Mexico and Modern Printmaking: A Revolution in the Graphic Arts, 1920 to 1950

John Ittmann, Innis Howe Shoemaker, James M. Wechsler, Lyle W. Williams

ISBN 10: 0300120044 / ISBN 13: 9780300120042

Verlag: Philadelphia Museum of Art / McNay Art Museum / Yale University Press, 2006

Beschreibung

4to. 289 pp. Red cloth. Fine in Near Fine dust jacket. Slight shelfwear to jacket. Bestandsnummer des Verkäufers x07791

Bibliografische Details

Titel: Mexico and Modern Printmaking: A Revolution ...

Verlag: Philadelphia Museum of Art / McNay Art Museum / Yale University Press

Erscheinungsdatum: 2006

Einband: Hardcover

Zustand: Fine

Zustand des Schutzumschlags: Near Fine

Auflage: 1st Edition

Über diesen Titel

Inhaltsangabe:

Book by None

Reseña del editor:

Mexico witnessed an exciting revival of printmaking alongside its better-known public mural program in the decades after the 1910-20 revolution. Major artists such as Jose Clemente Orozco, Diego Rivera, David Alfaro Siqueiros, and Rufino Tamayo produced numbers of prints that furthered the social and political reforms of the revolution and helped develop a uniquely Mexican cultural identity. This groundbreaking book is the first to undertake an in-depth examination of these prints, the vital contributions Mexico's printmakers made to modern art, and their influence on coming generations of foreign artists. Along with a thorough discussion of the printmaking practices of Orozco, Rivera, Siqueiros, Tamayo, and others, the book features some 300 handsomely illustrated prints--many previously unpublished. Essays by distinguished scholars investigate the dynamic cultural exchange between Mexico and other countries at this time. They analyze the work of such Mexican artists as Emilio Amero and Jesus Escobedo, who traveled abroad, and such international artists as Elizabeth Catlett and Jean Charlot, who came to Mexico. They also discuss the important roles of the Taller de Grafica Popular, a flourishing print workshop founded in Mexico City in 1937, and the Weyhe Gallery in New York, which published and distributed prints by many of these artists during the 1920s and 1930s. Together, the prints and essays tell the fascinating history of Mexico's graphic-arts movement in the first half of the 20th century.