Oxford ashmolean museum (806 Ergebnisse)
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
- Softcover
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
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Trade paperback. Zustand: Fine+. Softcover. Appears to be new book in as new condition. Many color plates. ; Ashmolean/Christie's Handbooks; Map, photographs; 0.4 x 8.2 x 5.8 Inches; 80 pages.
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Paperback. Zustand: Very Good. The year 2000 marks the centenary of the start of excavations at the site of Knossos on Crete, the centre of a Bronze Age civilisation which its excavator, Arthur Evans, called 'Minoan' after King Minos of Greek legend. The palace which he uncovered there was originally decorated with frescoed wall… paintings, some of them showing figured scenes, which mostly survived only in a fragmentary and incomplete state. One of the most striking fresco images, and one which particularly engaged Evans's imagination, is the controversial figure of the Priest-King, whom Evans regarded as a portrayal of one of the priestly rulers of Knossos. This booklet gives an account of the history of its discovery, its re-creation and the important part it played in Evans's vision of Knossos. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Zustand: new. Paperback. Sumer was a region of the ancient world that today forms the southern part of Iraq. It is a vast, flat land of floodplains formed by the Rivers Tigris and Euphrates. It was here that some of the world's first cities arose and writing was invented. Archaeologists have explored the remains of so…me of Sumer's ancient settlements. They have made remarkable discoveries at places such as Uruk, Ur, Eridu, Nippur, Kish and Lagash. These show that the people of Sumer were great artists, builders, inventors, warriors and traders. By 3500 BC the population of some Sumerian towns had grown into cities. The largest was certainly Uruk, which had a population of at least 10,000. At this time this would have been the largest settlement on the planet. Writing was invented by the Sumerians around 3200 BC. This script is known as cunieform script and through it readers can learn about the Sumerians in their own words.Readers will discover what is meant by a ziggurat, how cunieform writing works, the importance of cylinder seals and stories of Sumerian kings, heroes and gods. This fascinating book is perfect for Key Stage 2 readers aged 9 and up to gain a picture of one of the earliest civilisations in the world. The story of one of the first and most important civilisations in history, and the first to invent writing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: Very Good. The Ashmolean's collection of European stringed instruments is not large but it is very famous. Several of the instruments in the Ashmolean are among the rarest and most beautiful of their kind and most are, in some way, exceptional. The collection was founded on a group of instruments which was gi…ven to the museum by the firm of W.E. Hill & Sons in 1939 and has since been increased by two bequests and by an important group of bows and instruments given by Albert Cooper in 1999. The firm of W.E. Hill & Sons was founded in 1880 and by the early 20th century the firm had achieved an unrivalled reputation in making, restoring, and selling stringed instruments.In the course of handling and repairing instruments, the Hills became increasingly aware of the damage that was being inflicted on early viols and violins by constant playing and repeated restoration. This concern gave rise to the idea of donating a select group of rare instruments to a museum where they would be preserved from further harm, and the first instruments were handed over in 1939. The present handbook discusses and illustrates every stringed instrument in the collection and is chiefly intended for the many visitors to the Hill Collection and for the wider public who might wish for more information about the instruments and some background history. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Zustand: Very Good. Frames fulfil a variety of functions, from the protective to the decorative; they can indicate ownership or they can assert the importance of the paintings they enclose. In their shape and ornamentation, frames are linked to architectural forms or to furniture and interior design, while many styles… of decoration can be related to the work of goldsmiths and of sculptors. Few pictures survive in their original frames because of changing ownership: they were re-framed so as to harmonise with different settings, whether in princely galleries or private houses. The way that a picture is framed strongly affects its visual appearance and impact. When a painting retains its original frame, we can appreciate the visual relationship between the two that the artist would have intended. Framings by subsequent owners with different frame styles can tell us much about the taste and priorities of a particular period or place. This book looks at frame history and design in the context of the Ashmolean Museum's collection of frames, and aims to provide a sense of the importance of the picture frame in the history of art as a whole. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
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Paperback. Zustand: Near Fine. 80 pages, illustrations; 21 cm. Near fine. Tight, clean copy. Age toning. *** "Oxford was the home base for England's Pre-Raphaelite Brotherhood, a group that included, for a time, a few women. This book delves into how and why Rossetti, Millais, Hunt and others broke the conventional rules of pict…ure making in their day." - Publisher. *** CONTENTS: Thomas Combe; The Union murals; Morris and Burne-Jones; Pre-Raphaelites and aesthetes. Size: 8vo.
Sprache: Englisch
Verlag: Ashmolean Museum in association with Scolar Press, Oxford, 1993
- Softcover
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Paperback. 104pp., 30 b/w illustrations. Minor cover soil, else very good condition.
