Verlag: Washington University, Mildred Lane Kemper Art Museum, 1994
ISBN 10: 0936316160 ISBN 13: 9780936316161
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Washington University, Mildred Lane Kemper Art Museum, 1992
ISBN 10: 0936316144 ISBN 13: 9780936316147
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Washington University, Mildred Lane Kemper Art Museum, 1987
ISBN 10: 093631611X ISBN 13: 9780936316116
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Washington University, Mildred Lane Kemper Art Museum, 2010
ISBN 10: 0936316306 ISBN 13: 9780936316307
Anbieter: ANARTIST, New York, NY, USA
Softcover, 64 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
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Verlag: Washington University, Mildred Lane Kemper Art Museum, Saint Louis, 2016
ISBN 10: 0936316411 ISBN 13: 9780936316413
Anbieter: Grand Eagle Retail, Wilmington, DE, USA
Paperback. Zustand: new. Paperback. We are in the dawn of the drone age, a turning point in history when the United States and other countries are increasingly using unmanned aerial vehicles to monitor behavior, collect data, conduct surveillance, and wage wars. As the ubiquitous vision and remote engagement of drones redefine contemporary policing and warfare, their impact is filtering into art and visual culture, generating new investigations into issues of visibility, technology, and fear. Considering an international array of video, sculpture, installation, photography, and web-based projects, this volume, the catalog for a recent exhibition at the Mildred Lane Kemper Art Museum, reveals the unique potential of art to further our understanding of, and give visual form to, modern drone warfare and digital surveillance. These essays illuminate how the drone embodies a far-reaching discussion about the rapidly shifting conditions of perceptionof seeing, and of being seenmade possible by advanced technology. What is the relation of machine vision to human vision? And how do visual technologies affect our understanding of the agency of images, and of ourselves? Featuring scholarly essays along with texts by contributing artists Trevor Paglen and Hito Steyerl, To See Without Being Seen is a perceptive contribution to the emerging literature on contemporary artistic practice, war, surveillance, and technology. "This volume is published in conjunction with the exhibition To See Without Being Seen: Contemporary Art and Drone Warfare, organized by the Mildred Lane Kemper Art Museum at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, and on view there January 29 to April 24, 2016."--Page 96. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Verlag: Mildred Lane Kemper Art Museum at Washington University, St. Louis, 2007
Anbieter: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, USA
Paperback. Pamphlet with stapled binding, 28pp. Near new, fresh unused condition, covers bright, text clean & binding tight.
Verlag: Mildred Lane Kemper Art Museum, Washington University in St Louis, 2012
Anbieter: ANARTIST, New York, NY, USA
Softcover staple-bound, 32 pages; very good condition; light rubbing to covers; no internal marks.
Verlag: Mildred Lane Kemper Art Museum, Washington University, 2011
Anbieter: Structure, Verses, Agency Books, Spray, OR, USA
Erstausgabe
Hardcover. Zustand: Fine. First Edition. Handsomely bound in black cloth over boards, white lettering stamped to front board and spine. Fine exhibit catalogue to augment the show held from September 9, 2011 to January 9, 2012, Introduction by Sabine Eckmann, catalogue by Svea Braunart and Foreword by Carmon Colangelo. 69 pp. and with brilliant, full-color, full-page reproductions of contemporary German art. Special focus on the works of Franz Ackermann, Thomas Demand, Sergey Jensen, and Corinne Wasmuhta, plus a major installation by Michel Majerus, Manfred Pernice, and Wolfgang Tillmans, and Hans-Peter Feldmann.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
Verlag: Washington University, Mildred Lane Kemper Art Museum, Saint Louis, 2019
ISBN 10: 0936316446 ISBN 13: 9780936316444
Anbieter: Grand Eagle Retail, Wilmington, DE, USA
Hardcover. Zustand: new. Hardcover. The first monograph on the work of the American painter Arthur Osver (19122006), this publication explores Osvers entire oeuvre, from early urban realism to decades of engagement with abstraction. His long and productive career took him from Chicago to New York to Europe and back, interweaving with the art of his time, and his paintings have been collected and exhibited all over the world. Nevertheless, he remained firmly rooted in the American Midwest, settling in St. Louis to teach and paint from 1960 until his death in 2006. Beautifully designed and printed, this book includes more than one hundred full-color illustrations of Osvers work throughout his life as well as an illustrated biography and selections from an interview with the artist from the Smithsonian Archives of American Art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Verlag: Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri, 2011
