The diseased city - Images of the body in expressionist and futurist poetry

Steltner, Rebecca

Verlag: GRIN Verlag, 2013
ISBN 10: 3638766047 / ISBN 13: 9783638766043
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Inhaltsangabe: Seminar paper from the year 2004 in the subject German Studies - Comparative Literature, printed single-sided, grade: 70 (1), University of Cambridge (Faculty of Modern and Medieval Languages), course: The City, 25 entries in the bibliography, language: English, abstract: Where the Futurist's City Symphony is a celebration of 'the Joy of Mechanical Force', the Expressionist's is dark and apocalyptic. Cities in this poetry are centres of disease and disgust. They are industrial to the extent that they are equated with factories as pars pro toto. Life in the country-side or in the city could not be more different or the rift between the rich and the poor greater. R.H. Thomas comments that between 1890 and 1912 production in Germany was already industrial, whereas society was still far from industrial. The reason being, that in Germany industrialisation set in much later than in the UK and was compressed into just three decades. It is a time when the cities were 'reborn' and the images of the city changed dramatically, some of which I want to argue still exist in our common imaginary today. There are several fields of images that contribute to the representation of the city, they are: apocalyptic visions of technology and the decaying body, disease and sexuality, but also the Ich-Zerfall (ego-decay) can be seen as being triggered by the experience of the city as Simmel elaborates and when the Expressionist poets write about nature, it only really exists in relation to that city whose red smoke always lurks in the background, its smoke can be tasted everywhere. The city is the main theme of all these poems not just the backdrop and they address city issues directly. However, much has been written about the representation of the city in connection with technology, factories and alienating working conditions, which lend themselves to a Marxist analysis. This is not what interests me here, instead I want to approach the city on a sideway, using sociological theory of th

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Titel: The diseased city - Images of the body in ...
Verlag: GRIN Verlag
Erscheinungsdatum: 2013

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Steltner, Rebecca
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Buchbeschreibung GRIN Verlag, 2007. Buchzustand: New. This item is printed on demand for shipment within 3 working days. Buchnummer des Verkäufers LP9783638766043

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Buchbeschreibung GRIN Verlag Dez 2007, 2007. sonst. Bücher. Buchzustand: Neu. 210x148x1 mm. This item is printed on demand - Print on Demand Neuware - Seminar paper from the year 2004 in the subject German Studies - Comparative Literature, grade: 70 (1), University of Cambridge (Faculty of Modern and Medieval Languages), course: The City, 25 entries in the bibliography, language: English, abstract: Where the Futurist's City Symphony is a celebration of 'the Joy of Mechanical Force', the Expressionist's is dark and apocalyptic. Cities in this poetry are centres of disease and disgust. They are industrial to the extent that they are equated with factories as pars pro toto. Life in the country-side or in the city could not be more different or the rift between the rich and the poor greater. R.H. Thomas comments that between 1890 and 1912 production in Germany was already industrial, whereas society was still far from industrial. The reason being, that in Germany industrialisation set in much later than in the UK and was compressed into just three decades. It is a time when the cities were 'reborn' and the images of the city changed dramatically, some of which I want to argue still exist in our common imaginary today. There are several fields of images that contribute to the representation of the city, they are: apocalyptic visions of technology and the decaying body, disease and sexuality, but also the Ich-Zerfall (ego-decay) can be seen as being triggered by the experience of the city as Simmel elaborates and when the Expressionist poets write about nature, it only really exists in relation to that city whose red smoke always lurks in the background, its smoke can be tasted everywhere. The city is the main theme of all these poems not just the backdrop and they address city issues directly. However, much has been written about the representation of the city in connection with technology, factories and alienating working conditions, which lend themselves to a Marxist analysis. This is not what interests me here, instead I want to approach the city on a sideway, u 16 pp. Englisch. Buchnummer des Verkäufers 9783638766043

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Buchbeschreibung GRIN Verlag, 2013. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers 3638766047

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Buchbeschreibung GRIN Verlag. Paperback. Buchzustand: New. Paperback. 32 pages. Dimensions: 8.5in. x 5.3in. x 0.2in.Seminar paper from the year 2004 in the subject German Studies - Comparative Literature, grade: 70 (1), University of Cambridge (Faculty of Modern and Medieval Languages), course: The City, 25 entries in the bibliography, language: English, abstract: Where the Futurists City Symphony is a celebration of the Joy of Mechanical Force, the Expressionists is dark and apocalyptic. Cities in this poetry are centres of disease and disgust. They are industrial to the extent that they are equated with factories as pars pro toto. Life in the country-side or in the city could not be more different or the rift between the rich and the poor greater. R. H. Thomas comments that between 1890 and 1912 production in Germany was already industrial, whereas society was still far from industrial. The reason being, that in Germany industrialisation set in much later than in the UK and was compressed into just three decades. It is a time when the cities were reborn and the images of the city changed dramatically, some of which I want to argue still exist in our common imaginary today. There are several fields of images that contribute to the representation of the city, they are: apocalyptic visions of technology and the decaying body, disease and sexuality, but also the Ich-Zerfall (ego-decay) can be seen as being triggered by the experience of the city as Simmel elaborates and when the Expressionist poets write about nature, it only really exists in relation to that city whose red smoke always lurks in the background, its smoke can be tasted everywhere. The city is the main theme of all these poems not just the backdrop and they address city issues directly. However, much has been written about the representation of the city in connection with technology, factories and alienating working conditions, which lend themselves to a Marxist analysis. This is not what interests me here, instead I want to approach the city on a sideway, using sociological theory of the body as put forward This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Buchnummer des Verkäufers 9783638766043

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Rebecca Steltner
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Buchbeschreibung GRIN Verlag, Germany, 2013. Paperback. Buchzustand: New. Auflage.. 216 x 135 mm. Language: English . Brand New Book ***** Print on Demand *****.Seminar paper from the year 2004 in the subject German Studies - Comparative Literature, grade: 70 (1), University of Cambridge (Faculty of Modern and Medieval Languages), course: The City, 25 entries in the bibliography, language: English, abstract: Where the Futurist s City Symphony is a celebration of the Joy of Mechanical Force , the Expressionist s is dark and apocalyptic. Cities in this poetry are centres of disease and disgust. They are industrial to the extent that they are equated with factories as pars pro toto. Life in the country-side or in the city could not be more different or the rift between the rich and the poor greater. R.H. Thomas comments that between 1890 and 1912 production in Germany was already industrial, whereas society was still far from industrial. The reason being, that in Germany industrialisation set in much later than in the UK and was compressed into just three decades. It is a time when the cities were reborn and the images of the city changed dramatically, some of which I want to argue still exist in our common imaginary today. There are several fields of images that contribute to the representation of the city, they are: apocalyptic visions of technology and the decaying body, disease and sexuality, but also the Ich-Zerfall (ego-decay) can be seen as being triggered by the experience of the city as Simmel elaborates and when the Expressionist poets write about nature, it only really exists in relation to that city whose red smoke always lurks in the background, its smoke can be tasted everywhere. The city is the main theme of all these poems not just the backdrop and they address city issues directly. However, much has been written about the representation of the city in connection with technology, factories and alienating working conditions, which lend themselves to a Marxist analysis. This is not what interests me here, instead I want to approach the city on a sideway, using sociological theory of the body as put forward. Buchnummer des Verkäufers AAV9783638766043

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