silvana it (822 Ergebnisse)

Paperback. Zustand: New. Andrea Pichl focuses on norms and standards in everyday architecture, working with the societal ideas reflected in these guidelines. In her exhibition Wertewirtschaft / Values of Economy, she examines the exchange of money and goods between East and West Germany during the German division and afterwards.Pichl removes items and spaces from their original context and scrutinises them: Which image of humanity and notion of social coexistence imbue them? How do invisible structures such as state power, flows of capital and historical upheaval manifest themselves? Where does the public sphere end and the private one begin? When does a utopian vision turn into dystopian reality?This is the ninth edition of a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial essay by Sven Beckstette, an interview with the artist, and a contribution by Peter Richter that situates Andrea Pichl's work within a larger context.Text in English and German.

Paperback. Zustand: New. Andrea Pichl focuses on norms and standards in everyday architecture, working with the societal ideas reflected in these guidelines. In her exhibition Wertewirtschaft / Values of Economy, she examines the exchange of money and goods between East and West Germany during the German division and afterwards.Pichl removes items and spaces from their original context and scrutinises them: Which image of humanity and notion of social coexistence imbue them? How do invisible structures such as state power, flows of capital and historical upheaval manifest themselves? Where does the public sphere end and the private one begin? When does a utopian vision turn into dystopian reality?This is the ninth edition of a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial essay by Sven Beckstette, an interview with the artist, and a contribution by Peter Richter that situates Andrea Pichl's work within a larger context.Text in English and German.

Paperback. Zustand: New. Marianna Simnett's WINNER is a multichannel film installation, conceived as a three-act dance for film told through the lens of football. It is commissioned on the occasion of the 2024 European Football Championship, hosted by Germany. WINNER echoes the dramaturgy of the game and dissects its socially constructed power hierarchies, crowd psychology, and constant pressure to perform. Through the element of dance, the work restages and radically transforms football's most impassioned moments: elation and triumph, brutality and ferocity, suffering and defeat. Simnett's vivid hallucinatory world extends beyond the screen into the exhibition space, subverting the architecture of football and transporting it into the museum.This is the sixth in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial essay by Charlotte Knaup, an extensive interview with the artist by Sam Bardaouil, and Graham Greene's short story "The Destructors", elements of which Marianna Simnett used for WINNER.Text in English and German.

Paperback. Zustand: New. Alexandra Pirici's new, expansive work Attune explores the ways in which we - and our more-than-human counterparts - resemble, influence, and attune to one another to bring forth complex structures.Transforming the vast historic hall of Hamburger Bahnhof into a vibrant imaginary landscape, Pirici interweaves active sculptural elements with live performance and musical pieces of her own choreography and composition. In this immersive, at once archaic and futuristic environment, in which chemical reactions, mineral formations, and physical phenomena perform alongside living bodies, the wonder of self-structuring matter comes to the fore.This is the fifth in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial essay by Catherine Nichols, an interview with the artist by Raluca Voinea, and a contribution by Cecilia Alemani that situates Alexandra Pirici's work within a larger context.Text in English and German.

Paperback. Zustand: New. Eva Fàbregas. Devouring Lovers introduces the work of Barcelona-based artist Eva Fàbregas on the occasion of her largest solo exhibition to date. Eva Fàbregas takes over the historical hall of Hamburger Bahnhof with a monumental, site-specific installation that expands the boundaries of sculpture, inviting visitors to a sensual, spatial experience. Biomorphous sculptures transform the museum's architecture, which is characterised by industrial iron girders, into an organically grown space, blurring the borders between technically generated, and the human and non-human worlds.This is the second in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial text by Anna-Catharina Gebbers, a comprehensive interview with the artist, and essay contributions by Paul B. Preciado and Daisy Lafarge situating Eva Fàbregas's work within a larger context.Text in English and German.

Paperback. Zustand: New. In Collapsed Time, Christina Quarles (Chicago, 1985) shows an installation that occupies the entire exhibition space and exhibits her paintings alongside works from the Nationalgalerie collection.Quarles confronts several decades of diverse forms of artistic practices, from photography and sculpture to video and performance, that have dealt with notions of physical and psychological confinement, and their impact on the representation of the human body. The formal language of Quarles' paintings explores the experience of living in a racialised, queer body. Her figures contend with the boundaries of identity, as they intervene with complex patterns and planes.The catalogue features a curatorial essay by Sam Bardaouil and Till Fellrath, an extended interview with Christina Quarles and a contribution by Jillian Hernandez, Associate Professor at the Center for Gender, Sexualities, and Women's Studies Research, University of Florida, USA.Text in English and German.

