visual aids (109 Ergebnisse)

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Unmarked text. Small pencil smudge on front cover. Art. PA.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. CREASE TO FRONT COVER.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Broschiert. Zustand: Gut. revised. 80 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Heft; ordnungsgemäß entwidmet. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 80.

Soft Cover. Zustand: Good. 20 pp. Wraps have only light wear. Pages are clean, text is unmarked. Later printing. Size: 8vo - over 7¾" - 9¾" tall.

Softcover, 176 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Broschiert; Zustand: Gut. 2nd Ed. 118 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); Einband berieben, leichte altersbedingte Anbräunung des Papiers; ansonsten ordentlicher Erhaltungszustand; Sprache: Englisch Gewicht in Gramm: 140.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback. Zustand: New. Julie Ault and David Deitcher illuminate the life and work of the influential art historian, New Museum curator, and Visual AIDS co-founder William Olander (1950-1989). Olander's exhibitions challenged oppressive institutional boundaries, blew open dichotomies, and boldly confronted discrimination, sexual difference, and AIDS, shaping curatorial practice for decades to come. Committed to using the New Museum as a platform to challenge the ideological functions of the art world, Olander invited members of ACT UP to design a multimedia installation for the museum's window on Broadway in 1987. The first museum project to unflinchingly address the AIDS epidemic and the political figures who enabled it, Let the Record Show. became the centerpiece of art historian and critic Douglas Crimp's impassioned call for "new cultural practices" to respond to AIDS. Ault and Deitcher's conversation offers new insights into the through-lines of Olander's career, from his graduate research on the French Revolution to exhibitions at the Allen Memorial Art Museum and his later engagement with AIDS activism. Includes selected writings by Olander and an afterword by Kyle Croft. Praise for DUETS: Julie Ault and David Deitcher in Conversation on William Olander"Julie Ault and David Deitcher testify to Olander's friendship and love of community, qualities indistinguishable from his deeply principled commitment to both activism and art. "- Pamela Lee, Professor of Modern and Contemporary Art, Yale University"William Olander was a critical spark for the New Museum at arguably the institution's most urgent moment. This long overdue publication provides an intimate and comprehensive overview by two of Olander's distinguished fellow travelers and revives a potent cultural voice that was silenced too soon. "- Stuart Comer, Chief Curator of Media and Performance, Museum of Modern ArtDUETS is a series of publications that pairs artists, activists, writers, and thinkers in dialogues about their creative practices and current social issues related to HIV/AIDS. These engaging and highly readable conversations highlight the connections between communities of artists and activists. Drawing from the Visual AIDS Artist Registry and Archive Project, this series continues Visual AIDS' mission to support, promote, and honor the work of artists with HIV/AIDS and the artistic contributions of the AIDS movement.

Paperback. Zustand: Good. Meets the good condition guidelines. Has wear. Five star seller - Buy with confidence!

Soft cover. Zustand: Fine. No Jacket. 1st Edition. First edition 2006. Trade softcover in white wraps without DJ as issued. Condition as new, square and tight book, spine not creased, sharp corners, no names no underlinings no highlights, no bent page corners, not a reminder, covers slightly dusty. 8vo, 176 pages, illustrated throughout.

Paperback. Zustand: new. Paperback. Julie Ault and David Deitcher illuminate the life and work of the influential art historian, New Museum curator, and Visual AIDS co-founder William Olander (19501989). Olanders exhibitions challenged oppressive institutional boundaries, blew open dichotomies, and boldly confronted discrimination, sexual difference, and AIDS, shaping curatorial practice for decades to come.Committed to using the New Museum as a platform to challenge the ideological functions of the art world, Olander invited members of ACT UP to design a multimedia installation for the museums window on Broadway in 1987. The first museum project to unflinchingly address the AIDS epidemic and the political figures who enabled it, Let the Record Show. became the centerpiece of art historian and critic Douglas Crimps impassioned call for new cultural practices to respond to AIDS.Ault and Deitchers conversation offers new insights into the through-lines of Olander's career, from his graduate research on the French Revolution to exhibitions at the Allen Memorial Art Museum and his later engagement with AIDS activism.Includes selected writings by Olander and an afterword by Kyle Croft.Praise for DUETS: Julie Ault & David Deitcher in Conversation on William Olander"Julie Ault and David Deitcher testify to Olander's friendship and love of community, qualities indistinguishable from his deeply principled commitment to both activism and art. " Pamela Lee, Professor of Modern and Contemporary Art, Yale University"William Olander was a critical spark for the New Museum at arguably the institution's most urgent moment. This long overdue publication provides an intimate and comprehensive overview by two of Olander's distinguished fellow travelers and revives a potent cultural voice that was silenced too soon. " Stuart Comer, Chief Curator of Media and Performance, Museum of Modern ArtDUETS is a series of publications that pairs artists, activists, writers, and thinkers in dialogues about their creative practices and current social issues related to HIV/AIDS. These engaging and highly readable conversations highlight the connections between communities of artists and activists. Drawing from the Visual AIDS Artist Registry and Archive Project, this series continues Visual AIDS mission to support, promote, and honor the work of artists with HIV/AIDS and the artistic contributions of the AIDS movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hard Cover. Zustand: Good. Zustand des Schutzumschlags: Good. Fourth Edition. Jacket rubbed with light edgewear, small hole on front hinge. Boards have light wear. Pages are clean, text has no markings, binding is sound. Size: 8vo - 7¾" - 9¾" Tall.

Trade Paperback. Zustand: USED Good.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Very Good. Essays accompanying the 2018 iteration of the Visual AIDS exhibition, marking its thirtieth year. Color illustrations throughout (black-and-white when original Spine is uncreased, binding tight and sturdy. Exterior shelfwear is very minor. Interior is free of previous owner markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.

Zustand: New.

perfect. Zustand: Very Good.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 8vo - over 7¾" - 9¾" tall.

Zustand: New.

Soft cover. Zustand: Very Good. 1st Edition. 8vo, card covers, 70pp., ills. Catalogue for the Fall 2015 exhibition at La MaMa Galleria. Illustrated with works from the exhibition. Essays by colucci and Yerebakan. VG+: a clean, bright and sound copy.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. No publication date. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:

Hardback. Zustand: New. Tender and devotional figures in clay from an ordained minister and self-described testimonial artistBorn and based in Brooklyn, sculptor Reverend Joyce McDonald (born 1951) crafts moving testimonies to themes that have shaped her life: hope, grace and serenity, but also hardship, loss and devotion. As an ordained minister in the Church of the Open Door, spirituality and service are integral to McDonald's life and work. Her work often depicts figures in repose or embrace, embodying the strength, support and unconditional love that has sustained her life.The first museum exhibition devoted to her work, Ministry surveys the McDonald's prolific output since the 1990s, bringing together early works in air-dry clay and found materials with recent glazed ceramics. It presents a nuanced view of McDonald's biography, incorporating archival materials that trace her family and upbringing in Brooklyn's Farragut houses as well as her decades of exhibiting art as a member of Visual AIDS. The catalog features critical essays by Kyle Croft, the exhibition's curator, and Jareh Das, as well as an interview with McDonald conducted by artist Rafael Sánchez.