wits university press johannesburg (167 Ergebnisse)

Zustand: Very good. light shelf wear. 0 488 p. New South Africa Review., 2. Audience: College/higher education; Professional and scholarly.

Paperback. Zustand: new. Paperback. Evil stalks the township of KwaMashu, near Durban. It comes in the form of Whoonga, a toxic mix of B-grade heroin, rat poison and other chemical components that almost immediately sucks its users into the vortex of addiction and the crime, deception and personal tragedy that goes with it. Caught up in the web, the ulwembu of the title, presided over by the dealer, Bongani Mseleku, are Lieutenant Portia Mthembu, a police officer in the frontline of the fight against the scourge; her son Sipho; his friend, Andile Nxumalo, and Emmanuel Abreu, a Mozambique-born spaza shopkeeper. As it traces Siphos descent from talented scholar and aspirant poet and songwriter to suicidal addict, Ulwembu explores the effects of addiction not only on those who suffer from it but on communities, families and the police, both those who try to control the murderous trade and those who benefit from it. Using a process they have dubbed Empatheatre, The Big Brotherhood, Neil Coppen, Dylan McGarry and Mpume Mtombeni, aim to share peoples real-life stories, with the intention to inspire and develop a greater empathy and kindness in spaces where there is conflict or injustice. Ulwembu is the dramatic result of their efforts. Explores the effects of addiction not only on those who suffer from it but on communities, families and the police, both those who try to control the murderous trade and those who benefit from it. This book shares people's real-life stories, with the intention to inspire and develop a greater empathy and kindness. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. First Edition, First Printing. Octavo. 6 x 9 in. x, 324 pp. Near fine in original pictorial wrappers, small tea stain to fore-corner of text block, previous ownership inscription on half title page.

Trade Paperback. Zustand: NF. No Additional Printings Listed. SIGNED - Soft Cover with french flaps. White and light gray spine and covers are clean and glossy. Light rubbing at the head and tail of the spine and at the tips of the outside corners. Trace of rubbing in a couple places along the upper and lower edges. Signed, inscribed, and dated on the half title page by the author in blue pen: "for ----- / may these songs bring / you great joy! / love / Shabbir / Shabbir Banoobhai / 6 January 2005." Binding is straight and tight. Pages are all clean, white, and crisp. Illustrated, throughout, with photography by John Cleare. Well known South African poet whose work is directly inspired by that of Rumi. Signed by the Author.

