Music and the Silent Film: Contexts and Case Studies, 1895-1924 - Hardcover

Marks, Martin Miller

Hardcover

ISBN 10: 0195068912 ISBN 13: 9780195068917

Verlag: OUP USA, 1997

Inhaltsangabe

Book by Marks Martin Miller

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Críticas:

The book is well worth it, considering the sheer amount of information it contains. The writing itself is clear and direct... Musically-savvy readers will probably be happy to see a scholarly film music book with not only substantial analytical discussions but also musical examples in abundance. Anderson is especially interested in, and adept at, providng information of practical use to musicians and researchers in tracking down material. ... It is one of the most substantial studies of silent film music available, and it constitutes both a useful reference work and a solid inquiry in a field only just beginning to open up to historians. (Journal of Film Music)

Reseña del editor:

Most people's view of silent film music is of a pianist playing old warhorse scores while watching the flickering screen. This innovative book shows that there was much more to silent film music and that often it was planned from the start as an integral part of the film. The first of three volumes investigating film music, this book devotes one chapter to films before 1900 and Camille Saint-Saëns's score for L'Assassinat du Duc de Guise (1908). Another chapter looks closely at film scores composed by Walter Cleveland Simon for several films of 1912. The two main chapters are devoted to significant films of the silent period, D.W. Griffith's The Birth of a Nation (1915) and René Clair's Entr'acte (1924). Breil's Birth of a Nation score was a compilation of many sources, but, when played by an orchestra accompanying the film in a theatre showing, it often matched the epic nature of the film and was one source of its great popularity.

Über diese Auflage

• Verlag: OUP USA
• Erscheinungsdatum: 1997
• ISBN 10: 0195068912
• ISBN 13: 9780195068917
• Einband: Tapa dura
• Anzahl der Seiten: 320