ny primary information (10 Ergebnisse)

Softcover. Zustand: Very Good+. First Edition. 187 pages.

Paperback. Zustand: Very Good. Pages clean & bright; binding tight; very minor wear to covers. 219 pages. Illustrated. Size: 5 1/2" x 8 1/2".

Softcover. 432 pages. A fine copy in wrappers. As new and still in the publisher's shrinkwrap.

1st printing of 1st edition. 313 pages, illustrated. Fine paperback book in decorative wrappers (soft cover book)/ no dust jacket.

Paperback. Mostly BW pictorial wraps, black lettering on spine. 346 pp. Profusely illustrated in BW and color. A catalogue of profuse illustrations and no text, featuring works by this Norwegian painter, sculptor, and graphic designer. 1,000 copies printed. VG. Minimal edge wear. Clean and tight contents.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. 1st Edition. Fine unread copy in black printed wraps. Signed by DeJong. Signed by Author(s).

240 pp.; 30.5 x 21.8 cm.; sewn bound; black-and-white; edition size 3500; unsigned and unnumbered; offset-printed 2021 Primary Information reprint of writings by Michael Asher originally published in 1983 as the fifteenth in a series of books on artists published by the Nova Scotia College of Art and Design in Halifax, Canada. Edited by Benjamin H. D. Buchloh. "Writings 1973?1983 on Works 1969?1979 is an essential document of a decade of formative work by Michael Asher. Originally published in 1983, the book presents 34 works through the artist's writings, photographic documentation, architectural floor plans, exhibition announcements, and other ephemera. .Initiated by Kasper König, Writings 1973-1983 on Works 1969-1979 was originally co-published by the Press of the Nova Scotia College of Art and Design and the Museum of Contemporary Art, Los Angeles, and was largely shaped by Asher's close collaboration with art historian Benjamin H.D. Buchloh, who succeeded König as editor of the press." -- publisher's statement. NEW. As issued, in publisher issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

270 pp.; 27 x 20.9 cm.; glue bound; black-and-white & color; edition size 75; signed and numbered; offset-printed "This limited edition is comprised of the Destroy All Monsters Magazine publication signed by the collective's original members: Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Also included is an 8×10 silver print by Cary Loren and a small glycine baggie of dirt from God's Oasis?the commune Mike Kelley and Jim Shaw lived in from 1974 to 1976 and which served as the collective's musical practice space. Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from bandmates Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Printed using any papers and techniques available to the band, the issues combine the cut-and-paste tactics of punk zines with a psychedelic affinity for color. Destroy All Monsters Magazine functions as a kind of manifesto, providing insight into the band through densely layered pages with movie imagery, kitsch, cartoons, delicate drawings, and counter-culture collages. While Destroy All Monsters has been the subject of recent exhibitions and partial reprints, this is the first time that all issues have been reprinted." -- publisher's statement. Fine. Complete special edition copy with signed photograph and baggie of dirt. Numbered 6/75.

Paperback. Zustand: Very Good. Illus. including front cover by Niagra, 10.75 x 8.75", pict wraps, unpaginated, covers a little rubbed, but still a nice, clean copy. Limited to 3000 copies. ISBN: 9780978869786. Detroit band, consisting of Niagra, Carey Loren, and others.

1016 pp.; 10.5 x 19.5 x 2.5 inches; slipcase; black-and-white; edition size 100; signed and numbered; offset-printed; "Avalanche" magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator, and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. "Avalanche" focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with a radical new media format--probing interviews, extensive use of photography, and dynamic layouts. For many artists, publication in "Avalanche" preceded a one-person gallery or museum show. Aside from an eight-page news section, the editorial content included only interviews by Sharp and / or Béar, artists'' texts, and documents of art and art making, also functioning as an exhibition space in print. Fresh, incisive and unpretentious, the "Avalanche" interviews -- now landmarks -- illuminate the creative process and give a clear voice to the specific issues that permeated the era. Among the featured artists were Vito Acconci, Joseph Beuys, Hanne Darboven, Walter De Maria, Jan Dibbets, Philip Glass, Barry Le Va, Sol LeWitt, Richard Long, Gordon Matta-Clark, Bruce Nauman, Dennis Oppenheim, Yvonne Rainer, Keith Sonnier, Richard Serra, Robert Smithson, William Wegman, Lawrence Weiner and Jackie Winsor. This boxed facsimile edition of Avalanche''s complete run reproduces the first eight issues individually, and the final five in a single-bound paperback. This limited edition copy is accompanied by a certificate signed by both Liza Béar and Willoughby Sharp shortly before Sharp''s death in December 2008. The publication is 1,016 pages and illustrated throughout; is housed in a heavy-duty, laminated, archival box measuring 10.5 x 19.5 x 2.5 inches. The first eight issues measure 9.25 x 9.25 inches and are exact facsimiles of the originals the subsequent five tabloid-sized issues, now bound as a single volume measuring 9.25 x 13.5 inches, have been reduced slightly in scale from the original format. This edition weighs approximately 12 lbs (packed weight). The edition will be shipped in a made-to-fit outer box of heavy-duty cardboard to ensure safety and protection. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. New. As issued by publisher in unopened shipping box. Due to the size of this item, additional shipping charges will be required.