ISBN 10: 0936316349 ISBN 13: 9780936316345
Hardbound. Navy cloth boards, white titling, 72 pp., very many illustrations, cheifly color. Exhibition of the work of 13 artists, held September 9, 2011 - January 9, 2012. From the gallery website: The artworksâ"by artists such as Franz Ackermann, Thomas Demand, Sergey Jensen, and Corinne Wasmuhtâ"investigate issues relating to digitization, material instability, and the individual's attachment to, and detachment from, historical notions of place. Also on view will be significant pieces, already in the Museum collection, by Michel Majerus, Manfred Pernice, and Wolfgang Tillmans, as well as a large-scale installation, on loan, by Hans-Peter Feldmann. VG, near fine but for some light smudges on cover.
Verlag: Mildred Lane Kemper Art Museum, Washington University in St. Louis, St. Louis, Missouri, 2006
ISBN 10: 0936316209 ISBN 13: 9780936316208
Softcover. Zustand: VG. Green & black & illus. wraps, 80 pp., color illus. Issued in conjunction with a 2006 exhibition in this series. "It traces two different but closely related modes of organizing the visible world and its aesthetic representations. In analog cultures, the notion of the grid empowers the production of images that claim universal authority. Most often static in nature, grid-like structures, spaces, and images approach the viewer as immediately recognizable and hence devoid of unwanted surprises. Digitally-based matrices, by way of contrast, set the modernist grid into motion. They have the ability to catalyze visual expressions and experiences that, in spite of their algorithmic foundations, aim at open-ended and often unpredictable transformation. Grid and matrix, as presented in this exhibition, form a central dialectic of modernist and postmodernist culture. The exhibition's aim is not to tell a story of linear historical progress, but to explore continuities and ruptures between the analog and the digital, between the organizational principles of older and newer media." (intro) With essays by Patience Graybill, Sabine Eckmann, Gwyneth Cliver, and Lutz Koepnick, illustrations, and an exhibition checklist of 16 items.
Verlag: Washington University, Mildred Lane Kemper Art Museum, 2017
ISBN 10: 0936316438 ISBN 13: 9780936316437
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Washington University, Mildred Lane Kemper Art Museum, 2008
ISBN 10: 0936316241 ISBN 13: 9780936316246
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Washington University / Mildred Lane Kemper Art Museum, 2010
Anbieter: The Groaning Board, Kensington, CA, USA
Erstausgabe
Soft cover. Zustand: As New. 1st Edition. As New large format exhibition catalog, clean and tight. Cover and interior in fine shape, no wear. Interesting photographs. Exhibition in St. Louis, Maine, San Francisco, 2010. Several essays and an interview with Lockhart. M03607.
Verlag: Washington University, Mildred Lane Kemper Art Museum, 2016
ISBN 10: 093631642X ISBN 13: 9780936316420
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Zustand: LikeNew. Most items will be dispatched the same or the next working day.
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Verlag: Washington University, Mildred Lane Kemper Art Museum, 2019
ISBN 10: 0936316462 ISBN 13: 9780936316468
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Mildred Lane Kemper Art Museum at Washington University, St. Louis, MO, 2007
Anbieter: Design Books, New York, NY, USA
Soft Cover. Zustand: Fine. This is a fine softcover copy with no wear at all. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Mildred Lane Kemper Art Museum at Washington University, St. Louis from November 16, 2007 to January 28, 2008. Curated by Catharina Manchanda. Smaller color exhibition booklet bound in. Checklist with over 50 works catalogued. Artists included: Roy Lichtenstein, Rosalyn Drexler, Duane Hanson, Mel Ramos, Rauschenberg, Warhol, Tom Wesselmann, John Baldessari, Dara Birnbaum, Robert Heinecken, Martha Rosler, Cindy Sherman, Laurie Simmons, William Wegman, Nikki S, Lee, Ana Merndieta, among others. 10" high X 7" wide, 28 pages + smaller booklet 13 pages. This book will be securely packed and shipped with tracking.
