The Computer Animator's Technical Handbook

Pocock, Lynn. Rosebush, Judson

ISBN 10: 0125588216 / ISBN 13: 9780125588218

Verlag: Morgan Kaufmann Publishers, San Francisco, 2002

Beschreibung

Quarto blue color illus. xiv, 464 pages: illustrations (some color); 26 cm. Inscribed by L. Pocock Morgan Kaufmann series in computer graphics and geometric modeling; Variation: Morgan Kaufmann series in computer graphics and geometric modeling. Digital pictures -- Anatomy of time -- The science of moving pictures -- The mechanics of film -- The electronics of video -- Digital temporal imaging -- Intermixing media -- Animation methods and tools -- The cel system -- Motion pathways, key frame animation, and easing -- Kinematic motion and mechanisms -- Dynamic and behavioral modeling -- digital special effects -- Animation languages -- The production process.Computer animation -- Handbooks, manuals, etc. Conception technique. Slight moisture damage upper corner, affect approximatley first half of pages' outer right corner; otherwise clean and tight. Very good+.

Bestandsnummer des Verkäufers 87409

Bibliografische Details

• Titel: The Computer Animator's Technical Handbook
• Verlag: Morgan Kaufmann Publishers, San Francisco
• Veröffentlichungsdatum: 2002
• Sprache: Englisch
• ISBN-10: 0125588216
• ISBN-13: 9780125588218
• Bindung: Paperback
• Ausgabe: [1st presumed].
• Zustand: Very good
• Verkäuferkataloge:
  • Film, Television & Theater

Über diesen Titel

Inhaltsangabe

If it's computer animation you're interested in, you don't need a book that devotes half its pages to 3D modeling. Likewise, if you're looking for a comprehensive, enduring technical animation reference, you've probably discovered that titles devoted to specific software programs omit too much conceptual information and quickly fall out of date. With The Computer Animators Technical Handbook, you get precisely what you've been looking for: a complete technical resource focused exclusively on animation and written at a level that ensures its relevance, regardless of the applications you employ or the precise uses to which you put them. Pocock and Rosebush illuminate classic animation techniques using modern vocabulary and explain computational techniques in classic terms. By bridging these two worlds, they provide a solid grounding in the concepts at the heart of all animation work. They also cover every aspect of the professional production process-critical information neglected in most books and never before presented so clearly or completely.

Über die Autorin bzw. den Autor

Lynn Pocock is an artist and an Associate Professor of Fine Arts and Coordinator of Computer Graphics at New York Institute of Technology. Her art and research have been published in scholarly journals such as Leonardo and The Art Journal. Pocock has been exhibited internationally, including at the New York Film and Video Expo, the London International Film Festival, and SIGGRAPH's Animation Theater and Art Show. She is Vice Chair of the NYC SIGGRAPH Board of Directors and the Conference Chair of the SIGGRAPH 2001 conference in Los Angeles. Judson Rosebush is a director and producer of multimedia products and computer animation, an author, artist and media theorist. He completed his first computer animations in 1970 and founded Digital Effects Inc. in 1978, the first digital computer animation company in New York City. Rosebush is the co-author of Computer Graphics for Designers and Artists, published by Van Nostrand Reinhold Co., and co-author of Electronic Publishing on CD-ROM, published by O'Reilly & Associates, Inc. He has exhibited his computer generated drawings and films in numerous museum shows, and the drawings have been reproduced in hundreds of magazines and books, prompting speaking engagements as a national ACM lecturer.