Paperback. Zustand: new. Paperback. Through five colourful characters, three of them living out their very individual lives in an unnamed public park in Johannesburg, Zakes Mda explores the plight of women and children in a patriarchal and male-dominated twenty-first century world.Lord Stewart mourns his virginal companion (and regrets he didnt try a little harder to change her state). He turns to another virgin, the eponymous Lady of Benoni, to help him find his lost love. Professor mourns the loss of his wife, Thabisile, humiliated and driven out of her community because she was believed not to have been a virgin before her marriage. MaDlomo mourns the fate of her child, raped as a three-month-old by a man seeking a cure for his HIV-positive state. And running in the background is the court case of a spiritual leader accused of rape and defended by the indomitable MaDlomo because of his support for the reintroduction of virginity testing.Stylistically adventurous and unafraid to deviate from conventionally accepted norms, Mda is iconoclastic in his handling of the ways in which attitudes to power, superstition, ethics and sex are constructed. The discourse of patriarchy and its regime of truths that define female sexuality, its obligations and its custodianship, are the focus of the play.Zakes Mdas satire is a kaleidoscopic display of the extremes to which men (and by implication women) are prepared to go in terms of valuing what is virginal. Mda presents us with the consequences of transgression: that which is seen as polluted and judged to be dangerous to the good health and purity of a group, a society, a culture. Taboos, superstition, customs and moral ethics become the subjects of inquiry and are, at times, subjected to ribald satire. This play cuts into a virtuoso style of theatre that can in no way be confused with the objectives and methods of conventional realism. Mda establishes a unique style and tone that is innovative, entertaining and challenging. It fuses satirical elements derived from classical poetry with a modernist sensibility that synthesises Brechtian and Absurdist features of theatricality, using characters as types and montage. Above all, in this work there is a profound exploration of what it means to operate in the politically charged landscape that defines post-apartheid South Africa with its cultural pluralities and differentials in access to resources and agency. Stylistically adventurous and unafraid to deviate from conventionally accepted norms, Mda is iconoclastic in his handling of the ways in which attitudes to power, superstition, ethics and sex are constructed. The cultural discourse of patriarchy and the regime of truths regarding ideals and taboos defining female sexuality, its obligations, and its custodianship are the focus of this play.Written with ribald wit and trenchant satire, Our Lady of Benoni is suffused with laughter and pathos, leaving readers with much to ponder. Through five colourful characters, three of them living out their very individual lives in an unnamed public park in Johannesburg, Zakes Mda explores the plight of women and children in a patriarchal and male-dominated twenty-first century world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Making a Life explores the dynamic everyday life-making strategies of young men in Zandspruit, a sprawling informal settlement on the outskirts of Johannesburg. In many ways Zandspruit typifies the precariousness of life within South Africa, where two-thirds of young people lack waged employment. However, rather than seeing Zandspruit as dumping ground, Hannah Dawson calls for an integrated understanding of the complex linkages between people's lives and livelihoods, and the multifaceted socio-political landscape of urban settlements. Based on 14 months of ethnographic research, Dawson investigates how social belonging, identity and economic realities intertwine in places such as Zandspruit. This approach not only challenges conventional approaches to studying work; it also questions the increasingly prevalent perspective that romanticises the adaptive survival strategies of the urban poor. By exploring the intricate connections between those with and without wages, the author shows how young men manage complex social, political and economic conditions. Making a Life offers insights into issues such as urban work, citizenship, un(der)employment and inequality in South Africa. At the same time, it contributes to a global understanding of how young people men especially manage economic uncertainty. Making a Life explores the dynamic life-making strategies of young men in Zandspruit, an informal settlement in Johannesburg. It offers insights into issues such as urban work, citizenship, un(der)employment and inequality in South Africa, and contributes to a global understanding of how young men manage economic uncertainty. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. This book examines the impact of coal mining on the lives of former-labour tenant and rural communities in post-apartheid South Africa. No Last Place to Rest: Coal Mining and Dispossession in South Africa is an exploration of the ongoing struggles faced by families in the Mpumalanga and KwaZulu-Natal provinces of South Africa whose lives have been upended by the relentless expansion of coal mining operations. These regions, burdened with the task of fulfilling the nation's energy needs and boosting the country's economy, witness daily the harsh realities of dispossession that extend far beyond the mere loss of property. Dineo Skosana presents a compelling argument that dispossession remains a present-day reality and crisis, contradicting the notion that it is merely a relic of the past in the post-apartheid landscape. It challenges the narrow perspective that equates land loss in material and economic terms only. Skosana considers the impact of grave