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The Manor (Penguin Twentieth Century Classics S.)

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9780140186635: The Manor (Penguin Twentieth Century Classics S.)
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This novel portrays the difficulties encountered by traditionalist Jews coming to terms with the social changes that rocked Poland in the late 19th century. The central figure of the novel is Calman Jacoby, who stands between the old and the new, unable to embrace either whole-heartedly.

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Isaac Bashevis Singer (1904-91) was the author of many novels, stories, children's books, and a memoir. He won the Nobel Prize for Literature in 1978.

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Singer, Isaac Bashevis
Verlag: Penguin Books Ltd (1993)
ISBN 10: 0140186638 ISBN 13: 9780140186635
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Buchbeschreibung Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Bestandsnummer des Verkäufers GOR001854892

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Singer, Isaac Bashevis:
Verlag: Harmondsworth: Penguin Books ohne Jahresangabe, ca. 1993. (1993)
ISBN 10: 0140186638 ISBN 13: 9780140186635
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Buchbeschreibung Illustrierte Originalbroschur. Zustand: Wie neu. 7. Auflage. 407 (7) Seiten. 19,7 cm. Sehr guter Zustand. Seiten papierbedingt leicht gebräunt. This novel portrays the difficulties encountered by traditionalist Jews coming to terms with the social changes that rocked Poland in the late 19th century. The central figure of the novel is Calman Jacoby, who stands between the old and the new, unable to embrace either whole-heartedly. - Isaac Bashevis Singer (November 21, 1902 (see notes below) July 24, 1991) was a Jewish American author noted for his short stories. He was one of the leading figures in the Yiddish literary movement, and received the Nobel Prize in literature in 1978. . Literary influences: Singer had many literary influences; besides the religious texts he studied there were the folktales he grew up with and worldly Yiddish detective-stories about "Max Spitzkopf" and his assistant "Fuchs"; there was Dostoyevsky, whose Crime and Punishment he read when he was fourteen; and he writes about the importance of the Yiddish translations donated in book-crates from America, which he studied as a teenager in Bilgoraj: "I read everything: Stories, novels, plays, essays I read Rejsen, Strindberg, Don Kaplanowitsch, Turgenev, Tolstoy, Maupassant and Chekhov." He studied many philosophers, among them Spinoza., Arthur Schopenhauer, and Otto Weininger. Among his Yiddish contemporaries Singer himself considered his older brother to be his greatest artistic example; he was a life-long friend and admirer of the author and poet Aaron Zeitlin. Of his non-Yiddish-contemporaries he was strongly influenced by the writings of Knut Hamsun, many of whose works he later translated, while he had more critical attitude towards Thomas Mann, whose approach to writing he considered opposed to his own. Contrary to Hamsun's approach, Singer shaped his world not only with the egos of his characters, but also using the moral commitments of the Jewish tradition that he grew up with and that his father embodies in the stories about his youth. This led to the dichotomy between the life his heroes lead and the life they feel they should lead - which gives his art a modernity his predecessors do not evince. His themes of witchcraft, mystery and legend draw on traditional sources, but they are contrasted with a modern and ironic consciousness. They are also concerned with the bizarre and the grotesque. Another important strand of his art is intra-familial strife - which he experienced firsthand when taking refuge with his mother and younger brother at his uncles home in Bilgoraj. This is the central theme in Singer's big family chronicles - like The Family Moskat (1950), The Manor (1967), and The Estate (1969). Some are reminded by them of Thomas Mann's novel Buddenbrooks; Singer had translated Mann's Der Zauberberg (The Magic Mountain) into Yiddish as a young writer. Language: Singer always wrote and published in Yiddish almost all of it in newspapers and then edited his novels and stories for their American versions, which became the basis for all other translations; he referred to the English version as his "second original". This has led to an ongoing controversy whereby the "real Singer" can be found in the Yiddish original, with its finely tuned language and sometimes rambling construction, or in the more tightly edited American version, where the language is usually simpler and more direct. Many of Singer's stories and novels have not yet been translated. In the short story form, in which many critics feel he made his most lasting contributions, his greatest influences were Chekhov and Maupassant. From Maupassant, Singer developed a finely grained sense of drama. Like the French master, Singer's stories can pack enormous visceral excitement in the space of a few pages. From Chekhov, Singer developed his ability to draw characters of enormous complexity and dignity in the briefest of spaces. In the foreword to his personally selected volume of his finest short stories he describes the two aforementioned writers as the greatest masters of the short story form. . . Aus: wikipedia-Isaac_Bashevis_Singer Sprache: Englisch Gewicht in Gramm: 305 Amerikanische Literatur, Isaac Bashevis Singer (1902-1991), Geschichte, Gesellschaft, Amerikanische Literatur des 20. Jahrhunderts, Politik, Amerikanistik, Originalsprache, Book is written in english, Americana, Zeitgeschichte, Amerikanische Geschichte, Amerikanische Gesellschaft, Amerikanische Literatur des 20. Jahrhunderts, Politik, Soziologie, Amerikanistik, USA, Vereinigte Staaten, Literaturgeschichte. Bestandsnummer des Verkäufers 67340

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Singer, Isaac Bashevis
Verlag: Penguin Books, Limited (1993)
ISBN 10: 0140186638 ISBN 13: 9780140186635
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Buchbeschreibung Zustand: Good. New Ed. Ships from the UK. Used book that is in clean, average condition without any missing pages. Bestandsnummer des Verkäufers 40471096-20

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