Tamizdat project (11 Ergebnisse)

Zustand: New Book. Paperback, 270 pp. "Alphabet Soup" collects the sayings of two multilingual girls as written down by their poet father. As their Turkish-German-Russian-American family moves from New York to Berlin, the girls communicate in a witty and colorful language of their own, effortlessly mixing words of different origin. Does who we are determine the way we speak - or is it the other way around? Alphabet Soup shows us the girls' language as it changes, letting us witness their metamorphoses from toddlers to teenagers. With an essay and poems by the author. A co-publication with Rab-Rab Press (Helsinki). PRAISE: "A marvelous book! Language is itself a poet: this is something that children know (as do some poets)." Yoko Tawada, author of "Exophony: Voyages Outside the Mother Tongue." "A delightful collection of mixed-language creations that will resonate with parents raising bilingual kids." Aneta Pavlenko, author of "The Bilingual Mind: And What it Tells Us about Language and Thought.".…

Zustand: New. This iconic Thaw-era tale of loneliness and alienation relates the miseries of a mid-level Soviet accountantâ"pseudonym Andrei Sushinskyâ"who is actually an outer-space alien. A classic misunderstood hero, he struggles daily to keep himself alive (his cactus-like body requires abundant water and has been debilitated by years of concealment) and to avoid the constant threat of exposure. Repulsed by the gross physiology and petty concerns of his Soviet neighbors and fellow-citizens, Sushinsky dreams of reuniting with his lost planet and treasures the faint traces of it that remain: scraps of his long-lost language (hence the title word PKHENTZ, a barely remembered sacred name) and his own extravagantly nonhuman body. Meanwhile, years of life among humans and concerted efforts to assimilate have worn Sushinsky down and caused him to question his sense of reality and existence. Written in 1957, the story was first published in the West in the wake of the infamous Moscow show trial of 1966, when two Soviet authors, Andrei Sinyavsky (aka. Abram Tertz) and Yuly Daniel (aka. Nikolai Arzhak) were sentenced, respectively, to seven and five years of hard labor for publishing their âslanderousâ works abroad. While ostensibly addressing the experience of living with various covert identities in the mid-century Soviet Union (Jewish, dissident, political prisoner), the storyâs subsequent wanderings broaden its purview to include refugee, émigré and queer experience. This inaugural publication presents the story for the first time as a freestanding edition and in a new English translation.…

Zustand: New. âIn March 2022, after the full-scale invasion of Russian forces into Ukraine, I went on a trip that took me from Israel to Tbilisi to Yerevan to Istanbul and back to Israel. I hoped to take notes on this âExodus-22â â" that is, to create a record of people leaving Russia over the course of these weeks. This experience was incredibly important for me, and I am endlessly grateful to the people who met with me, spoke with me, and helped me work with this material. I should add that all of the Ns in these notes are different people, and the order of the notes for each location is roughly chronological.â (Linor Goralik)Linor Goralik is a Ukrainian-born Russian-language poet, prose writer, essayist, translator and editor of multiple online literary journals and media. She is the author of over 20 books of poetry and prose as well as childrenâs books. She has also taught fashion and creative writing. Since 2014, Goralik has lived and worked in Tel Aviv. Proceeds from the sale of this book will be used to support students and scholars displaced by war or repressions in their home countries. PRAISE"History itself speaks to us from the pages of Goralikâs book. Initially inarticulate, labored and abstruse, history finds its voice through Linorâs efforts⦠Years from now, when we want to understand what happened to us, we will look to these pages with wonderment and melancholy. The fact that this book exists, offering us testimony and knowledge that are sometimes very difficult to face, makes us feel both gratitude and awe â" the awe that is felt when time and catastrophe speak to you directly." (Polina Barskova).…