Paperback. Zustand: New. Hermann Nitsch, one of the most paradigmatic artists of the legendary Wiener Aktionismus, author of performances and installations, paintings and drawings, through his artistic expressions creates a genuine 'total theatre' that unites myth and aesthetics, religious metaphors and everyday life, classicism and archaism, and even a barbaric element, all this in a monumental form that has no equals. In his project for the total work of art, the Orgien Mysterien Theater, Nitsch reveals the ethical and aesthetic reserves of meaning inherent in Wiener Aktionismus, a special form of performance art derived from the re-interpretation of myths and collective ritual praxis and forged by the artist-philosopher, which is manifested in the activity of the masses, who take part in the performance."My actions drill into vivid being, wanting there to be being where there is nothing. I seek the vivid existence that lies deep in tragedy, where destruction and creation pervade each other. I seek intensity, I seek life." - Hermann Nitsch.

Paperback. Zustand: New. Naama Tsabar's art overcomes the boundaries of sculpture, music, performance and architecture: Hamburger Bahnhof presents the installation and performance artist with her first institutional solo exhibition in Germany.The exhibition Estuaries focuses on four bodies of work with wall and floor pieces that also function as musical instruments and can be activated by the audience. The performance, created especially in the exhibition, is developed in close collaboration with a group of female identifying or gender non-confirming musicians and dancers from Berlin, New York and Los Angeles and will be premiered on the opening weekend. The exhibition presents on about 420 sqm four series of over twenty works that correspond with each other both visually and sonically throughout the exhibition space. Naama Tsabar reveals hidden spaces and systems in her interactive works, re-defining gendered narratives and shifting the viewing experience to a moment of active participation.This is the fourth in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial text by Ingrid Buschmann, an interview with the artist, and a contribution by Fiona McGovern that situates Naama Tsabar's work within a larger context.Text in English and German.

Paperback. Zustand: New. Mark Bradford's expansive artistic practice is firmly rooted in the dynamics of movement within the prism of racial identity. It embodies an unyielding quest for liberation, where the ceaseless rhythms of bodies become both a testament to oppression and an assertion of resilience.Through textured canvases, satirical videos, and sculptural installations imbued with layers of history and social critique, Bradford disrupts established narratives, urging contemplation on the intricate interplay of identity and societal frameworks. Emerging from the vibrant tapestry of Los Angeles, his art transcends aesthetics to probe deeply into the socio-political terrain, fostering a profound dialogue on the complexities inherent in contemporary society.This is the eighth in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial essay by Sam Bardaouil, an interview with Mark Bradford, and a compilation of selected text excerpts from previous exhibition catalogues on the artist.Text in English and German.

Paperback. Zustand: New. 1°. Petrit Halilaj presents his first major institutional solo exhibition in Berlin at Hamburger Bahnhof - Nationalgalerie der Gegenwart. In addition to sculptures, installations and a video, new site-specific works are showcased.At the heart of the exhibition is the artist's first opera, which explores the potential of collective dreaming to bring forth emancipatory worlds. The Berlin-based artist Petrit Halilaj creates complex works that provide space for freedom, lon­ging, intimacy and identity. His art is deeply connected to the history of his home country, Kosovo, and the cultural and political tensions in the region.This is the fourteenth in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. In addition to exhibition views and images of artworks, it comprises a curato­rial introduction by Catherine Nichols, an extensive interview by Amy Zion with Petrit Halilaj as well as an essay by Lura Limani.Text in English and German.

