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First Edition (2011.) Hardcover no dust jacket was issued. 8vo with 269 pages. The book is in very good condition. Interior is clean and tight. "Toward a General Theory of Acting explores the actor's art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score." Fushia spine/ White text. Size: 8vo. Bestandsnummer des Verkäufers 035074
Toward a General Theory of Acting explores the actor's art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process.
Über die Autorin bzw. den Autor: John Lutterbie is a Professor at Stony Brook University, USA.
Titel: Toward a General Theory of Acting: Cognitive...
Verlag: Palgrave Macmillan
Erscheinungsdatum: 2011
Einband: Hardcover
Zustand: Very Good
Zustand des Schutzumschlags: No DJ Issued
Auflage: 1st Edition.
Art des Buches: Stagecraft / Acting
Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers 38342910-6
Anzahl: 1 verfügbar
Anbieter: Optimon Books, Gravesend, KENT, Vereinigtes Königreich
Hardcover. Zustand: Good. Toward a General Theory of Acting explores the actor's art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process. Bestandsnummer des Verkäufers 404268
Anzahl: 1 verfügbar