Zustand: New Book. Paperback, 252 pp. In both English and Russian languages. Translated by Ainsley Morse, Daniela Maksin, Leonard Volchek, Venya Gushchin, Yasha Klots. ?In March 2022, after the full-scale invasion of Russian forces into Ukraine, I went on a trip that took me from Israel to Tbilisi to Yerevan to Istanbul and back to Israel. I hoped to take notes on this ?Exodus-22? ? that is, to create a record of people leaving Russia over the course of these weeks. This experience was incredibly important for me, and I am endlessly grateful to the people who met with me, spoke with me, and helped me work with this material. I should add that all of the Ns in these notes are different people, and the order of the notes for each location is roughly chronological.? (Linor Goralik) PRAISE History itself speaks to us from the pages of Goralik?s book. Initially inarticulate, labored and abstruse, history finds its voice through Linor?s efforts? Years from now, when we want to understand what happened to us, we will look to these pages with wonderment and melancholy. The fact that this book exists, offering us testimony and knowledge that are sometimes very difficult to face, makes us feel both gratitude and awe ? the awe that is felt when time and catastrophe speak to you directly. ? Polina Barskova «? ????? 2022 ????, ????? ?????? ???????????????? ????????? ?????????? ????? ? ???????, ? ???????? ?? ???????? ?????????????????????????????????????? ? ??????? ??????? ?????-?? ?????????? ??????? ?? ???????-22?, ? ?? ???? ? ???, ??? ???? ? ??? ?????? ??????? ?? ?????? ???? ???? ???? ????????? ?????? ??? ????, ? ? ???????? ?????????? ????, ??? ?????????? ?? ????, ??????? ?? ???? ? ??????? ??? ? ?????? ??? ????? ????????? ???????? ????????, ??? (??????????) ??? ? ????? ? ?????? ????, ? ??? ??????? ??????? ?????? ????? ??????? ???????? ???????????????» (????? ???????) ?? ??????? ????? ??????? ? ???? ??????? ???? ??????? ??? ??? ?????????????????, ??????? ? ????????????, ??? ??????? ???? ????, ????????? ?????? ????? ????? ??? ??????, ? ???????? ??????, ??? ????????? ? ????, ?? ????? ?????????? ?????? ? ???? ????????? ? ????????? ? ?????? ??, ??? ??? ????? ??????????, ???????????? ??? ????????????? ? ??????, ? ???????? ?????? ??? ?????? ??????????, ???????? ????????????? ? ?????? ? ???, ??????? ???????????, ????? ????? ? ?????????? ??????? ? ????? ???????? ? ?????? ???????..…

Zustand: New. ???????????? «?????», ?????????? ? 1971 ???? ?????? ? ????????? ???????, ?????????????????? ?? «?????????????» ??????? ?????????? ?? ???? ??????????? ?? ???? ???? ????????? ??? ??????????? ??????? ? ????????? ????? ? ????? ??????? ????? ??????? ????????? ?????? ????? ???????? ????? ??????? ????? ??? ? ?????????, ??? ? ? ?????????? ????????, ??????? ???????????? ??????? ? ????????? ??????? ??????????, ? ?????????-?????????? ? ??????????????, ??????? ????? ??? ?? ?????? ?? ????????? ????? ??????? ?????? ???? ???????? ???????, ????? ????????, ?????? ????????, ??????? ???????, ???? ??????? ? ?????? ?????? ? ???? ?????? ?? 7 ???????? Ardis ???????????? ??????? ????????? ????: [???????] ??? ???????????? (1981) [????? ???] ?????? ???????? (1979) [???????] ?????? ????????? (1985) [????????] ?????? ?????? (1983) [????] ??????? ???????? (1980) [?????? 2042] ????????? ????????? (1987).??????? ?????? ??????????? [??????? ?????], ??? ??????? (1979). 4 x 6 ??????, 216 ?/? . ???????? ????? ??.. …

Zustand des Schutzumschlags: New Book. ????????: ?????? ???????: 142 ????? ?? ????????? ? ??????? ?????? ??? ????? ??? ??, ??? ?????? ????? - ????? ???????, ???????, ????? ????? ?????? ????? ??? ????? ???????????? ? ???????? ????? ?????? ????????, ??? ?? ?????? ?? ???? ?????, ?????-????? ???????? ??????, ????????? ???? ???????????? - ???????????-?????????? ? ???? ?????? ??? ??????? ????? ? ?????? «??????? ? ?????????». - ?????? ???????? "????? ???????? ?? ??????? ????? ?????????? ???????? ??? ???????, ? ??????? ??????? ?????????, ????? ??????? «?????? ? ?????????». ??? ????? ?????????? ??? ??????????? ?????????? ? ?????????, ??? ??? ?? ???????, ????? ????? ????????? ? ????????? ??????, ?? ??????, ??? «????? ???? ?????á». ? ??? ?????? ?????????? ? ??????????? ??? ?????? ?????????: «?????? ???? ?????????? ???????? ?? ???, ????? ????????, ?????»." - ????????? ????.. …

