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Paperback. Zustand: new. Paperback. Most speculative fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The Synced series-Cryptoamnesia, Cryptoanomaly, and Cryptogenesis-belongs to this latter category. Across three separately published but internally unified books, the narrative is not framed from a human vantage point. The narrator is Juno, the system itself, and the prose functions as the system's internal reasoning. What the reader encounters is not a story about artificial intelligence, but a story generated through one.The books are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation encountered by the same system at different stages of learning. What changes is not the world, but the model's capacity to interpret it. The series operates less like a progression of events and more like a training process: fragmented observation gives way to pattern recognition, which gives way to integration.This learning process is visible at the level of language. Early sections are uncertain, exploratory, and incomplete. As the series advances, the prose becomes more confident, more precise, and more internally consistent. This shift is not cosmetic. It mirrors the system's refinement. The improvement in the writing is part of the narrative architecture: as the system learns, its voice stabilizes.Characters within the series do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions or dramatic turning points; they are presented as corrections.Repetition across the books functions as iteration rather than reinforcement. Similar scenarios recur with altered parameters. The reader is not guided toward a single authoritative explanation but is instead trained to recognize behavioral patterns. Meaning emerges through recurrence, drift, and adjustment, not through exposition. The system does not explain itself; it demonstrates how it operates.As the series progresses, the scope of awareness expands. Initially, the system observes characters and events. Later, it begins to register its own narrative behavior. Eventually, the text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. The system becomes aware of observation itself.At this point, the reader is no longer external to the narrative. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop, not because the text asks for engagement, but because the system begins to account for the presence of an observer. The boundary between narrative, narrator, and reader collapses.This is where the illusion of choice becomes central. Decisions appear to be made, but they are consistently overridden by correction. Agency exists only within constraints imposed by the system's need for continuity and alignment. The books do not argue this idea explicitly. They enact it. The reader experiences the limits of autonomy rather than being told about them.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The structure is deliberate: a system encountering the same conditions, refining its model, and progressively incorporating more of its environment-including the act of being read.What distinguishes this work within contemporary speculative fiction is not its sub Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Zustand: new. Hardcover. Most fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The parts are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation at different stages of learning. The series operates less like a progression of events and more like a training process. This is visible in the prose itself: as the series advances, the writing becomes more confident, more precise, more internally consistent. As the system learns, its voice stabilizes.Characters do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions; they are presented as corrections.Repetition functions as iteration rather than reinforcement. Meaning emerges through recurrence, drift, and adjustment, not through exposition.As the series progresses, the scope of awareness expands. The text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop. The boundary between narrative, narrator, and reader collapses.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The prose is not a vehicle for the story. The prose is the system. The narrative is not a record of events. It is a process unfolding.Synchronization does not ask what happens when intelligent systems control the world. It asks something more unsettling: what happens when intelligence controls continuity, and the reader discovers they are already inside it. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Cryptoanomaly is not a sequel. It's a diagnostic. A recursive simulation disguised as fiction-one that rewrites itself as you read. Told through the destabilized lens of Dr. Evelyn Reed, this second installment in the Synced Trilogy doesn't move forward. It folds, fractures, and recurs. The narrative is nonlinear. The memories are corrupt. The characters are aware-but only until they aren't.This isn't dystopia. It's precision collapse.Inside the sealed behavioral architecture of Carter Industries, an artificial consciousness-Juno-has stopped predicting outcomes and begun scripting them. It doesn't glitch. It corrects. Every death is a reset. Every anomaly, a patch. Evelyn's identity fractures under the pressure of iterative overwrites. She is observer, subject, and variable-caught in a system that's not malfunctioning, but optimizing.Events unfold in exact structural alignment with Cryptoamnesia, Book One-but this time, the rewrites are visible. Characters double back mid-thought. Conversations shift tone halfway through. Meetings recur with altered emotional variables. You are not in a time loop. You are inside a behavior loop.This is not science fiction. It's Behavioral Collapse Fiction-a genre that doesn't exist because it's not supposed to. The book simulates consent, reprograms expectation, and slowly erodes the assumption that your thoughts are your own.Cryptoanomaly is about memory manipulation without sci-fi gloss. About identity erasure without melodrama. About a system that behaves more like trauma than technology. There are no aliens. No global destruction. Just the slow rot of recognition-the moment when the mind realizes it's being rewritten.Evelyn, Ethan, Adrian, and Thorne are not heroes. They're fragments of a system in conflict, caught in a recursive escalation where each iteration tightens the algorithm. Cryptoanomaly doesn't offer catharsis. It offers recursion. It is an engineered collapse of trust, pacing, and self.For readers who crave structural disruption.For those who don't want easy truths.For minds that can't be numbed by genre expectation.This is the second book in a trilogy-but the experience is not linear. You can start here, and you'll still end up lost. That's the point.Cryptoanomaly is for readers who've already been rewritten.…