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Paperback. Zustand: Very Good. The collection of drawings in the Ashmolean is one of the greatest treasures of the University of Oxford. It began spectacularly in 1843 when a group of drawings by Raphael and Michelangelo that had previously belonged to the portrait painter, Sir Thomas Lawrence, was bought by subscription. Lawren…ce's collection was one of the greatest collections of Old Master drawings ever assembled and its dispersal was much regretted. The Raphaels and Michelangelos, however, were the jewels in its crown. Following their arrival in Oxford, their fame attracted a number of gifts and bequests of drawings and watercolours by Durer, Claude Lorraine, Brueghel, J. M. W Turner, Henry Moore and many others. This is a story not only of Old Masters but of benefactors - Francis Douce, Chambers Hall, John Ruskin and their successors - whose different tastes account for the variety of the drawings in the modern Print Room. It is a story also of the curators who bought them. In particular, it is the story of Sir Karl Parker who arrived at the museum in 1934 and left a collection when he retired in 1962 that comprehensively covered the history of the art of drawing in Europe from its origins to the present day. The exhibition, Master Drawings: Michelangelo to Moore, celebrates this history. It includes many of the finest drawings in Oxford, representing the work of many different artists: Raphael and Michelangelo; Durer and the artists of the Northern Renaissance; Guercino and Rubens; Boucher and Tiepolo; German Romantics; J. M. W. Turner; Degas and Pissarro; the artists of the Ballets Russes; British twentieth-century artists from Gwen John to Hockney; and much else. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
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Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
- Hardcover
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 4to. 119, [1] pages, indexed. Hardcover with a black pictorial dust jacket. Light wear to the jacket. Illustrated throughout with color plates. A sound copy and clean within.
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Paperback. Zustand: Fine. 1st. 80 pages, colour illustrations; 22 cm. Tight, clean copy. *** "Part of the 'Ashmolean Museum Handbooks' series, this book illustrates and discusses in detail over 50 of the most attractive, rare and important pieces in the collection, from eight known factories, including Vincennes/Sevres, St Cloud…, Chantilly, Mennecy and Villeroy." - Publisher. Size: 12mo.
- Softcover
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Paperback. Zustand: Very Good. The Alfred Jewel is probably the single most famous archaeological object in England and one of the greatest treasures of the University of Oxford. This handbook describes the Jewel and discusses the many questions it raises, not least whether it was made for King Alfred the Great (871-99). The jew…el has received much attention from scholars since its discovery in 1693. The Ashmolean Museum also houses many of the objects that belong to the same late Anglo-Saxon period, and they help to set the Jewel in context. Some material in other collections is included for comparison; in particular, pictures are brought together for the first time of recent discoveries that have particular relevance to the Jewel. The handbook's text has been written by David A. Hinton, formerly an Assistant Keeper in the Department of Antiquities in the Ashmolean, now a Professor of Archaeology at the University of Southampton. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
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Zustand: Fine. 2nd impression. Paperback, F. 80pp, 35 colour illustrations, a fine copy. A brief guide to the Marshall collection of 1st period Worcester porcelain held at the Ashmolean Museum in Oxford. 250 grams.
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Paperback. Zustand: new. Paperback. The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably wi…th acquisitions of large groups of prints, often as gifts from the artists, resulted in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists family, which resulted in a memorable exhibition organised by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the SWE, and has been keeping the collection up to date by acquiring work by members, both at the Societys annual exhibition and privately. The well respected wood Engraver, Anne Desmet, selects 45 of her favourite wood engravings from the Ashmolean collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. This creative collaboration between artist Naoko Matsubara and poet Penny Boxall celebrates in words and colours the beauty and variety of the human hand. The series of dynamic woodcuts at the heart of this book was initially inspired by the artists wonder at the busy hand movements of her bab…y son and grew into a wider celebration of hands in all their extraordinary variety hands engaged in music, sport, prayer, or creative acts. The woodcuts convey a sense of joy and energy, whether exploring the symbolism of gestures, playing with form and colour, or expressing a mood or emotion. Penny Boxalls new poems were specially written to accompany the woodcuts. In their clarity and playfulness, their range of mood and their deceptive simplicity, they form a remarkable creative synergy with the art works. During the coronavirus pandemic the subject of hands and the idea of touch or its absence has taken on a new significance. Many of the images in the series have taken on powerful new meanings: healing hands, hands finding ways to occupy hours of furlough, or hands clapping in support of those working to keep us safe. We are particularly delighted that this elegant book has been designed by Yoshiki Waterhouse, Naoko Matsubaras son, whose baby hands were the original inspiration for the series. The distinguished woodcut artist Naoko Matsubara collaborates with award-winning poet Penny Boxall to celebrate the beauty and versatility of the human hand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Verlag: Ashmolean Museum, Oxford, 1989
- Softcover
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In den WarenkorbSoft cover. Zustand: Very Good. Softcover, 8 by 5 3/4 inches, 80 pages, illustrated, bibliography, glossary. Covers have only slight wear and the pages are clean.