relocationsa common occurrence in these mining-dominated locales and the profound spiritual anguish and dehumanisation communities endure as their lands are excavated. In African societies, connections to the land extend beyond the material; land has a sacred and ancestral value. Grave relocations disrupt this connection families have with their ancestors. In dispossessing not only the living but also the dead from their lands, the author argues that the act wounds the collective soul of a people, eroding their cultural heritage, and collective identity and belonging. This book offers a rich ethnographic account of the experiences, struggles and resistance of the affected communities as well as a critical analysis of the legal and policy frameworks that enable their exploitation. In relation to the 'land question' in South Africa, No Last Place to Rest presents deep insights for communities, activists and government sectors acting in support of social justice and redress. An ethnographic account of the experiences and resistance of displaced communities that are affected by the expansion of coal mining operations in post-apartheid South Africa. It also offers a critical analysis of the legal and policy frameworks that enable their exploitation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Siphiwo Mahala delves into the lives of iconic figures from South Africa's tumultuous past in this remarkable collection of plays. The collection opens with The House of Truth, which explores the complexity of Can Themba, a fearless journalist, playwright and poet living under an oppressive apartheid regime. The one-man play weaves together elements of Themba's life and career, recreating the excitement and pathos of the DRUM era South Africa's first magazine for a black audience, and his resident neighborhood, Sophiatown in Johannesburg, before it was destroyed by apartheid legislation. Themba is brought back to life as an ordinary person with human flaws and attributes both tragic and inspirational. In the second play, Bloke and His American Bantu. Mahala brings to life the extraordinary lives of Bloke Modisane, a South African writer exiled in London, and Langston Hughes, the renowned American poet. This two-hander play celebrates their remarkable camaraderie and intellectual exchange. Through a reimagined correspondence, the play deftly explores how a simple friendship blossomed into a catalyst for international solidarity and cultural exchange across continents, from Africa to the UK to America. As a whole, the plays explore the intersections of identity, creativity and resistance. With wit, poise, and unflinching honesty, they bring to life the triumphs and struggles of these remarkable men who left an indelible mark on their worlds, and celebrate the human spirit's capacity to persevere, inspire and uplift. The House of Truth explores the complex life of playwright and journalist Can Themba, recreating vibrant Sophiatown. Bloke and His American Bantu celebrates the friendship between exiled writer Bloke Modisane and poet Langston Hughes. Both plays showcase resilience and the human spirit. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Kielezo cha Insha is the earliest guide to essay writing in Kiswahili, published by Wits University Press in 1954. After Tanzania's independence in 1961 the book was not available for several decades because of the political and economic sanctions against the apartheid regime in South Africa. The book covers pertinent issues in composition writing, including the purpose and types of composition, preparation, structure, language and style, cohesion, objectivity and punctuation. It includes 60 model essays together with Robert's thoughts and perspectives on the issues he addresses. The topics include some of the issues current at the time, such as;secret marriages, culture, the environment, language and nationhood, patriotism, womens oppression, health, and the meaning of life and death. After being out of print for more than sixty years, Wits University Press has reissued the text as a testament to its enduring historical value. Kielezo cha Insha is an example of Robert's educational and pedagogical writing at its best. Kielezo cha Insha is the earliest guide to essay writing written and published in Kiswahili. The book covers pertinent issues in composition writing, including: the purpose of teaching composition in school, types of compositions, the preparation work, structure, language and style, cohesion, objectivity and punctuation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. This collection of six plays by one of South Africa's leading playwrights and actors features works written between 1984 and 1993. Slabolepszy is a master of dialogue, capturing the essence of the personality and speech patterns of his protagonists in language that is often dramatic, frequently funny, sometimes tragic and always entertaining. The works included are Under the Oaks, Over the Hill, Boo to the Moon, Smallholding, Mooi Street Moves and The Return of Elvis du Pisanie. Elvis won Slabolespzy the 1992/93 IGI Life Vita Award for Play of the Year and, together with Mooi Street Moves, gained him the Vita Playwright of the Year award. This collection is introduced by Robert Greig, a well-known theatre critic, and by Bobby Heaney, who has been involved in the evolution of several of Slabolepszy's plays. This collection of six plays by one of South Africa's leading playwrights and actors features works written between 1984 and 1993. Slabolepszy is a master of dialogue, capturing the essence of the personality and speech patterns of his protagonists in language that is often dramatic, frequently funny, sometimes tragic and always entertaining. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: Very Good. Paperback. A hint of wear at one or two points on covers. Pages are clean and sound. TS. Used.

