White, Stewart Edward. The Sign at Six. Indianapolis: The Bobbs-Merrill Company Publishers, [1912]. First edition. Octavo, pp. [1-10] 1-264 [265] [266: blank]. Original forest green decorative cloth, front and spine panels stamped in gold and blind. Illustrated with drawings by M. Leone Bracker on six inserted plates. A bright fine copy. #1683. $25. A mad scientist threatens to cut off all light and heat and sound in New York in order to take over the city. (Question: if someone could make NYC quiet and cool, why wouldn't he be made dictator by universal proclamation?) Bleiler, Science Fiction: The Early Years 2372. Clareson, Science Fiction in America, 1870s-1930s 809. Locke, A Spectrum of Fantasy, p. 230. Bleiler (1978), p. 207. Reginald 15246. Bestandsnummer des Verk�ufers 1683

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Bibliografische Details

Titel: The Sign at Six

Verlag: Bobbs-Merrill, Indianapolis

Erscheinungsdatum: 1912

Einband: Hardback

Illustrator: M. Leone Bracker

Zustand: Fine

Auflage: First Edition.

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When I began my bookselling business in 1996 I called it "Eldritch Books" because that adjective at least partly covered the type of material I offered (and because its similarity to my own surname seemed so -- eldritch). "Ghost stories" would be another handy, if somewhat reductive, term. Most of it is fiction from the 19th and early 20th century with a strong emphasis on the fantastic. Since the most familiar and relevant genre terms in use today -- "science fiction," "fantasy," "supernatural," "horror" -- were not so much in use when these books were first published, pegging them that way can be anachronistic. But that should give you the general idea. I don't have much in the way of American pulp (either in magazine or specialty press book form) but otherwise my interests range widely from high-brow to middle-brow to low-brow to amateur/eccentric. You're more likely to find rare and obscure works here than high spots. (Or at least they're obscure now, whatever their status was when first published.) In 2001 I went to work for L. W. Currey as cataloguer and general assistant. Since 2014 I've been back working on my own. I have exhibited at convention fairs (such as WFC and Readercon) in the past. I began collecting and studying antiquarian fantasy around 1980. Some of my essays have appeared in genre publications such as NYRSF, Wormwood and F&SF. I tend to carefully research my inventory and write extensive notes. (If another dealer wishes to make use of any of these notes, I'd appreciate the courtesy of putting such excerpts in quotes and giving proper attribution to me. That's what I do when I quote from any of my reference works.) I will be gradually listing my inventory on ABE over the coming years. I hope you find something of interest.

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Robert Eldridge, Bookseller
NY, U.S.A.

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