Verlag: Washington University, Mildred Lane Kemper Art Museum, 2014
ISBN 10: 0936316373 ISBN 13: 9780936316376
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days. Known for collaborating with remote or marginal communities such as blue-collar workers of the twenty-first century, as she did in Sharon Lockhart: Lunch Break I, the artist also blurs the line between photography, video art, and documentary. This title examines the work of acclaimed video artist and photographer Sharon Lockhart.
Verlag: Washington University, Mildred Lane Kemper Art Museum, Saint Louis, 2024
ISBN 10: 0936316497 ISBN 13: 9780936316499
Anbieter: Grand Eagle Retail, Wilmington, DE, USA
Hardcover. Zustand: new. Hardcover. A critical investigation of Adam Pendleton's deep engagement with abstraction. Adam Pendleton's exploration of abstractionthrough painting, drawing, screen printing, sculpture, language, book arts, and filmover the past five years constitutes the core of this study and the exhibition that spawned it. The book features essays by exhibition curator Meredith Malone and senior scholars Hal Foster and Joshua Chambers-Letson along with a conversation between Pendleton and the critic and theorist Isabelle Graw. These texts illuminate the artist's fundamental understanding of abstraction as a conscious articulation of unimagined alternatives and a mechanism of both resistance and active engagement. Painting is a central focus of Pendleton's work, and Isabelle Graw, in her interview with the artist, elucidates painting as a "primary form" for Pendleton, noting how the medium conceptually and theoretically informs how he moves through and operates in other forms as well as how his works address viewers as "cognizant participants." Hal Foster takes up Pendleton's engagement with bookmaking as another form of activation, arguing that the artist's creative compilations of texts and images activate readers and viewers, existing as resources to help us not only survive but flourish. Joshua Chambers-Letson's close reading of Pendleton's experimental film What Is Your Name? Kyle Abraham, A Portrait stimulates consideration of how artistic practice can be a means to negotiate with, dance with, and live with grief at the intersection of Black and queer love and loss. Meredith Malone contextualizes Pendleton's recent work, examining his multifaceted approach to abstraction as a "philosophical disposition" as well as a device to realize a more expansive, chaotic, and fluid space for both artist and viewer. With more than 1,400 high-quality reproductions and full transcripts of two of the artist's recent films juxtaposed with extensive stills from each, To Divide By is Adam Pendleton's most ambitious publication to date. It is published on the occasion of an exhibition of the same name at the Mildred Lane Kemper Art Museum at Washington University in St. Louis in fall 2023. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Verlag: St. Louis, Missouri: Mildred Lane Kemper Art Museum, Washington University in St. Louis., 2007
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. 4to. 96 pp. Softcover wraps. Exhibition Catalogue. Color plates. Very Good. Minor wear to lower right cover corner.
