1st printing. Large landscape 4to. in black printed cream boards, 186pp, parallel text in English, German and French, numerous captioned plates in colour and b/w. The first printing of this classic and much reprinted work . [CONDITION: Covers and page-block edges moderately tanned else a well preserved FINE clean and tight unmarked copy in a slightly edge-rubbed and nicked but otherwise VERY GOOD complete Dust Jacket (looks very presentable in its removable transparent protector). A nice copy of the rare first printing ] . __To see more of our books on Graphic Art and Design type DbbGRAPHIC in the Keywords search box . __NOTE. Depending on destination, this item may require an extra payment for shipping insurance. If so, orders made by card will be completed only after you have approved the extra cost . We always ship in STRONG PROTECTIVE CARD PARCELS.

Bestandsnummer des Verk�ufers TH221335

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Bibliografische Details

Titel: Gestaltungsprobleme des Grafikers - The Graphik Artist and His Design Problems - Les Problemes d'un Artiste Graphique
Verlag: Alec Tiranti, London
Erscheinungsjahr: 1961
Einband: HARDCOVER
Auflage: 1st Edition.
Zustand: Fine
Zustand des Schutzumschlags: Very Good

Anbieterinformationen

Mail order out-of-print, collectible and simply second-hand books mainly on the Fine & Applied Arts, including photography, architecture, design, graphics, craftwork, building etc. We have been dealing in books since 1976, selling by mail order catalogue since 1980 and online since 1998. Contact: replies@booktracker.net

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David Bunnett Books
United Kingdom

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BOOKS (and wrappers if present) are described using standard terminology: best
being VERY FINE as
new, through Fine, VG, Good and worst being Poor or Reading Copy, and are free
from wear, tear,
creasing, markings in text, bookplates or inscriptions unless otherwise stated.
We note even very minor
faults such as faint creasing or barely visible rubbing to books and wrappers
described as Fine or better.
1st Edition means 1st impression unless otherwise noted. . . . . . . .

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