presents highlights from the Museum's extraordinary collection of Picasso's prints. These include such celebrated masterworks as "The Minotauromachy" and "The Weeping Woman" from the 1930s, as well as evolving states that reveal how Picasso's imagery developed. One example of such metamorphosis is seen in a series of lithographs from the 1940s in which a progression is established from the realistic depiction of a bull to one that is completely abstract and captured in just a few lines. Other prints reveal changing interpretations of the women in Picasso's life, who served both as artistic subjects and as catalytic forces for his creativity. Filled with full-page illustrations accompanied by extended captions, A Picasso Portfolio features an essay by Deborah Wye, Chief Curator of Prints and Illustrated Books at MoMA, and introductions to each thematic section. The book concludes with a chronology and bibliography focusing on Picasso's printmaking. …

Hardcover. Zustand: New. Henri Cartier-Bresson (1908-2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson-including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material-featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines-will revolutionize the study of Cartier-Bresson's work.…

Hardcover. Zustand: New. No other artist epitomizes the character of the Guggenheim Museum quite like Vasily Kandinsky, who is closely linked to the history of the museum and has been collected in depth in the permanent collection since its founding. Kandinsky accompanies the first full-scale retrospective of the artist's career to be exhibited in the United States since 1985, when the Guggenheim culminated its trio of groundbreaking exhibitions of the artist's life and work in Munich, Russia and Paris. This presentation of nearly 100 paintings brings together works from the three institutions that have the greatest concentration of Kandinsky's work in the world: the Solomon R. Guggenheim Museum, New York; Centre Georges Pompidou, Paris; and Stadtische Galerie im Lenbachhaus, Munich; as well as significant loans from private and public holdings. This traveling exhibition's final iteration at the Guggenheim Museum will investigate both Kandinsky's formal and conceptual contributions to the course of abstraction in the twentieth century, concentrating on his innovations in painting. Kandinsky traces the artist's vision through thematic motifs such as the horse and rider, mountainous landscapes, tumultuous seascapes, apocalyptic imagery and other religious subjects.…

Paperback. Zustand: New.

Paperback. Zustand: New.

Hardcover. Zustand: New.

Hardcover. Zustand: New.

Paperback. Zustand: New.

Hardcover. Zustand: New.

Paperback. Zustand: New.

Hardcover. Zustand: New.

Hardcover. Zustand: New.

Hardcover. Zustand: New. More than any other artist, Walker Evans invented the images of essential America that we have long since accepted as fact, and his work has influenced not only modern photography but also literature, film and visual arts in other mediums. The original edition of American Photographs was a carefully prepared letterpress production, published by The Museum of Modern Art in 1938 to accompany an exhibition of photographs by Evans that captured scenes of America in the early 1930s. As noted on the jacket of the first edition, Evans, "photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers." This seventy-fifth anniversary edition of American Photographs, made with new reproductions, recreates the original 1938 edition as closely as possible to make the landmark publication available for a new generation. American Photographs has fallen out of print for long periods of time since it was first published, and even subsequent editions--two of which altered the design and typography of the book in small but significant ways--are often available only at libraries and rare bookstores. This version, like the fiftieth-anniversary edition produced by the Museum in 1988, captures the look and feel of the very first edition with the aid of new digital technologies.Walker Evans (1903-1975) took up photography upon his return to New York in 1927, following a year in Paris when his aspiration to become a writer withered in the shadow of Fitzgerald, Hemingway and Joyce. In 1935, Evans was commissioned by the Farm Security Administration to photograph the effects of the Great Depression in the Southeast. During this time he took many of the photographs that appeared in his collaboration with James Agee, Let Us Now Praise Famous Men (1941), a book which has become a defining document of that era. Evans joined the staff of Time magazine in 1945 and shortly thereafter became an editor at Fortune, where he stayed for the next two decades. In 1964, he became a professor at the Yale University School of Art, where he taught until his death in 1975.…