vfmk verlag für moderne kunst gmbh mär 2020 (4 Ergebnisse)

Buch. Zustand: Neu. Neuware - The little goddesses books are an important communicative instrument that serves to connect the scientific, artistic and regional dimensions of the project The Dissident Goddesses Network, science to public. The beautifully designed little books support the project in making the results and findings of archeology known to a wide audience. The Goddess Book # 3 is dedicated to the Idol von Falkenstein found in the period of painted ceramics (approx. 4600 BC) in Falkenstein in Lower Austria in 1978. A text by the deserving archaeologist Christine Neugebauer-Maresch tells the circumstances of the discovery from a very close perspective and illuminates the so-called Lengyel culture, from which the small painted work of art originates. A manifest-like text on the settled cultures of the Neolithic Age and the role of women is contributed by Arantzazu Saratxaga Arregi, an interview conducted by Romana Schuler with the wine farmer Elisabeth Himmelbauer leads into the presence of Lower Austrian agriculture, into the presence of mothers and daughters. Elisabeth von Samsonow introduces the booklet. The French-Chilean artist Federica Matta has also taken over the artistic design of this book of goddesses. She lets the Idol von Falkenstein appear with her colleagues and her ceramic household like in an imaginary theater and brings them to life.

Buch. Zustand: Neu. Neuware - This monograph represents the first comprehensive overview of the work of Swiss video, performance, and sound artist Christoph Oertli, who has been a major presence in Swiss and international video art since the early 1990s. With in-depth texts and a picture section documenting the creation of many video works for the first time, the publication offers a precise and fascinating introduction to his entire oeuvre.In addition to a conversation between the artist and Ines Goldbach, director of the Kunsthaus Baselland, authors Giuseppe Di Salvatore, Johanna Hilari, and Isabel Zürcher analyze and discuss Oertli's work in the contexts of film and video, theater and dance, as well as art history and music. The design of the publication renders the immediacy of the recording, production, and the final edited image visible for the first time.

Buch. Zustand: Neu. Neuware - Bill Fontana, sound artist of the first generation, has been using sound as a sculptural medium since the 1960s. This catalogue is published on the occasion of the solo exhibition 'Primal Energies' at the Kunsthaus Graz and for the first time offers a comprehensive documentation of his sound sculptures and radio projects worldwide. With a complete index of his works as well as texts by Rudolf Friedling, Pedro Gadanho, Heidi Grundmann, Katrin Bucher Trantow, and others, and a conversation between Bill Fontana and Hans Ulrich Obrist. In addition to installation views of the exhibition, the catalogue is extensively illustrated with archive material.

Taschenbuch. Zustand: Neu. Neuware - On the foundation and establishment of the Zero movement in Germany using the example of the evening exhibitions, the gallery Schmela, the studio f, the gallery nota and the d(ato) galleryDüsseldorf 1957: The artists Heinz Mack and Otto Piene initiate public exhibitions of contemporary art in their private studios in order to declare a new start in art. Within a few years, the loose exhibition community in the ruinous backyard studio becomes the internationally networked avant-garde movement Zero, which included artists such as Günther Uecker, Yves Klein, Jean Tinguely, Almir Mavignier, Uli Pohl and Piero Manzoni.Starting from the public exhibitions of the Zero artists-the 'Exposition Zero'-Thekla Zell examines the largely unnoticed role of German avant-garde gallerists in relation to the foundation and establishment of Zero in the late 1950s and early 1960s. At the center of the investigation are the evening exhibitions organized by Heinz Mack and Otto Piene (Düsseldorf), the Schmela gallery (Düsseldorf), the studio f (Ulm), the nota gallery (Munich) and the d(ato) gallery (Frankfurt a. M.). Far from the sober atmosphere of the white cube postulated by Brian O'Doherty of today's galleries, their gallery spaces formed-whether Schmela's one-room 'Salönchen', Kurt Fried's private living room, the basement of the gallery nota or the two rooms of the d(ato) Gallery in a Frankfurt backyard house-popular meeting and important meeting points of a new avant-garde: Zero.