Paperback. Zustand: new. Paperback. Isidlamlilo / The Fire Eater is a one-woman play inspired by the true story of a woman who served as a political assassin in the build-up to South Africa's first democratic elections. Zenzile Maseko, the protagonist, is a 60-year-old grandmother living in a women's hostel in Durban. Falsely declared dead by the Department of Home Affairs, she finds herself cast into a Kafkaesque nightmare that forces her to confront her past. Flown in on the wings of the Impundulu (the lightning bird), in Zulu folklore a shapeshifting bird associated with witchcraft and the harbinger of storms and death, Zenzile's story weaves a magical and terrifying tapestry. She draws on myth, religious symbolism and traditional beliefs as she shares the realities at times brutal, at times forgiving of survival in South Africa. Her story touches on what it means to live through political violence, the transition to democracy, the brutality of inequality, health epidemics like HIV/AIDS, patriarchy, and the apathetic bureaucracy of government departments. Ultimately, Isidlamlilo / The Fire Eater offers a critical and unflinching look at the eddying cycles of violence and revenge that play out across generations. Yet it is most of all a story about regeneration and redemption that speaks to both the country's haunted past and its present-day complexities. Written with pathos and empathy, this playscript will appeal to teachers, high school learners, and tertiary students in theatre, drama and English studies. "Inspired by real events." -- Title page. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Reveals the little known details of the assassination of an anti-apartheid activist by an apartheid spy and undercover police officer On 28 June 1984 a parcel bomb sent by the apartheid security police exploded in an apartment building in Lubango, Angola, killing 36-year-old Jeanette Schoon and her six-year-old daughter Katryn. The Schoons were members of the revolutionary underground, exiled from South Africa and committed to both the African National Congress and to socialism. What many political activists had feared or suspected at the time was confirmed during the 1990s Truth and Reconciliation Commission: the bomb targeting the Schoons was sent by Craig Williamson, an apartheid spy and high-ranking member of the South African security service. Apartheid Spies and the Revolutionary Underground is the first book-length account of the assassination of Jeanette and Katryn Schoon. Jeanette Curtis Schoon and Craig Williamson first met in 1973 on the Wits University campus. Jeanette was a passionate student radical and part of a network of white radicals fighting apartheid. Williamson had successfully infiltrated the student movement and rose within its ranks. He held positions of trust, first within the National Union of South African Students (NUSAS) and then, after pretending to 'flee' the country, as an office-bearer of the International Universities Exchange Fund in Sweden, which helped fund many South Africans in exile. The book uncovers how the lives of a group of white radicals intersected with and were impacted by the undercover security police and their operations both within and outside of South Africa. Intensifying political oppression caused many young radicals to flee South Africa in 1976; many of them, like Jeanette and her partner Marius Schoon, joined the African National Congress in exile. Williamson and the Schoons' paths, and those of their comrades, continued to cross: he was a guest in their homes, a supplier of funds for their projects, a witness for the prosecution in political trials and, ultimately, the hand that directed targeted assassinations. Williamson received amnesty for his role in the Schoons' murder, among other crimes. For the friends and family of the Schoons and for all those seeking social justice this was an unacceptable outcome and Williamson continues to walk a free man. This book attempts to show the limits of the TRC process to render healing from South Africa's apartheid past. That justice has not been served to the Schoons remains a tragedy in this story of the struggle against apartheid. An in-depth study of the assassination of Jeanette and Katryn Schoon at the hand of apartheid spy, Craig Williamson, that explores how the lives of a group of white activists intersected with and were impacted by the undercover security police and their operations both within and outside of South Africa. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Accessing abortion services in rural areas under conditions of liberal abortion legislation is neither straightforward nor simple. As the South African example shows, the liberalisation of abortion legislation was the first step in granting pregnant persons access to abortion care. Despite this and some progress in implementation, many challenges persist resulting in a lack of services, especially in areas where distances and transport costs are a factor. Drawing on the findings of a study conducted in three rural districts of the Eastern Cape, the authors highlight the complexities involved in understanding problematic or unwanted pregnancies and abortion services within these communities; the reported barriers to, and facilitators of, access to abortion services among rural