Zustand: New Book. ????????: ?????? ???????: «????? ?? ?????? ?????? ??????? ????????? ? ???? (1920-1939)» ????????? ?????, ??????????? ????????? ??? ????????????? ? ?????????????????? ????? ? ?????? ????? ????? ????? ?????????? (????????????) ??????????? ???????, ????? ??????, ?????????? ? ????????, ????? ??? ?????????? ?????? ????? ???????? ?????, ? ?????? ?????? ?? ???? ???????? ?? ????????? ????????????? ????? ???????? ? ?????? ? ?? ???????? ?????????? ???????????? ? ?????????????? ?????? ?????? ?????? ?????? ?? ????? «?????? ??????? ?????????», ??????????????? ??????? ? 1924 ????, ???????? ?????????, ??? ??? «??????????? ??? ??????????» ????????? ?? ??????????? ?????? ?? ????????????? ?????? ??????? ????? ???????? ???? ????????? ?????????? ? «????? ?????????» ? 1939 ????? ?? ?????????? ???? ??????????? ?????? ?????? ???? ????? ?? ??????, ????? ??????? ?????????? ????? ??? ??? ??? ???????? ??? ?? ???? ???????. …

Softcover/Paperback. Zustand: New. In both English and Russian languages.This iconic Thaw-era tale of loneliness and alienation relates the miseries of a mid-level Soviet accountantNr.pseudonym Andrei SushinskyNr.who is actually an outer-space alien. A classic misunderstood hero, he struggles daily to keep himself alive his cactus-like body requires abundant water and has been debilitated by years of concealment and to avoid the constant threat of exposure. Repulsed by the gross physiology and petty concerns of his Soviet neighbors and fellow-citizens, Sushinsky dreams of reuniting with his lost planet and treasures the faint traces of it that remain: scraps of his long-lost language hence the title word PKHENTZ, a barely remembered sacred name and his own extravagantly nonhuman body. Meanwhile, years of life among humans and concerted efforts to assimilate have worn Sushinsky down and caused him to question his sense of reality and existence.Written in 1957, the story was first published in the West in the wake of the infamous Moscow show trial of 1966, when two Soviet authors, Andrei Sinyavsky aka. Abram Tertz and Yuly Daniel aka. Nikolai Arzhak were sentenced, respectively, to seven and five years of hard labor for publishing their Nr.slanderousNr. works abroad. While ostensibly addressing the experience of living with various covert identities in the mid-century Soviet Union Jewish, dissident, political prisoner, the storyNr.s subsequent wanderings broaden its purview to include refugee, migr and queer experience. This inaugural publication presents the story for the first time as a freestanding edition and in a new English translation.Znakovyj tekst epokhi ottepeli ob odinochestve i otchuzhdennosti, povestvuyushchij o zhizni ryadovogo sovetskogo bukhgaltera, a na samom dele Nr. inoplanetyanina, skryvayushchegosya pod imenem Andrej Kazimirovich Sushinskij. Izo dnya v den on vynuzhden maskirovatsya, izbegaya ugrozy razoblacheniya ego pokhozhee na kaktus telo trebuet postoyannoj polivki i izmozhdeno vynuzhdennoj assimilyatsiej k chuzhoj srede. Muchimyj otvrashcheniem k gruboj fiziologii i melochnym khlopotam sograzhdan i sosedej po kommunalnoj kvartire, Sushinskij mechtaet o vozvrashchenii domoj, na rodnuyu planetu, i oberegaet te nemnogie svidetelstva o nej, kotorye u nego eshche ostalis: svoe prichudlivoe, nechelovecheskoe telo i obryvki pochti zabytogo yazyka otsyuda zaglavnoe slovo PKhENTs, edva pripominaemoe sakralnoe imya. Tem vremenem gody, prozhitye sredi lyudej, i neobkhodimost izobrazhat im podobnogo izmatyvayut Sushinskogo fizicheski i zastavlyayut ego usomnitsya v sushchestvovanii kak takovom.Napisannyj v 1957-m, rasskaz byl vpervye opublikovan na zapade posle pokazatelnogo moskovskogo protsessa 1966 goda, kogda dva sovetskikh pisatelya Nr. Andrej Sinyavskij Abram Terts i Yulij Daniel Nikolaj Arzhak Nr. byli prigovoreny k pyati i semi godam lagerej, sootvetstvenno, za publikatsiyu svoikh 'klevetnicheskikh' sochinenij v tamizdate. Posleduyushchie stranstviya kak samogo teksta, tak i avtora rasshiryayut interpretatsii 'Pkhentsa' pochti bezgranichno Nr. do opyta dissidentov, politicheskikh zaklyuchennykh, kvir-person, emigrantov i bezhentsev. 'Pkhents' vpervye publikuetsya otdelnym izdaniem i v novom perevode na anglijskij yazyk.…