Paperback. Zustand: New. Nadia Kaabi-Linke. Seeing Without Light features a selection of artworks by the Berlin-based artist spanning more than two decades. Through paintings, works on paper, sculptures, photographs, and mixed-media installations Kaabi-Linke confronts historical erasure, and explores the hidden traces of violence that don't noticeably shape our understanding of the past and the present. For her solo exhibition at Hamburger Bahnhof, the artist created a new video and sound installation that was shot in Ukraine in the spring of 2023. Titled Bud'mo (a popular Ukrainian toast that loosely translates to "let us be"), the work is a poetic yet sobering acknowledgment of tragedies perpetrated by man and of cycles of life and death. Central to the exhibition is Blindstrom for Kazimir (2023), a conceptual installation that refers to a number of paintings, now preserved at the National Art Museum of Ukraine in Kyiv, which were censored and confiscated by Soviet intelligence during the 1930s. Through this work, the artist examines the role of censorship and violence in Central Europe's art and political history.This is the third in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial text by Sam Bardaouil, an interview with the artist by co-curator Daria Prydybailo, and a contribution by Paul Ardenne that situates Nadia Kaabi-Linke's work within a larger context.Text in English and German.

Paperback. Zustand: New. Toyin Ojih Odutola transforms Hamburger Bahnhof's east cabinet into "Adijatu Straße," a station on the fictional U22 underground line, in order to thematise the interplay of movement and history. Her narrative portraits trace the lives of various characters and incorporate every day or monumental settings, often interwoven with architectural details. Shaped by the artist's upbringing as a West African woman in the Southern United States, Ojih Odutola's work examines social and political dynamics through the vehicle of skin, the fluidity of expression, and the meaning of darkness and light. The artist's first solo exhibition in Germany shows 25 works drawn on paper, board and linen.This is the 12th in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. In addition to exhibition views and images of artworks, it comprises a curato­rial introduction by Emily Finkelstein, an extensive interview by Sam Bardaouil with Toyin Ojih Odutola as well as an essay by Leigh Raiford.Text in English and German.

Paperback. Zustand: New. Mark Bradford's expansive artistic practice is firmly rooted in the dynamics of movement within the prism of racial identity. It embodies an unyielding quest for liberation, where the ceaseless rhythms of bodies become both a testament to oppression and an assertion of resilience.Through textured canvases, satirical videos, and sculptural installations imbued with layers of history and social critique, Bradford disrupts established narratives, urging contemplation on the intricate interplay of identity and societal frameworks. Emerging from the vibrant tapestry of Los Angeles, his art transcends aesthetics to probe deeply into the socio-political terrain, fostering a profound dialogue on the complexities inherent in contemporary society.This is the eighth in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial essay by Sam Bardaouil, an interview with Mark Bradford, and a compilation of selected text excerpts from previous exhibition catalogues on the artist.Text in English and German.

Paperback. Zustand: New. Founded in Stockholm in 2010 by Johan Arrhov (1979) and Henrik Frick (1977), Arrhov Frick has received a number of international accolades and was recently selected to redesign the new Stockholm Museum of Architecture.Since 2021 Johan Arrhov has been a visiting professor at the Academy of Architecture in Mendrisio, Switzerland. In his design studios Arrhov addresses central issues in the contemporary architectural debate, such as the need to build in a simple, environmentally friendly way, and the search for a dialogue between comfort and beauty in architecture.The result of this continuous research and the activities conducted with students at the Academy (including the design of an exhibition at the Teatro dell'architettura at Mendrisio in 2024), this volume presents the most significant aspects of Arrhov and Frick's work, such as their concern for the environment, the interpretation of architecture as an ever-chan­ging and never-ending process, and the aspiration to simplicity in construction as a mirror of simplicity in life.Text in English and Italian.

Hardback. Zustand: New. Charles Zublena (1910-1979), of Italian origin, began his training as a cabinetmaker at a very young age, which he supplemented with courses in drawing and furniture history. He emigrated to France in 1930 and opened his first studio in Paris, where he designed, conceived, and created his own creations, which he exhibited around 1950 at the Musée Galliera. In the 1960s, he was invited by leading designers (Maxime Old and Joseph André Motte) to join the Société des Artistes Décorateurs (SAD) and its steering committee.He presented his creations at numerous international exhibitions in Paris, Brussels, and Turin. Starting with a wooden chaise longue, noted for its design by ministers André Malraux and Eugène Claudius-Petit, he created the famous Eurolax 1 plastic chair, which would become a staple on many beaches in France and abroad. In the late sixties, he was invited by the Boule School and the School of Applied Arts to give classes to future cabinetmakers and designers. Alongside his creative work, he won the title of "Meilleur ouvrier de France" in 1976 and 1979 and was made a Knight of the National Order of Merit.Text in English and French.