populations; and preferences for types of abortion services. A key finding is the conundrum of costs versus confidentiality: lack of confidentiality involves additional costs to access services outside the area; high costs mean that confidentiality may have to be foregone, which leads to stigma. The authors place the findings within a reparative reproductive justice framework and present a comprehensive set of recommendations. Abortion Services and Reproductive Justice in Rural South Africa is an insightful and informative resource the first of its kind for scholars in health and sociology, reproductive health policy makers, national planners, health facility managers and providers, and activists. Drawing on the findings of a study conducted in three rural districts of the Eastern Cape, this book highlights the complexities involved in understanding problematic or unwanted pregnancies and abortion services; the reported barriers to, and facilitators of, access to abortion services; and preferences for types of abortion services. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. This book is about the poetry, vision and deeply inhospitable context of one of South Africas most talented praise poets. The praise poet (imbongi) is a familiar cultural icon in contemporary South Africa. Public events as diverse as presidential inaugurations, openings of parliament, fashion shows and boxing contests begin with the rousing declamations of charismatic iimbongi. Yet until the institution of majority-rule, praise poets who sought to shock their audiences with dangerous truths could claim none of the prestige enjoyed by their present-day counterparts. Under apartheid, many praise poets either ceased to perform or abandoned the imbongi?s duty to diagnose and criticize political and social ills. There was, however, one brilliant Xhosa imbongi called David Manisi, a poet widely acclaimed in his youth as the successor to the great SEK Mqhayi, who refused to capitulate to the ease of silence or complicity. As documented by Jeff Opland in The Dassie and the Hunter (UKZN Press), Manisi worked tirelessly and in embattled contexts to address his audiences with demands, criticisms and aspirations they frequently misunderstood. The author of five volumes of Xhosa poetry and performer of inspired and elegantly crafted izibongo (praise poems), Manisi saw himself as a man of multiple places, allegiances and identities at a time when these markers of self were rigidly policed. Manisi's entrance on the local Transkeian poetry scene was legendary. He was for a time the most famous poet in Kaiser Mathanzima's court. He also wrote the first published poem about Nelson Mandela in 1954, hailing him prophetically as 'Gleaming Road'. Despite these early accomplishments, Manisi ended his career as a lonely performer in American and South African universities. He never met Mandela, his hero of old. Ashlee Neser examines Manisi as an inventive negotiator of rural and urban spaces, modernity and tradition, performance and publication, the local and the foreign. The praise poet (imbongi) is a familiar cultural icon in contemporary South Africa. Public events as diverse as presidential inaugurations, openings of parliament, fashion shows and boxing contests begin with the rousing declamations of charismatic iimbongi. This book is about the poetry, vision and deeply inhospitable context of one of South Africas most talented praise poets. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. The Fourth Industrial Revolution (4IR) has been described as the next big leap in digital capitalism. Digital technologies such as artificial intelligence, quantum computing, 3D printing and robotisation, we are led to believe, will bring more progress, growth and development while also helping us to resolve the deep and multiple crises the world is in. Billions are being invested in these technologies, accompanied by sharp geopolitical rivalries to secure an edge in the control over them. Volume 8 in the Democratic Marxism series invites readers to think more deeply and critically about digital capitalism and its limits. While most governments in the world, including South Africa, have accepted a techno-nationalist narrative and have deliberated on the risks for the planet and humanity, the volume interrogates the effects and consequences of advances in artificial intelligence and heightened technological innovation and industrialisation on employment, democracy and the climate. Viewing the grand social engineering of 4IR through a Marxist lens, the volume contributors engage critically with the class project of digital monopoly capitalism and its powerful totalitarian tendencies. They question the dangerous technotopian imaginary shaping this digital techno-shift, the implications of algorithmic data extractivism, the securitisation of already weak market democracies, the social consequences of digital learning, lack of regulation, and the power dynamics in the labour process. Anchored in techno-realism, the interdisciplinary perspective captured in this volume puts forward alternatives for democratisation and a just transition to protect human and non-human life. The Fourth Industrial Revolution (4IR) has been described as the next big leap in digital capitalism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