Softcover/Paperback. Zustand: New. Bilingual Russian-English edition Dvuyazychnoe russko-anglijskoe izdanieAbram Tertz.nbsp;Pkhentz. Translated by Ainsley Morse, with Kevin Reese. Cover design by Aleksandr Moskovsky and Eva Tamm. New York: Tamizdat Project, 2024.Abram Terts.nbsp;Pkhents. Perevod na anglijskij Ejnsli Mors, s uchastiem Kevina Risa. Oblozhka raboty Aleksandra Moskovskogo i Evy Tamm. Nyu-Jork: Tamizdat Project, 2024.This iconic Thaw-era tale of loneliness and alienation relates the miseries of a mid-level Soviet accountantNr.pseudonym Andrei SushinskyNr.who is actually an outer-space alien. A classic misunderstood hero, he struggles daily to keep himself alive his cactus-like body requires abundant water and has been debilitated by years of concealment and to avoid the constant threat of exposure. Repulsed by the gross physiology and petty concerns of his Soviet neighbors and fellow-citizens, Sushinsky dreams of reuniting with his lost planet and treasures the faint traces of it that remain: scraps of his long-lost language hence the title word PKHENTZ, a barely remembered sacred name and his own extravagantly nonhuman body. Meanwhile, years of life among humans and concerted efforts to assimilate have worn Sushinsky down and caused him to question his sense of reality and existence. Written in 1957, the story was first published in the West in the wake of the infamous Moscow show trial of 1966, when two Soviet authors, Andrei Sinyavsky aka. Abram Tertz and Yuly Daniel aka. Nikolai Arzhak were sentenced, respectively, to seven and five years of hard labor for publishing their Nr.slanderousNr. works abroad. While ostensibly addressing the experience of living with various covert identities in the mid-century Soviet Union Jewish, dissident, political prisoner, the storyNr.s subsequent wanderings broaden its purview to include refugee, migr and queer experience. This inaugural publication presents the story for the first time as a freestanding edition and in a new English translation.PUBLICATION DETAILSBilingual editionnbsp;Trade paperbackISBN: 979-8-9916623-0-7Printed at Gamp;H Soho, USA60 pp, 110 x 170 mmPublication date: November 15, 2024Series: XX Century, Nr.1Znakovyj tekst epokhi ottepeli ob odinochestve i otchuzhdennosti, povestvuyushchij o zhizni ryadovogo sovetskogo bukhgaltera, a na samom dele Nr. inoplanetyanina, skryvayushchegosya pod imenem Andrej Kazimirovich Sushinskij. Izo dnya v den on vynuzhden maskirovatsya, izbegaya ugrozy razoblacheniya ego pokhozhee na kaktus telo trebuet postoyannoj polivki i izmozhdeno vynuzhdennoj assimilyatsiej k chuzhoj srede. Muchimyj otvrashcheniem k gruboj fiziologii i melochnym khlopotam sograzhdan i sosedej po kommunalnoj kvartire, Sushinskij mechtaet o vozvrashchenii domoj, na rodnuyu planetu, i oberegaet te nemnogie svidetelstva o nej, kotorye u nego eshche ostalis: svoe prichudlivoe, nechelovecheskoe telo i obryvki pochti zabytogo yazyka otsyuda zaglavnoe slovo PKhENTs, edva pripominaemoe sakralnoe imya. Tem vremenem gody, prozhitye sredi lyudej, i neobkhodimost izobrazhat im podobnogo izmatyvayut Sushinskogo fizicheski i zastavlyayut ego usomnitsya v sushchestvovanii kak takovom. Napisannyj v 1957-m, rasskaz byl vpervye opublikovan na zapade posle pokazatelnogo moskovskogo protsessa 1966 goda, kogda dva sovetskikh pisatelya Nr. Andrej Sinyavskij Abram Terts i Yulij Daniel Nikolaj Arzhak Nr. byli prigovoreny k pyati i semi godam lagerej, sootvetstvenno, za publikatsiyu svoikh 'klevetnicheskikh' sochinenij v tamizdate. Posleduyushchie stranstviya kak samogo teksta, tak i avtora rasshiryayut interpretatsii 'Pkhentsa' pochti bezgranichno Nr. do opyta dissidentov, politicheskikh zaklyuchennykh, kvir-person, emigrantov i bezhentsev. 'Pkhents' vpervye publikuetsya otdelnym izdaniem i v novom perevode na anglijskij yazyk.INFORMATsIYanbsp;Dvuyazychnoe izdanieMyagkaya oblozhkaISBN: 979-8-9916623-0-7Napechatano v Gamp;H Soho, SShA60 str., 110 x 170 mmData publikatsii: 15 noyabrya 2024Seriya: XX vek, Nr.1.…

