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On February 13, 1914, a group of the nation's songwriters gathered together in New York City to support the mission of ASCAP, an organization for publishers and songwriters. This book explores the growth and changes within this complex society and its relationship to emerging technologies. Series: Legacy Series. Num Pages: 320 pages, Four 8-page Black and White and 4-colour Photo Inserts. BIC Classification: AVX; KNTF. Category: (G) General (US: Trade). Dimension: 231 x 160 x 27. Weight in Grams: 712. . 2014. 1St Edition. Hardcover. . . . . Bestandsnummer des Verkäufers V9781423492214
(Book). On February 13, 1914, a group of the nation's most distinguished and popular songwriters gathered together in New York City to support the mission of ASCAP, a new organization for publishers and songwriters. A few years later, ASCAP received its mandate from the Supreme Court to collect royalties for the public performance of copyrighted material. Over the course of the next century, ASCAP has been as prominent a force for the advancement and nurture and financial well-being of songwriters as any record label or publishing outfit one would care to name. With a responsive board of directors made up entirely of songwriter/composer and publisher members, ASCAP has defended creators' rights at every turn against those who would seek to devalue music. Today, with copyright under renewed assault, its mission is as resonant and vital as ever, along with its relatively new role as a nurturer of the young artists who represent the future of music. Award-winning music writer Bruce Pollock explores the growth and changes within this complex society and its relationship to emerging technologies, in the context of 100 years of an ever-evolving music business, to see how ASCAP has become, for those who hope to make a living making music, now more than ever, "a friend in the music business."
Über die Autorin bzw. den Autor: Bruce Pollock (Fairfield, CT) has been called “the most important scholar of American pop music” by the late Greg Shaw. He is the author of 13 books, including Working Musicians: Defining Moments from the Road, the Studio, and the Stage and Rock Song Index. For 17 years he was the editor of Popular Music: An Annotated Index of American Popular Songs. His writings have appeared in Playboy, the New York Times, USA Today, and the Saturday Review.
Titel: Friend in the Music Business
Verlag: Hal Leonard Corporation
Erscheinungsdatum: 2014
Einband: Hardcover
Zustand: New
Auflage: 1. Auflage
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. 1St Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Bestandsnummer des Verkäufers 10027714-6
Anzahl: 1 verfügbar
Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Good. 1St Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Bestandsnummer des Verkäufers 10027714-6
Anzahl: 1 verfügbar
Anbieter: Budget Books, Pasadena, CA, USA
Soft cover. Zustand: New. Zustand des Schutzumschlags: Fine. 1st Edition. Book is new. Dust jacket has a tiny tear in upper front. Bestandsnummer des Verkäufers 3716
Anzahl: 1 verfügbar
Anbieter: monobooks, Waterford, MI, USA
Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition 2014, first printing. Published by Hal Leonard Books. Hardcover with DJ. Condition new, square tight and crisp book, no edgewear, corners not bumped, no names, no underlinings, no highlights, no bent pages. Not a reminder. DJ new, bright and shiny, no tears, no chips, price not clipped. 8vo, 320 pages. Heavy book will require additional postage for international orders. Bestandsnummer des Verkäufers 005286
Anzahl: 1 verfügbar