1st edn. 8vo. Original pictoral boards (Fine), no dustwrapper issued. Pp. xi + 175 (no inscriptions).

Tall 8vo. Original pictorial card covers (softback) (Fine). Pp. 375, illus with coloured photos (no inscriptions).

Soft cover. Zustand: Very Good. 173pp 1.57lb 9.9x8.3x0.6in.

Paperback. Zustand: Very Good. Very good condition paperback from the collection of author, Marieke Clarke, whose insciption is noted on the half-title page. Light shelf wear to the covers, and page block is slightly blemished. Pages are clear and unmarked throughout. LW. Used.

Soft cover. Zustand: Fine. Forward by Philip V Tobias: Soft card cover; 313 pages. Illustrated. Map.

Paperback. Zustand: new. Paperback. The Nightwatchman: Essays on Portraiture and the Black Male Figure in Colonial South Africa brings into focus the African policeman as a subject of portraiture. While colonial governments co-opted and conscripted Africans into military and policing services, it was after the Zulu defeat of the English in the battle of Isandlwana that a genre of photography developed around images of the 'Zulu warrior' and 'Zulu policeman'. In this illustrated book, Hlonipha Mokoena extends the literature on colonial ethnographic photography by creating a narrative of nightwatchman portraiture from the rich archive of images. Although the origins of this genre lay in the representation of 'Fingoes' (amaMfengu) during the frontier wars, she argues that an ethnological spectacle of the Zulu male body was inaugurated after the last Zulu king, Cetshwayo, was photographed as a posing subject. While much research has focussed on the African man employed in emasculating labour or as a functionary of settler power, this book shifts debates about how the body moves in history. Placed in uniform, the male subject becomes aestheticised and admired. Mokoena focuses less on the idiosyncrasies of the uniform than on the sartorial selection processes and co-optation of colonial aesthetic culture that constructed the idea of the Nonqgqayi or nightwatchman as a fully formed photographic presence. The beauty captured in these images upends conceptions of colonial photography as a tool of oppression. In its focus on the figure of the black and brown fighting man, The Nightwatchman offers an innovative work on the history of portraiture and dress in colonial South Africa. Incorporating insights from African history, art history, anthropology and critical theory, it offers new insights about the use of men of colour in colonial warfare and new avenues for the interpretation of visual representations of the black male figure The Nightwatchman: Representing Black Men in Colonial South Africa brings into focus African men in colonial uniforms as a subject of portraiture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Richard Moore Rive (1930-1989) was a writer, scholar, literary critic and college teacher in Cape Town, South Africa. He is best known for his short stories written in the late 1950s and for his second novel, 'Buckingham Palace`, District Six, in which he depicted the well-known cosmopolitan area of District Six, where he grew up. In this biography Shaun Viljoen, a former colleague of Rive's, creates the composite qualities of a man who was committed to the struggle against racial oppression and to the ideals of non-racialism but was also variously described as irascible, pompous and arrogant, with a 'cultivated urbanity`. Beneath these public personae lurked a constant and troubled awareness of his dark skin colour and guardedness about his homosexuality. Using his own and others' memories, and drawing on Rive's fiction, Viljoen brings the author to life with sensitivity and empathy. The biography follows Rive from his early years in the 1950s, writing for Drum magazine and spending time in the company of great anti-establishment writers such as Jack Cope, Ingrid Jonker, Jan Rabie, Marjorie Wallace, Es'kia Mphahlele and Nadine Gordimer, to his acceptance at Magdalene College, Oxford, where he completed his doctorate on Olive Schreiner, before returning to South Africa to resume his position as senior lecturer at Hewat College of Education. This biography will resurface Richard Rive the man and the writer, and invite us to think anew about how we read writers who lived and worked during the years of apartheid. Richard Moore Rive (1930-1989) was a writer, scholar, literary critic and college teacher in Cape Town, South Africa. He is best known for his short stories written in the late 1950s and for his second novel, 'Buckingham Palace', District Six, in which he depicted the well known cosmopolitan area of District Six, where he grew up. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Fight for Democracy is a penetrating and critical scrutiny of the ANC's treatment of the print media since the inception of democracy in 1994. In this book, Glenda Daniels does not hide behind a veil of detachment, but instead makes a passionate argument for the view that newspapers and journalists play a significant role in the deepening of democratic principles. Daniels' study goes to the heart of current debates and asks why the ANC, given its stated commitment to the democratic objectives of the Constitution, is so ambivalent about the freedom of the media. What would be the consequences of a revised media policy on democracy in South Africa, and at what cost to freedom of expression? Daniels examines the pattern of paranoia that has crept into public discourse about the media and the ANC, and the conflictual relationship between the two. She argues that the ANC's understanding of democracy, transformation and development entails (amongst other things) the rallying of the nation behind its leadership as the premier liberation movement and democratically elected representative of the majority while morally coercing black journalists and professionals into loyalty. Daniels challenges the dominant ANC view that journalists are against transformation and that they take instruction from the owners of the media houses; in short that they are `enemies of the people'. Fight for Democracy is a timely publication in the context of the impending clampdown on media freedom and the twin threats of the Protection of State Information Bill (Secrecy Bill) and the Media Appeals Tribunal, both of which signify closures in South Africa's democracy. Written in a polemical style, this is a work of activism that will be essential reading for the informed public as well as those working in Journalism and Media Studies. It should interest all democrats, members of political organisations as well as academics and Right2Know activists, locally and internationally. Fight for Democracy is a penetrating and critical scrutiny of the ANC's treatment of the print media since the inception of democracy in 1994. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. This intriguing memoir details in a quiet and restrained manner what it meant to be a committed black intellectual activist during the apartheid years and beyond. Few autobiographies exploring the `life of the mind' and the `history of ideas' have come out of South Africa, and N Chabani Manganyi's reflections on a life engaged with ideas, the psychological and philosophical workings of the mind and the act of writing are a refreshing addition to the genre of life writing. Starting with his rural upbringing in Mavambe in Limpopo province in the 1940s, Manganyi's life story unfolds at a gentle pace, tracing the twists and turns of his journey from humble beginnings to Yale University in the USA. The author details his work as a clinical practitioner and researcher, as a biographer, as an expert witness in defence of opponents of the apartheid regime and, finally, as a leading educationist in Mandela's Cabinet and in the South African academy. Apartheid and the Making of a Black Psychologist is a book about relationships and the fruits of intellectual and creative labour. In it, Manganyi describes how he used his skills as a clinical psychologist to explore lives - both those of the subjects of his biographies and those of the accused for whom he testified in mitigation; his aim always to find a higher purpose and a higher self. This intriguing memoir details in a quiet and restrained manner what it meant to be a committed black intellectual activist during the apartheid years and beyond. Few autobiographies exploring the "life of the mind" and the "history of ideas" have come out of South Africa, and N. Chabani Manganyi's reflections are a refreshing addition to the genre of life writing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. First edition. Softcover. 155 pages. Profusely illustrated. Small crease upper back corner of cover, else near fine condition. (Q5).