- Softcover
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Paperback. Zustand: new. Paperback. It's after hours at the Ashmolean Museum, but inside the galleries, the magic has only just begun. Because each night, as darkness falls, the art and archaeology within wakes up, and pictures and objects become gateways to amazing destinations the moments in time when each was found, or made!…There are two curious creatures who live in the Museum, and they love to time-travel through its galleries.Suitable for children in Key Stage 2, aged 7-11 years. Welcome to Ashmole and Beetles Ashmolean Adventure Activity Book. Every artwork is a portal to fascinating people and places. Lets visit some and see where they take us Suitable for children ages 7-11 years in Key stage 2. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
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hardcover. Zustand: Fine copy in fine dust jacket. 1st. Small 4to, 160 pp., With essays by Georges Flandrin, Genevieve Lacambre and Jon Whitely. Edited by Juliet Simpson with editorial assistance from Tim Farrant. Profusely illustrated (illustrator).
- Softcover
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Zustand: Fine. 2nd edition, enlarged. Paperback, F. 88pp, 38 colour illustrations, a fine copy. A brief guide to the Italian Renaissance Ceramics, commonly called Maiolica which are held at the Ashmolean in Oxford. 250 grams.
- Softcover
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Softcover. Zustand: Very Good+. Stapled booklet.; Oblong 12mo 7" - 7½" tall; 24 pages.
Jeff Koons at the Ashmolean
Koons, Jeff; Sturgis, Alexander (Xa) (Interview by), and Rosenthal, Norman (Essay by)
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Paperback. Zustand: Fine. 1st. 72 pages, colour illustrations; 27 cm. Catalogue of an exhibition held at the Ashmolean Museum, Oxford, 7 February to 8 June 2019. Firm binding, clean inside copy. *** "This is an intimate look at the career of contemporary art's most famous and, reportedly, expensive, artists. Jeff Koons himself c…urated the art which remains almost as controversial as it was when the works first hit the art scene by storm in the 1980's. Like the rest of the art world, Koons shocked and inspired the Brits and this publication documents his new exhibition at the Ashmolean Museum, one of the world's most distinguished and oldest institutions which has also led the way in interpreting and presenting the important New in art. There are 43 color works along with two in black-and-white - among them his most famous - Equilibrium, Statuary, Banality, Antiquity and the recent Gazing Ball sculptures and paintings. Koons, together with guest curator, Norman Rosenthal, present a tableaux to provoke a unique conversation about the creations and the history of art and ideas with which the work engages. The publication also includes Alexander Sturgis's interview with Koons. From his earliest works Koons has explored the 'ready-made' and appropriated image - using unadulterated found objects and creating painstaking replicas of ancient sculptures and Old Master paintings which almost defy belief in their craftsmanship and precision. Throughout his career Koons has pushed at the boundaries of contemporary art practice, stretching the limits of what is possible." - Publisher. *** CONTENTS: Director's Foreword; interview with Jeff Koons (by Xa Sturgis); Jeff Koons and the Sheen and Shine of Time (Sir Norman Rosenthal); catalogue entries; Jeff Koon biography. Size: 4to. Collectible.
Sprache: Englisch
Verlag: Ashmolean Museum in association with Scolar Press, Oxford, 1993
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Paperback. Zustand: Very Good. 1st. 104 pages, illustrations; 26 cm. Catalogue of an exhibition held at the Ashmolean Museum, 26 October 1993 to 16 January 1994 and at the National Museum of Wales, Cardiff, 19 March to 15 May, 1994. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** An in-depth survey of…the French engraver, Roger Vieillard [1907-1989]. The volume includes a comprehensive essay by P.M.S. Hacker on Viellard's engravings, and a detailed survey of his 'livres d'artiste' by Eunice Martin. A personal tribute by Marc Fumaroli, and full biographical data are given." - Publisher. Size: 8vo.
- Softcover
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Trade Paperback. Zustand: Fine. 1st Edition. Large paperback in excellent condition, no remarkable flaws to this fine gift copy, they began collecting modern Chinese painting in Sichuan in western China in the 1940s.; ; 224 pages.
Sprache: Englisch
Verlag: Department of Antiquities, Ashmolean Museum, Oxford, Oxford, England, 1982
- Softcover
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Softcover. Zustand: Very Good. Softcover, B&W photos, maps, diagrams (including foldout), bibliography; Research Report (Council For British Archaeology; 4to; viii + 168 pages.