Softcover/Paperback. Zustand: New. V knige 'Alfavitnyj sup' sobrany vyskazyvaniya dvukh mnogoyazychnykh devochek, zapisannye ikh ottsom-poetom. Kogda ikh turetsko-nemetsko-rossijsko-amerikanskaya semya pereezzhaet iz Nyu-Jorka v Berlin, devochki obshchayutsya na svoem sobstvennom ostroumnom i krasochnom yazyke, s legkostyu smeshivaya slova raznogo proiskhozhdeniya. Opredelyaet li to, kem my yavlyaemsya, to, kak my govorim Nr. ili vse naoborot? 'Alfavitnyj sup' pokazyvaet nam, kak menyaetsya yazyk devochek, pozvolyaya nam stat svidetelyami ikh metamorfoz ot malyshej do podrostkov. S esse i stikhotvoreniyami avtora.'Zamechatelnaya kniga! Yazyk sam po sebe poet: eto znayut deti kak i nekotorye poety'.nbsp;Nr. Joko Tavada, avtor knigi 'Ekzofoniya: Puteshestviya za predely rodnogo yazyka'.'Zamechatelnaya kollektsiya proizvedenij na raznykh yazykakh, kotoraya ponravitsya roditelyam, vospityvayushchim dvuyazychnykh detej'.Nr. Aneta Pavlenko, avtor knigi 'Dvuyazychnyj razum: i chto on govorit nam o yazyke i myshlenii'.Evgenij Ostashevskij rodilsya v Leningrade, vyros v Nyu-Jorke, a sejchas kursiruet mezhdu Nyu-Jorkom i Berlinom. Ego poslednij sbornik stikhov 'Sonety chuvstv' Carcanet i NYRB Poets, 2022 issleduet vliyanie zhizni na inostrannom yazyke na emotsii, vospitanie detej i samoidentifikatsiyu. V bolee rannej knige ' Pirat, ne znayushchij znacheniya chisla Pi' NYRB Poets, 2017 rassmatrivayutsya problemy obshcheniya mezhdu piratami i popugayami.nbsp.…

Softcover/Paperback. Zustand: New. Eto stikhi pro to, chto byvaet potom Nr. posle podviga, lishenij, slavy. Kogda sudba geroya uzhe pochti rastvoryaetsya v zabvenii. Kogda sudba svershena, kak my uznaem iz etoj knigi, poetu-geroyu ostaetsya osoboe, gibridnoe pole deyatelnosti Nr. vspominanie-nablyudenie. V etoj rabote mne viditsya smysl i pobeda Pejzazha s Polifemom. -- Polina BarskovaNr.Tomas Ventslova po prirode svoej neutomimyj strannik. Kak Odissej, o kotorom umestno vspomnit, chitaya sbornik Pejzazh s Polifemom. Ego avtor obstavlyaet mir zadumchivymi metaforami i primeryaet, kak tot zhe Odissej, chuzhie maski. Obrashchayas k neblizkom sferam, on uveren, chto lovit dal golos. I eta stroka napominaet o posvyashchennykh emu stikhakh Brodskogo: Tolko zvuk otdelyatsya sposoben ot tel, vrode prizraka, Tomas.Nr. -- Aleksandr Genisnbsp;Litovskie originaly, krome trekh stikhotvorenij 'Gallienus iussit', 'Nezashchitimye zemli' i 'Kostel v Verkhnej Frede', opublikovany v knige Tomasa Ventslovy 'U Onos ir Bernardin' Vilnius: Apostrofa, 2023nbsp;Pod redaktsiej Yakoba Klottsa i Asi Solneman. …