The Architecture of Rome An Architectural History in 400 Individual Representations

Grundmann, Stefan

ISBN 10: 3930698609 / ISBN 13: 9783930698608

Verlag: Axel Menges, 1998

Beschreibung

6.39 X 0.92 X 8.76 inches; 382 pages; B&W photographs. Very slightly cocked spine. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. 1st Edition (Unstated); No Printing Stated.

Bestandsnummer des Verkäufers HVD-59411-A-0

Bibliografische Details

• Titel: The Architecture of Rome An Architectural History in 400 Individual Representations
• Verlag: Axel Menges
• Erscheinungsjahr: 1998
• Sprache: Englisch
• ISBN-10: 3930698609
• ISBN-13: 9783930698608
• Einband: Paperback
• Auflage: 1. Auflage
• Zustand: Very Good

Über diesen Titel

Inhaltsangabe

Architects and artists have always acknowledged over the centuries that Rome is rightly called the »eternal city«. Rome is eternal above all because it was always young, always »in its prime«. Here the buildings that defined the West appeared over more than 2000 years, here the history of European architecture was written. The foundations were laid even in ancient Roman times, when the first attempts were made to design interiors and thus make space open to experience as something physical. And at that time the Roman architects also started to develop building types that are still valid today, thus creating the cornerstone of later Western architecture. In it Rome’s primacy remained unbroken – whether it was with old St. Peter’s as the first medieval basilica or new St. Peter’s as the building in which Bramante and Michelangelo developed the High Renaissance, or with works by Bernini and Borromini whose rich and lucid spatial forms were to shape Baroque as far as Vienna, Bohemia and Lower Franconia, and also with Modern buildings, of which there are many unexpected pearls to be found in Rome. All this is comprehensible only if it is presented historically, i. e. in chronological sequence, and therefore the guide has not been arranged topographically as usual but chronologically. This means that one is not led in random sequence from a Baroque building to an ancient or a modern one, but the historical development is followed successively. Every epoch is preceded by an introduction that identifies its key features. This produces a continuous, lavishly illustrated history of the architecture of Rome – and thus at the same time of the whole of the West. Practical handling is guaranteed by an alphabetical index and detailed maps, whose information does not just immediately illustrate the historical picture, but also makes it possible to choose a personal route through history. In order to clarify the historical development, the key buildings of each period and other major works are especially emphasized both in the text and on the maps. The authors are a group of art historians who experienced Rome together years ago and then went their separate ways: as an on-the-spot guide, as research scholars at the University of Munich, and at the Zentralinstitut für Kunstgeschichte in Munich and the Bibliotheca Hertziana in Rome, respectively, as Professor at the Humboldt-Universität zu Berlin

Über die Autorin bzw. den Autor

Michael Robinson is a freelance lecturer and writer on British art and design history. Originally an art dealer with his own provincial gallery in Sussex, he entered academic life by way of a career change, having gained a first class honours and Masters degree at Kingston University. He is currently working on his doctorate, a study of early modernist period British dealers. He continues to lecture on British and French art of the Modern period.