Paperback. Zustand: New. One of the most prestigious contemporary art awards, the Marcel Duchamp Prize was created in 2000 by the ADIAF, Association for the international diffusion of French art which groups together 400 contemporary art collectors rallied around the French scene. Its ambition is to bring together the most innovative artists and help them raise their international profile. Each year, the Marcel Duchamp Prize is awarded to one of four artists, either French or living in France, all of them working in the field of the plastic and visual arts. Since the outset, this collectors' prize benefits from a close partnership with the Centre Pompidou who invites the four nominated artists for a 3-month group show in its Galerie 4. The winner is chosen by an international jury of collectors and directors of leading institutions.Text in English and French.

Paperback. Zustand: New. Hermann Nitsch, one of the most paradigmatic artists of the legendary Wiener Aktionismus, author of performances and installations, paintings and drawings, through his artistic expressions creates a genuine 'total theatre' that unites myth and aesthetics, religious metaphors and everyday life, classicism and archaism, and even a barbaric element, all this in a monumental form that has no equals. In his project for the total work of art, the Orgien Mysterien Theater, Nitsch reveals the ethical and aesthetic reserves of meaning inherent in Wiener Aktionismus, a special form of performance art derived from the re-interpretation of myths and collective ritual praxis and forged by the artist-philosopher, which is manifested in the activity of the masses, who take part in the performance."My actions drill into vivid being, wanting there to be being where there is nothing. I seek the vivid existence that lies deep in tragedy, where destruction and creation pervade each other. I seek intensity, I seek life." - Hermann Nitsch.

Paperback. Zustand: New. In her latest work, Aisha in Wonderland, artist Maïmouna Guerresi invites viewers - through the languages of photography, video and installation - to enter an inner, hidden universe. An excuse to portray moods, feelings and existential thoughts on an incessant quest to find oneself and a new identity. Maïmouna Guerresi is an Italian-Senegalese multi-media artist working with photography, sculpture, video and installation. Her work presents an intimate perspective on the spiritual ideas of human beings in relation to their inner mystical dimensions. Maïmouna's images become an appreciation of a shared humanity beyond psychological, cultural and political boundaries. The hybrid embrace of her work towards the spirituality and ancestry of African, Asian and European cultures mirrors her own embrace of globalisation in art and life. Recurring metaphors - milk, light, the hijab, trees and contrasting black and white - create an awareness of the vital unifying qualities of Islamic spirituality. The figures and scenes presented by the artist take on a new light - that of a universal truth about community and the soul - wherein the person becomes a sacred dwelling, or a meeting place for humanity to rediscover our shared mystical body. Text in English and Spanish, with texts in Italian and Catalan in the appendix.

Paperback. Zustand: New. Eva Fàbregas. Devouring Lovers introduces the work of Barcelona-based artist Eva Fàbregas on the occasion of her largest solo exhibition to date. Eva Fàbregas takes over the historical hall of Hamburger Bahnhof with a monumental, site-specific installation that expands the boundaries of sculpture, inviting visitors to a sensual, spatial experience. Biomorphous sculptures transform the museum's architecture, which is characterised by industrial iron girders, into an organically grown space, blurring the borders between technically generated, and the human and non-human worlds.This is the second in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial text by Anna-Catharina Gebbers, a comprehensive interview with the artist, and essay contributions by Paul B. Preciado and Daisy Lafarge situating Eva Fàbregas's work within a larger context.Text in English and German.

Paperback. Zustand: New. 1°. Petrit Halilaj presents his first major institutional solo exhibition in Berlin at Hamburger Bahnhof - Nationalgalerie der Gegenwart. In addition to sculptures, installations and a video, new site-specific works are showcased.At the heart of the exhibition is the artist's first opera, which explores the potential of collective dreaming to bring forth emancipatory worlds. The Berlin-based artist Petrit Halilaj creates complex works that provide space for freedom, lon­ging, intimacy and identity. His art is deeply connected to the history of his home country, Kosovo, and the cultural and political tensions in the region.This is the fourteenth in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. In addition to exhibition views and images of artworks, it comprises a curato­rial introduction by Catherine Nichols, an extensive interview by Amy Zion with Petrit Halilaj as well as an essay by Lura Limani.Text in English and German.

