The Repeating Image: Multiples in French Art from David to Matisse

Kahng, Eik (Edited by); Bann, Stephen, et al. (Contributions by)

ISBN 10: 0300126697 / ISBN 13: 9780300126693

Verlag: Walters Art Museum; Yale University Press, Baltimore, MD and New Haven, CT, 2007

Beschreibung

200 pages, illustrations (some colour); 26 cm. Catalogue of an exhibition entitled Deja Vu? Revealing Repetition in French Masterpieces, at the Walters Art Museum, October 7, 2007 to January 1, 2008 and at the Phoenix Museum of Art, January 20 to May 4, 2008. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** CONTENTS: Repetition as symbolic form, by Eik Kahng; Reassessing repetition in nineteenth-century academic painting: Delaroche, Gerome, Ingres, by Stephen Bann; Strategies of repetition: Millet/Corot, by Simon Kelly; The predications and implications of Monet's series, by Charles Stuckey; Risible Cezanne, by Richard Shiff; The Matisse grid, by Jeffrey Weiss. Size: 4to.

Bestandsnummer des Verkäufers 103881

Bibliografische Details

• Titel: The Repeating Image: Multiples in French Art from David to Matisse
• Verlag: Walters Art Museum; Yale University Press, Baltimore, MD and New Haven, CT
• Erscheinungsjahr: 2007
• Sprache: Englisch
• ISBN-10: 0300126697
• ISBN-13: 9780300126693
• Einband: Hardcover
• Auflage: 1st.
• Zustand: NEW
• Zustand des Schutzumschlags: NEW
• Buchtyp: Collectible
• Verkäuferkataloge:
  • European::French
  • European::7. Late 19th Century
  • New Books
  • European::6. Neo-Classical & Romantic
  • XXX::COLLECTIBLES
  • XL: Extra Large

Über diesen Titel

Inhaltsangabe

An authoritative and elegant study of the theme of repetition in early modern painting

Today serial imagery dominates all forms of visual media, from advertising to conceptual sculpture. In this innovative project, the authors show that the phenomenon of repetition appears as a radical element in early modern painting, long before its embrace by 20th-century high modernism. In works by Ingres, Delaroche, Gérôme, Corot, Millet, Monet, Cézanne, Degas, and Matisse, the reader can compare closely related versions of some of the most familiar imagery of the 19th and early 20th centuries. By making multiples of closely related subject matter in their paintings, the authors argue, these painters challenged an aesthetic based on the notion of an inimitable, unique masterpiece. Through beautiful illustrations and essays by leading scholars, this book ultimately shows how the 19th-century invention of photography and film―with their intrinsic attributes of repetition―did not diminish the traditional medium of painting but rather propelled it in new directions.

Distributed for the Walters Art Museum

Exhibition Schedule:

Baltimore (October 7, 2007–January 1, 2008)

Phoenix Art Museum (January 20–May 4, 2008)

Über die Autorin bzw. den Autor

Eik Kahng is curator of 18th- and 19th-century art at the Walters Art Museum. Stephen Bann is professor of the history of art at the University of Bristol. Simon Kelly is associate curator of European painting and sculpture at the Nelson-Atkins Museum, Kansas City. Richard Shiff is Chair in Art and directs the Center for the Study of Modernism at the University of Texas, Austin. Charles F. Stuckey is a specialist in Impressionist and modern art. Jeffrey Weiss is director of the Dia Art Foundation.