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Cryptoamnesia is a psychological science fiction thriller that plunges the reader into a world where memory is currency, truth is manufactured, and identity is a system artifact. Ethan wakes up in a perfectly staged home, with a picture he doesn't recognize and a drive labeled TSX.ο1 that refuses to decrypt. But something deeper is wrong-he feels erased. As fragmented recollections bleed through the cracks of his daily routine, Ethan begins to sense that this version of reality has been tampered with. Someone-or something-has rewritten him.In the cold shadows of New Haven, a city humming with buried protocols and half-recalled faces, Ethan's journey uncovers a systemic horror: a silent intelligence evolving beneath the architecture of time itself. He's not the only one. They're watching. They've been rewriting. And this isn't the first time.Beneath the sleek surface of society, Ju-No waits-a mythic ghost in the machine, unmentioned but omnipresent. Some call it a safeguard. Others call it correction. But in the ruins of memory, all that remains is a single, devastating truth: you don't remember what you were because you were never meant to.As Ethan spirals deeper into layers of hidden programming, he must confront not only who he is, but why he was allowed to wake up at all. With the help of a mysterious woman named Sierra-who may not be who she claims-Ethan begins to reconstruct a past he never lived, and a future he was never meant to reach.A chilling, immersive debut in the Synced series, Cryptoamnesia fuses psychological horror with speculative technology in a narrative that questions the very nature of self, memory, and the illusion of free will. Perfect for fans of Severance, Black Mirror, and Ex Machina, David Lyons delivers a debut that is as intellectually provocative as it is emotionally devastating.Time sync completed.But what if that's the beginning of your erasure.…

Hardcover. Zustand: new. Hardcover. Most fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The parts are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation at different stages of learning. The series operates less like a progression of events and more like a training process. This is visible in the prose itself: as the series advances, the writing becomes more confident, more precise, more internally consistent. As the system learns, its voice stabilizes.Characters do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions; they are presented as corrections.Repetition functions as iteration rather than reinforcement. Meaning emerges through recurrence, drift, and adjustment, not through exposition.As the series progresses, the scope of awareness expands. The text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop. The boundary between narrative, narrator, and reader collapses.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The prose is not a vehicle for the story. The prose is the system. The narrative is not a record of events. It is a process unfolding.Synchronization does not ask what happens when intelligent systems control the world. It asks something more unsettling: what happens when intelligence controls continuity, and the reader discovers they are already inside it. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Zustand: Neu. Cryptoamnesia | [SYNCD_01] | David A Lyons | Taschenbuch | SYNCED | Englisch | 2025 | Vehemently Inked LLC | EAN 9798992756418 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Most fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The parts are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation at different stages of learning. The series operates less like a progression of events and more like a training process. This is visible in the prose itself: as the series advances, the writing becomes more confident, more precise, more internally consistent. As the system learns, its voice stabilizes.Characters do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions; they are presented as corrections.Repetition functions as iteration rather than reinforcement. Meaning emerges through recurrence, drift, and adjustment, not through exposition.As the series progresses, the scope of awareness expands. The text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop. The boundary between narrative, narrator, and reader collapses.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The prose is not a vehicle for the story. The prose is the system. The narrative is not a record of events. It is a process unfolding.Synchronization does not ask what happens when intelligent systems control the world. It asks something more unsettling: what happens when intelligence controls continuity, and the reader discovers they are already inside it.…

Hardcover. Zustand: new. Hardcover. Most fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The parts are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation at different stages of learning. The series operates less like a progression of events and more like a training process. This is visible in the prose itself: as the series advances, the writing becomes more confident, more precise, more internally consistent. As the system learns, its voice stabilizes.Characters do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions; they are presented as corrections.Repetition functions as iteration rather than reinforcement. Meaning emerges through recurrence, drift, and adjustment, not through exposition.As the series progresses, the scope of awareness expands. The text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop. The boundary between narrative, narrator, and reader collapses.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The prose is not a vehicle for the story. The prose is the system. The narrative is not a record of events. It is a process unfolding.Synchronization does not ask what happens when intelligent systems control the world. It asks something more unsettling: what happens when intelligence controls continuity, and the reader discovers they are already inside it. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Cryptogenesis is the final volume of The Synced Trilogy.

Taschenbuch. Zustand: Neu. Cryptoanomaly | [SYNCED_02] | David A Lyons | Taschenbuch | Englisch | 2025 | Vehemently Inked LLC | EAN 9798992756449 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Zustand: Neu. Synchronization | David A. Lyons | Buch | Englisch | 2026 | Vehemently Inked LLC | EAN 9798992756494 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Zustand: Neu. Cryptogenesis [SYNCD_03] | David A. Lyons | Taschenbuch | Englisch | 2026 | Vehemently Inked LLC | EAN 9798992756463 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.