Paperback. Zustand: New. In Collapsed Time, Christina Quarles (Chicago, 1985) shows an installation that occupies the entire exhibition space and exhibits her paintings alongside works from the Nationalgalerie collection.Quarles confronts several decades of diverse forms of artistic practices, from photography and sculpture to video and performance, that have dealt with notions of physical and psychological confinement, and their impact on the representation of the human body. The formal language of Quarles' paintings explores the experience of living in a racialised, queer body. Her figures contend with the boundaries of identity, as they intervene with complex patterns and planes.The catalogue features a curatorial essay by Sam Bardaouil and Till Fellrath, an extended interview with Christina Quarles and a contribution by Jillian Hernandez, Associate Professor at the Center for Gender, Sexualities, and Women's Studies Research, University of Florida, USA.Text in English and German.

Paperback. Zustand: New. Matt Mullican has created a personal symbolic system for defining the reality that surrounds him. Composed of signs, diagrams, pictograms and symbols. That Person's Heaven, the largest work of art created by the artist, is a carpet-map that can be walked over and affect the way it is perceived.Walking on the work means entering his personal cosmos, experiencing a grid-like territory capable of interpreting every con­scious and unconscious aspect of human experience. Text in English and Italian.

Paperback. Zustand: New. 1st. The stories told in the great masterpieces of European opera are, frequently, based on facts relevant for criminal law. Murders, abductions, extortions, kidnappings, massacres, and other types of crimes have filled the stories of opera since its origin. In much of musical theatre, including the masterpieces by Verdi, Donizetti, Bellini, Wagner, and many others, there are, also issues addressed that touch upon the less obvious areas of private law: librettos often talk about contracts, donations, wills, weddings, family relationships, debts and money issues in general. In Gaetano Donizetti's L'elisir d'amore, Nemorino - in love with the beautiful but indifferent Adina - is the victim of a real contract scam perpetrated by Dulcamara. In La sonnambula by Vincenzo Bellini, Elvino snatches the engagement ring given to Amina thinking she was unfaithful: he revokes a donation made in view of marriage, and maybe breaks a rule of law. In Richard Wagner's Das Rheingold, one witnesses a sensational case of breach of contract, to be read in the light of the emergence, in the nineteenth century, of a new sensibility for market economy and the increasingly central value of contracts in social relations. In Le nozze di Figaro by Mozart, there is a strange marriage vow, executed in order to guarantee the repayment of a debt.

Paperback. Zustand: New. In 2024, the Preis der Nationalgalerie goes to Pan Daijing, Dan Lie, Hanne Lippard, and James Richards, the first time the award has gone to four artists. This new format for presenting the award looks at the exhibition as a collective conversation, seeking to expand the collection of the Nationalgalerie through the acquisition of four new productions. The prize-winners produce new works which will then be shown in this joint exhibition at Hamburger Bahnhof. Pan Daijing works with sound, performance, installation, choreography and film, the art of Dan Lie addresses questions of ecology and non-human life forms, Hanne Lippard primarily uses her voice as her artistic medium, while the film-maker James Richards combines experimental techniques with a finely tuned sense for spatial arrangement.This is the seventh in a series of publications accompanying presentations of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial essay by Sam Bardaouil, an extensive interview with the artists by Agnes Rameder, as well as essay contributions by Tom Engels on Pan Daijing, Wong Binghao (Bing) on Dan Lie, Estelle Hoy on Hanne Lippard and Kristian Vistrup Madsen on James Richards.Text in English and German.

Paperback. Zustand: New. Founded in Stockholm in 2010 by Johan Arrhov (1979) and Henrik Frick (1977), Arrhov Frick has received a number of international accolades and was recently selected to redesign the new Stockholm Museum of Architecture.Since 2021 Johan Arrhov has been a visiting professor at the Academy of Architecture in Mendrisio, Switzerland. In his design studios Arrhov addresses central issues in the contemporary architectural debate, such as the need to build in a simple, environmentally friendly way, and the search for a dialogue between comfort and beauty in architecture.The result of this continuous research and the activities conducted with students at the Academy (including the design of an exhibition at the Teatro dell'architettura at Mendrisio in 2024), this volume presents the most significant aspects of Arrhov and Frick's work, such as their concern for the environment, the interpretation of architecture as an ever-chan­ging and never-ending process, and the aspiration to simplicity in construction as a mirror of simplicity in life.Text in English and Italian.

