End of the World as We Know It, The: Scenes from a Life

Goolrick, Robert

ISBN 10: 1565124812 / ISBN 13: 9781565124813

Verlag: Algonquin Books of Chapel Hill, Chapel Hill, NC, 2007

Beschreibung

213 pages; about 5 pages with highlighting; light shelf wear to edges of dj.

Bestandsnummer des Verkäufers 206116

Bibliografische Details

• Titel: End of the World as We Know It, The: Scenes from a Life
• Verlag: Algonquin Books of Chapel Hill, Chapel Hill, NC
• Erscheinungsjahr: 2007
• Sprache: Englisch
• ISBN-10: 1565124812
• ISBN-13: 9781565124813
• Einband: Hard Cover
• Auflage: 1st Edition.
• Zustand: vg-
• Zustand des Schutzumschlags: vg
• Buchtyp: Hardcover (dj)
• Verkäuferkataloge:
  • Self-help,Biographical

Über diesen Titel

Inhaltsangabe

It was the 1950s, a time of calm, a time when all things were new and everything seemed possible. A few years before, a noble war had been won, and now life had returned to normal.

For one little boy, however, life had become anything but "normal."

To all appearances, he and his family lived an almost idyllic life. The father was a respected professor, the mother a witty and elegant lady, someone everyone loved. They were parents to three bright, smiling children: two boys and a girl. They lived on a sunny street in a small college town nestled neatly in a leafy valley. They gave parties, hosted picnics, went to church—just like their neighbors. To all appearances, their life seemed ideal. But it was, in fact, all appearances.

Lineage, tradition, making the right impression—these were matters of great importance, especially to the mother. But behind the facade this family had created lurked secrets so dark, so painful for this one little boy, that his life would never be the same.

It is through the eyes of that boy—a grown man now, revisiting that time—that we see this seemingly serene world and watch as it slowly comes completely and irrevocably undone.

Beautifully written, often humorous, sometimes sweet, ultimately shocking, this is a son's story of looking back with both love and anger at the parents who gave him life and then robbed him of it, who created his world and then destroyed it.

As author Lee Smith, who knew this world and this family, observed, "Alcohol may be the real villain in this pain-permeated, exquisitely written memoir of childhood—but it is also filled with absolutely dead-on social commentary of this very particular time and place. A brave, haunting, riveting book."

Von der hinteren Coverseite

It was the 1950s, a time of calm, a time when all things were new and everything seemd possible. A few years before, a noble war had been won, and now life had returned to normal.

For one little boy, however, life had become anything but "normal."

To all appearances, he and his family lived an almost idyllic life. The father was a respected professor, the mother a witty and elegant lady, someone everyone loved. They were parents to three bright, smiling children: two boys and a girl. They lived on a sunny street in a small college town nestled neatly in a leafy valley. They gave parties, hosted picnics, went to church—just like their neighbors. To all appearances, their life seemed ideal. But it was, in fact, all appearances.

Lineage, tradition, making the right impression—these were matters of great importance, especially to the mother. But behind the facade this family had created lurked secrets so dark, so painful for this one little boy, that his life would never be the same.

It is through the eyes of that boy—a grown man now, revisiting that time—that we see this seemingly serene world and watch as it slowly comes completely and irrevocably undone.

Beautifully written, often humorous, sometimes sweet, ultimately shocking, this is a son's story of looking back with both love and anger at the parents who gave him life and then robbed him of it, who created his world and then destroyed it.

As author Lee Smith, who knew this world and this family, observed, "Alcohol may be the real villain in this pain-permeated, exquisitely written memoir of childhood—but it is also filled with absolutely dead-on social commentary of this very particular time and place. A brave, haunting, riveting book."