Verlag: Washington University, Mildred Lane Kemper Art Museum, Saint Louis, 2007
ISBN 10: 0936316195 ISBN 13: 9780936316192
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Paperback. Zustand: new. Paperback. Models and Prototypes is the first exhibition in the Focus series, a collection-based series of publications and exhibitions intended to examine significant works from the Mildred Lane Kemper Art Museum's collection within the context of contemporary discourses. As a preparatory step, models have always occupied a special place in the context of artistic production. This changed in the twentieth century when many artists set out to redefine the parameters of art and artistic production. With new artistic objectives, structural and conceptual models emerged as complete and viable works of art in and of themselves. Beginning in the 1910s, the model conceived as a system defined by a set of rules became increasingly important, as did boxes, model-scale display cases, and architectural maquettes. Marcel Duchamp and many Conceptual artists of the 1960s radically challenged existing definitions of the artwork with the help of structural and conceptual models and the emergence of an emphasis on multiples. The centrality of models for contemporary artists, many of whom are also interested in social and historical issues, presses the question of why they became and remain such a compelling subject and tool. Models and Prototypes includes artwork by Mark Bennett, Joseph Beuys, Daniel Buren, Thomas Demand, Marcel Duchamp, Isa Genzken, Jenny Holzer, Wassily Kandinsky, Claus Oldenburg, Edward Ruscha, and Katrin Sigurdadottir, among others. Essay by curator Catharina Manchanda, Ph.D., Mildred Lane Kemper Art Museum. Draws on the works of modernist pioneers and contemporary figures alike to explore how artists in a variety of media have redefined artistic practice by expanding the use of the model as a new visual force. This book illuminates the centrality of models in contemporary art, asking why they remain so compelling as both tools and subjects. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Verlag: Mildred Lane Kemper Art Museum - Sam Fox School of Design and Visual Arts - Washington University, St. Louis, 2007
Anbieter: North Books: Used & Rare, St. Louis, MO, USA
Signiert
Hardcover. First Edition, First Printing. 9 x 13in. 64pp. Publisher's printed boards. Signed and inscribed by the artist on the title page: 'For Tom, I enjoyed our discussion, more later! Cheers, Carmon.' VERY GOOD. Shows some rubbing of the foot of the spine, back board somewhat rubbed, else Fine/As New. As pictured.
Verlag: Washington University, Mildred Lane Kemper Art Museum, Saint Louis, 2014
ISBN 10: 0936316381 ISBN 13: 9780936316383
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Paperback. Zustand: new. Paperback. The history of the twentieth and early twenty-first centuries is one that is scarred by incomprehensibly violent events with far-reaching effects. It is an era of world wars, totalitarian mass terror, social and ethnic cleansing, revolutions, civil wars, radical uprootings, and terrorism. Published in conjunction with an exhibition of the same name at the Mildred Lane Kemper Art Museum, In the Aftermath of Trauma: Contemporary Video Installations examines the work of five video artists from around the world-Yael Bartana, Phil Collins, Alfredo Jaar, Amar Kanwar, and Vandy Rattana-who employ their medium to explore individual and collective memories of traumatic occurrences. Deeply invested in the human subject and its status in today's world, the themes and aesthetic strategies of these videos are directly tied to violent political histories that challenge belief in an enlightened and emancipated humanity. Engaging with trauma as a belated response, all five artists utilize the hybrid form of the semidocumentary, provocatively hovering between fact and fiction and confounding through a variety of formal methods divisions of truth and art, history and memory. From single-screen to multiscreen projections within cinematic spaces, the videos adapt such artistic means as montage, enactment, fragmentation, alienation, and deliberate beautification to offer ways of comprehension that go beyond either confrontation or denial. As such they suggest a more nuanced relationship between the original event and its present recollection. Both inquiring into the nature of the traumatic event and seeking distance from it, these powerfully engaging video installations question the possibility of closure in either the real world or the imaginary realm. Replete with stunning color images from each installation, In the Aftermath of Trauma is rounded out with an essay by Sabine Eckmann and contributions from Rakhee Balaram, Svea Braeunert, and Ila N. Sheren that look at the relationship between trauma and contemporary art and contextualize the pieces included in the book. Published in conjunction with an exhibition of the same name at the Mildred Lane Kemper Art Museum, this title presents the work of contemporary video artists from around the world who use their medium to probe traumatic experiences and their aftermath. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Verlag: Washington University, Mildred Lane Kemper Art Museum, 2009
ISBN 10: 0936316276 ISBN 13: 9780936316277
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Very Good. Ships from the UK. Used book that is in excellent condition. May show signs of wear or have minor defects.
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