Paperback. Zustand: New. "Architects today are rethinking their tools to address the complex problems at hand. They are also enlarging their table to include around it other professionals and citizens." - Hashim SarkisExpansions, edited by Hashim Sarkis and Ala Tannir, gathers over 80 responses to the question posed by the Biennale Architettura 2021's theme - How will we live together? These contributions act as an extension to the different thematics presented by participants in the galleries in Venice. Assembling the voices and views of authors from various fields associated with architecture - academics, curators, journalists, students, and more - this volume includes a collection of short essays that reveal recurring themes that are currently of interest to different architecture and design communities around the world.These include multispecies worlding, social and economic justice, the history of twentieth-century modern spatial practices, environmental concerns, public modes of transportation, as well as examinations and contestations of the digital/analog binary, among others.The graphic design and the layout of the volume are by Omnivore, Inc.Also available: Cohabitats ISBN 9788836648603.

Paperback. Zustand: New. The five essays selected for this book offer different approaches to the problem of narratives of contemporary art, based on observation of the central significance of contextual and situational realities and anthropological concreteness of microconstellations. The singularity of each concrete situation, the authenticity of the specific, contextual meanings intensify the empathic perception of intimacy, fragility, micro-history. The powerful, poetic effectiveness of the concreteness of singular, situational and contextual realities suffuses authentic narration. This enhances sensitivity to concrete diversities, to anthropological multiplicity and to singularity of lived realities. Contemporary narratives are shaped by imminent relevance of specific contextual or situational meanings. The 'concreteness of concrete selves in their immediate societies' described by Arthur C. Danto becomes the core of the narration of our era's artists. Their voices are imbued with empathy, sensitivity, openness, tolerance and authenticity, making them poetically effective, even cathartic.

Hardback. Zustand: New. Charles Zublena (1910-1979), of Italian origin, began his training as a cabinetmaker at a very young age, which he supplemented with courses in drawing and furniture history. He emigrated to France in 1930 and opened his first studio in Paris, where he designed, conceived, and created his own creations, which he exhibited around 1950 at the Musée Galliera. In the 1960s, he was invited by leading designers (Maxime Old and Joseph André Motte) to join the Société des Artistes Décorateurs (SAD) and its steering committee.He presented his creations at numerous international exhibitions in Paris, Brussels, and Turin. Starting with a wooden chaise longue, noted for its design by ministers André Malraux and Eugène Claudius-Petit, he created the famous Eurolax 1 plastic chair, which would become a staple on many beaches in France and abroad. In the late sixties, he was invited by the Boule School and the School of Applied Arts to give classes to future cabinetmakers and designers. Alongside his creative work, he won the title of "Meilleur ouvrier de France" in 1976 and 1979 and was made a Knight of the National Order of Merit.Text in English and French.

Paperback. Zustand: New. Giacomelli's landscape is both real and invented, just as his eye is both visionary and visual. It is a pretext to represent another situation. His landscapes are 'written landscapes' in which the horizon is almost completely eliminated: a fusion of time and non-time. In his landscapes, the relationship between countryside and memory, between Giacomelli and a denied and accepted mother earth, is more dramatic, resulting in a dry and great representation. He captured the marks, material and furrows of the earth and in them he found parallels with human bodies, since the earth, in his poetics, is the flesh of man. Text in English and Italian.

Paperback. Zustand: New. What do we see when we observe? What do we see when we observe a photograph? Ghirri's work is distinguished by the tension between the object and its representation, and there is nothing that he loves more than those situations in which boundaries become permeable; his work has taught us a new way of seeing, giving meaning to what is seemingly obvious. This is not the landscape that is normally perceived, but the one that is supposed to be latent, inscribed on the reverse: landscape of memory and fairytale, the landscape of hidden figures and wonders. In this direction, Ghirri has always preferred common and familiar places, already seen, but for the first time 'observed' with different eyes, where everything is suspended between past and future and where, like in the countryside, the world can be imagined as a vision which still arouses wonder. A thought-landscape. Text in English and Italian.