J, Jezebel (unknown pseudonym). Nothing To Be Ashamed Of. London: A. M. Philpot Ltd., n.d. [1925]. First edition. Octavo, pp. [1-6] 7-283 [284: blank] [285-288: publisher's ads]. Original dark gray boards, front and spine stamped in light blue. A touch of wear at head of spine, generally a very good copy of a somewhat fragile and scarce book. No other editions can be traced. No library holdings in the U.S. #1198. $25. Bleiler (1978), p. 107. A first-person narration by a young woman in contemporary London whose clothes keep disintegrating from her body due to some mysterious force. The story's intended tone is certainly not erotic. It wavers a bit uncertainly between the comical and the satirical (attacking stuffy societal conventions). The book was printed in France (for fear of censorship?). The publisher specialized in seemingly naughty books and in translations from the French, including works by Maurice Level. Bestandsnummer des Verk�ufers 1198

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Bibliografische Details

Titel: Nothing To Be Ashamed Of

Verlag: A. M. Philpot Ltd, London

Erscheinungsdatum: 1925

Einband: Hardback

Zustand: Very Good

Zustand des Schutzumschlags: No Jacket

Auflage: First Edition.

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When I began my bookselling business in 1996 I called it "Eldritch Books" because that adjective at least partly covered the type of material I offered (and because its similarity to my own surname seemed so -- eldritch). "Ghost stories" would be another handy, if somewhat reductive, term. Most of it is fiction from the 19th and early 20th century with a strong emphasis on the fantastic. Since the most familiar and relevant genre terms in use today -- "science fiction," "fantasy," "supernatural," "horror" -- were not so much in use when these books were first published, pegging them that way can be anachronistic. But that should give you the general idea. I don't have much in the way of American pulp (either in magazine or specialty press book form) but otherwise my interests range widely from high-brow to middle-brow to low-brow to amateur/eccentric. You're more likely to find rare and obscure works here than high spots. (Or at least they're obscure now, whatever their status was when first published.) In 2001 I went to work for L. W. Currey as cataloguer and general assistant. Since 2014 I've been back working on my own. I have exhibited at convention fairs (such as WFC and Readercon) in the past. I began collecting and studying antiquarian fantasy around 1980. Some of my essays have appeared in genre publications such as NYRSF, Wormwood and F&SF. I tend to carefully research my inventory and write extensive notes. (If another dealer wishes to make use of any of these notes, I'd appreciate the courtesy of putting such excerpts in quotes and giving proper attribution to me. That's what I do when I quote from any of my reference works.) I will be gradually listing my inventory on ABE over the coming years. I hope you find something of interest.

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Robert Eldridge, Bookseller
NY, U.S.A.

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