Paperback. Zustand: new. Paperback. An innovative connection between adaptive behavior and community ecology in herbivores The adaptation of herbivore behavior to seasonal and geo- graphic variations in vegetation quantity and quality is inadequately modeled by conventional methods. Norman Owen-Smith innovatively links the principles of adaptive behavior to their consequences for population dynamics and community ecology, through the application of a metaphysiological modeling approach. The modeling approach accommodates various sources of environmental variability, in space and time, in a simple conceptual way and has the potential to be applied to other consumer-resource systems. A unique monograph describing plant-herbivore interactions in the context of large African herbivorous mammals. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. An in-depth look at the evolving ethos of curating and collecting art at South African universities. In Picturing Change, Brenda Schmahmann explores the implications of deploying the visual domain in the service of transformative agendas and unpacks the complexities, contradictions and slippages involved in this process. She shows that although most new commissions have been innovative, some universities have acquired works with potentially traditionalist - even backward-looking - implications. While the motives behind removing inherited imagery may be underpinned by a desire to unsettle white privilege, in some cases such actions can also serve to maintain the status quo. This book is unique in exploring the transformative ethos evident in the curation of visual culture at South African universities. It will be invaluable to readers interested in public art, the politics of curating and collecting, as well as to those involved in transforming tertiary and other public institutions into spaces that welcome diversity. Since South Africa's transition to democracy, many universities have acquired new works of art that convey messages about the advantages of cultural diversity, and engage critically with histories of racial intolerance and conflict. Given concerns about the influence of British imperialism or Afrikaner nationalism on aspects of their inherited visual culture, most tertiary institutions are also seeking new ways to manage their existing art collections, and to introduce memorials, insignia or regalia, which reflect the universities' newfound values and aspirations. Since South Africa's transition to democracy, many universities have acquired new works of art for key spaces on their campuses. The new works convey messages about the advantages of cultural diversity, and many engage critically with histories of racial intolerance and conflict. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Author's signed presentation inscription to half-title. 216 x 150 mm; laminated pictorial wrappers; pp. xvi + 483, incl. index; contemporary illustrations. Fine condition. "Brian Willan has assembled and edited this fascinating collection from a variety of disparate and often obscure sources, making a comprehensive selection of Plaatje's writings available to a wider audience for the first time.".

215 x 150 mm; laminated pictorial wrappers; pp. xvi + 483, incl. index; contemporary illustrations. Fine condition. "In the course of a prolific career he wrote letters to the press, newspaper articles and editorials, pamphlets, political speeches, evidence to government commissions of enquiry, autobiographical writings (unpublished), and many personal letters. They provide an engaging personal record and a very readable - and revealing - commentary on South African social and political affairs during the era of segregation, from 1899 through to Plaatje's tragically early death in 1932. What he wrote has a unique historical importance, all the more meaningful from the perspective of a democratic South Africa. This fascinating collection has been assembled from a variety of disparate and often obscure sources, making a comprehensive selection of Plaatje's writings available to a wider audience.".