Antique Print-HAARLEM-BAKENESSERKERK-CHURCH-NETHERLANDS-Romeyn de Hooghe-1754

Beschreibung

Bakenesse Kerck. The Bakenesserkerk is a former church in Haarlem, Netherlands, on the Vrouwestraat 10. Its characteristic white tower can be seen in cityscapes of Haarlem. The entrance is opposite the rear entrance to the Teylers Hofje. It was founded in the 13th century by William II of Holland as "Onze Lieve Vrouwenkapel", and the white sandstone tower was added in 1520. After the Siege of Haarlem when 1500 soldiers were held here before being killed by the Spanish after their victory, the church was used to store turf for fifty years. Inscribed above the 1620 dooway on the north side is the Latin text Si laudem nova qui struxerunt templa tulere cur non qui renovant et vetus hocce ferant 1638. The church is currently in use as exhibition space for the workgroup of the Archeologisch Museum Haarlem. Original etching/engraving on a verge type handlaid paper. Description: This scarse plate originates from: 'Schrevelius,Theod. Beschrijving van Haarlem, Harlemias, of de eerste stichting der stad Haarlem; haar toenemen en vergrooten; zeldzaame avontuur in vrede, oorlog en belegeringen; harde beginzelen van de eerste reformatie enz.' tweede druk Haarlem by Johannes Marshorn 1754. engr frontispiece, 30 engr fold plts & 12 fold engr by Romeyn de Hooghe.Artists and Engravers: Romeyn de Hooghe (bapt. 10 September 1645 � 10 June 1708) was an important and prolific late Dutch Baroque, painter, sculptor, engraver and caricaturist. De Hooghe was born in Amsterdam. He was skilled as an etcher, draughtsman, painter, sculptor and medalist. He is best known for political caricatures of Louis XIV and propagandistic prints supporting William of Orange. During his career, de Hooghe produced over 3500 prints. He also illustrated books, and his illustrations can be found in some of the most important texts of his period. The Hieroglyphica of Merkbeelden der oude volkeren (1735) was a well known emblem book and sourcebook for classical mythology and its iconography. According to Houbraken he was particularly good at inventive arrangements of subjects in engravings. He was also a gifted painter and painted large panels for the rooms of the mayor's office in Enkhuizen and a room in the estate of Mattthijs van den Broeck in Dubbeldam. Houbraken disapproved of his dissolute lifestyle however, and felt that despite an enormous talent, as he grew older, he engraved shameful subjects that were a disgrace to the profession. According to the RKD he became a member of the Confrerie Pictura in 1662 and again in 1683 in the Hague. He was engaged to Maria Lansman of Edam in 1673, and their child was baptized in the Nieuwezijds Kapel in Amsterdam in 1674. He is known for decorative borders on large-scale city maps. His pupils were Filibert Bouttats (1654-after 1731), Filibertus Bouttats (1635�1707), Frans Decker, Fran�ois Harrewijn, Jacobus Harrewijn, Aernout Naghtegael, Laurens Scherm, and Adriaen Schoonebeek. De Hooghe died in Haarlem. Condition: Excellent, given age. Some spots in the left margin. Two folds, as issued. Left edge minimally uneven from binding. General age-related toning and/or occasional minor defects from handling. Irregular paper edges. Please study scan carefully. Storage location: LJC-C3-04 The overall size is ca. 12.6 x 8.1 inch. The image size is ca. 9.1 x 7.3 inch. The overall size is ca. 32 x 20.5 cm. The image size is ca. 23 x 18.5 cm. Bestandsnummer des Verkäufers 41066

Bibliografische Details

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