S m a k (9 Ergebnisse)

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover without dustjacket as issued, 216 pages; in English and Spanish; very good condition; light rubbing and edgewear to covers; no internal marks. Foreign shipping may be extra.

Large octavo. Full dark purple cloth, manuscript titling in gold ink to spine. 1f. (recto title, verso printer's device), 1f. (recto cast list and setting, verso contents), 377, [i] (blank) pp. Publisher's blindstamp dated February 1927. Occasional annotations in red crayon. Binding slightly worn, rubbed, bumped, and shaken. Former owner's signature ("Rosabelle De Long") to upper margin of front pastedown. Occasional creasing to corners; small square publisher's labels to lower margin of title; small pencil annotation to contents; minor creasing to first page of music. Carmen is recognized as one of the greatest of all 19th century operas. Composed in 1873-1874, it was first performed in Paris at the Opéra-Comique on 3 March 1875 to a libretto by H. Meilhac and L. Halévy after Mérimée under the baton of Adolphe Deloffre (1817-1876). …

Zustand: guter Zustand. Verklebung Rücken/Buchblock vorne am unteren Kapital etw. angelöst. Insgseamt aber hervorragend erhaltenes, sauberes Exemplar. 1. Auflage (StB Ulm 57 714). - Fotos von Otl Aicher, Lala Aufsberg, Tomás Gonda, Siegfried Lauterwasser, A.F. Querengässer u.a. Querengässers Gestaltung erfolgte in der klaren Linie der hfg ulm in serifenloser Schrift. Die Abbildungen meist in klassischem Schwarz/Weiß, wo farbig, entweder ein historisches Bild farbgetreu reproduzierend oder monochrom bleibend.…

Zustand: BUONO USATO. Da revisionare INTERLINGUE Copertina rigida in mezzatela, con dorso strappato alle estremità e con abrasione; evidenti segni del tempo, quali macchie e pagine ingiallite con bordi sciupati; illustrazioni a colori, applicate direttamente sulla carta." Numero Pagine 10.

Zustand: sehr guter Zustand. SU etw. angerändert. Sehr gutes Exemplar. Ein Hinweis an unsere ZVAB/AbeBooks-Kunden: Aufgrund des Gewichtes dieses Bandes von über 1000 g muß der Versand als Päckchen erfolgen; die Versandkosten erhöhen sich dadurch auf EUR 5,50 (D), EUR 10,00 (EU) bzw. EUR 20,00 (Welt)/Shipping costs given automatically by AbeBooks are not valid for this item (weighs over 1000 g). Shipping costs in fact are: EUR 5,50 (D), EUR 10,00 (EU) bzw. EUR 20,00 (worldwide).…

Paperback. Zustand: New. Californian artist Ed Templeton (born 1972) delivers up his diagnosis of the contemporary human condition in a whirlwind of present-tense imagery, filtered through photographs, paintings and drawings. Over the past decade and a half, Templeton has built an oeuvre that closely tracks his day-to-day reality, recording life in the Southern Californian suburbs, his flawed family background, his life as a professional skateboarder, his milieu, the relationship between the artist and his muse (his wife Deanna) and much else. Templeton has also drawn deeply on artists such as Egon Schiele, Balthus, David Hockney, Larry Clark and Nan Goldin; as with their work, what begins as a very personal chronicle ultimately opens out onto grander horizons--in Templeton's case, a broad meditation on the chaos and the joy of being human. The Cemetery of Reason is the first large monographic museum publication devoted to Templeton's work. Presented as a mid-career retrospective accompanying a spring 2010 exhibition at the S.M.A.K. (Stedelijk Museum voor Actuele Kunst) in Ghent, Belgium, it combines and juxtaposes works in various media from the past 15 years with new works and series, all reproduced in 260 color images, thus providing the most comprehensive overview of Templeton's work available.Born in 1972 and raised in the Orange County suburb of Los Angeles, Ed Templeton is a professional skateboarder, co-editor of the arts magazine ANP Quarterly, photographer and artist. His work was featured in the hugely successful traveling show Beautiful Losers.…

Paperback. Zustand: New.

Zustand: gut. 1986. Epistemata: Heideggers Kritik der Metaphysik und das Problem der Ontologie pages.