Representation: Cultural Representations and Signifying Practices (Culture, Media and Identities Series)

Hall, Stuart

ISBN 10: 0761954325 / ISBN 13: 9780761954323

Verlag: Sage Publications & Open University, Thousand Oaks, California and London, 2007

Beschreibung

Text clean and unmarked. Binding tight. Covers have light wear. Edges of pages have light wear.

Bestandsnummer des Verkäufers 5051143

Bibliografische Details

• Titel: Representation: Cultural Representations and Signifying Practices (Culture, Media and Identities Series)
• Verlag: Sage Publications & Open University, Thousand Oaks, California and London
• Erscheinungsjahr: 2007
• Sprache: Englisch
• ISBN-10: 0761954325
• ISBN-13: 9780761954323
• Einband: Soft cover
• Auflage: 1st Edition
• Zustand: Very Good

Über diesen Titel

Inhaltsangabe

This broad-ranging text offers a comprehensive outline of how visual images, language and discourse work as `systems of representation'.

Individual chapters explore: representation as a signifying practice in a rich diversity of social contexts and institutional sites; the use of photography in the construction of national identity and culture; other cultures in ethnographic museums; fantasies of the racialized `Other' in popular media, film and image; the construction of masculine identities in discourses of consumer culture and advertising; and the gendering of narratives in television soap operas.

Über die Autorin bzw. den Autor

Stuart Hall was born and raised in Jamaica and arrived in Britain on a Rhodes scholarship to Oxford in 1950. In 1958, he left his PhD on Henry James to found the New Left Review, which did much to open a debate about immigration and the politics of identity. Along with Raymond Williams and Richard Hoggart he established the first Cultural Studies programme at a British university in Birmingham in 1964, bringing the study of popular culture into the understanding of political and social change.

After spending more than four decades as one of the UK’s leading public intellectuals, Hall retired from formal academic life in 1997 and since then has continued to devote himself to questions of representation, creativity and difference. He became the chair of two foundations, Iniva, the Institute of International Visual Arts, and Autograph ABP, which seeks to promote photographers from culturally diverse backgrounds, and championed the opening of Iniva’s new Rivington Place arts complex in east London in 2007.